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This volume is both an essential resource for undergraduates and graduates studying Victorian and Decadent literature and an instructive work for enthusiastic readers of verse. The wide span of the 1872-1900 epoch enables readers to appreciate in great depth the literary developments that led to the fin de si cle, unlike most studies of this period, which focus solely on the 1890s, with no relation to cultural and historical developments in the previous two important decades.
Writings that shed new light on one of the most gifted, if reclusive, poets of the fin-de-siècle. A lost poet of the decadent era, Lionel Johnson is the shadow man of the 1890s, an enigma “pale as wasted golden hair.” History has all but forgotten Johnson, except as a footnote to the lives of more celebrated characters like W. B. Yeats and Oscar Wilde. Johnson should have been one of the great poets of the age but was already drinking eau-de-cologne for kicks while a teenager at Winchester College. His attraction to absinthe damaged his fragile health and cast him forever into a waking dream of haunted rooms and spectral poetry. A habitual insomniac, he haunted medieval burial grounds after dark, jotting down the epitaphs of the gone-too-young, as if anticipating his own early demise at the age of 35—falling from a bar stool in a Fleet Street pub. It was rumored that Johnson performed “strange religious rites” in his rooms at Oxford and experimented with hashish in the company of fellow poet Ernest Dowson. Moving to London, he fell in with Simeon Solomon, Oscar Wilde, and Aubrey Beardsley, and would contribute to the leading decadent publications of the day, including The Chameleon, The Yellow Book, and The Savoy. Like a glimmering of a votive candle in one of Johnson's dream churches, Incurable sheds new light on one of the most gifted, if reclusive, poets of the fin-de-siècle. Containing a detailed biography, illustrations, rare and unusual material including previously unseen letters, poetry, and essays, Incurable pays tribute to this enchanting and eccentric poet while providing fresh insight into an era that continues to fascinate.
The Aesthetic and Decadent Movement of the late 19th century spawned the idea of "Art for Art's Sake," challenged aesthetic standards and shocked the bourgeosie. From Walter Pater's study, "The Renaissance to Salome, the truly decadent collaboration between Oscar Wilde and Aubrey Beardsley, Karl Beckson has chosen a full spectrum of works that chronicle the British artistic achievement of the 1890s. In this revised edition of a classic anthology, "The Ballad of Reading Gaol" has been included in its entirety; the bibliography has been completely updated; Professor Beckson's notes and commentary have been expanded from the first edition published in 1966. The so-called Decadent or Aesthetic period remains one of the most interesting in the history of the arts. The poetry and prose of such writers as Yeats, Wilde, Symons, Johnson, Dowson, Barlas, Pater and others are included in this collection, along with sixteen of Aubrey Beardsley's drawings.
The poems collected in this volume are expressions of a spirit of self-indulgence, eroticism and moral rebelliousness that emerged in the late Victorian age. They deal with eternal themes of transition, artifice and the ravages of time. It presents the works of writers as Oscar Wilde, Arthur Symons, Rosamund Marriott Watson, and W B Yeats.
The first holistic reappraisal of the significance of the decadent movement, from the 1900s through the 1930s. Decadence in the Age of Modernism begins where the history of the decadent movement all too often ends: in 1895. It argues that the decadent principles and aesthetics of Oscar Wilde, Walter Pater, Algernon Swinburne, and others continued to exert a compelling legacy on the next generation of writers, from high modernists and late decadents to writers of the Harlem Renaissance. Writers associated with this decadent counterculture were consciously celebrated but more often blushingly denied, even as they exerted a compelling influence on the early twentieth century. Offering a multifaceted critical revision of how modernism evolved out of, and coexisted with, the decadent movement, the essays in this collection reveal how decadent principles infused twentieth-century prose, poetry, drama, and newspapers. In particular, this book demonstrates the potent impact of decadence on the evolution of queer identity and self-fashioning in the early twentieth century. In close readings of an eclectic range of works by Virginia Woolf, James Joyce, and D. H. Lawrence to Ronald Firbank, Bruce Nugent, and Carl Van Vechten, these essays grapple with a range of related issues, including individualism, the end of Empire, the politics of camp, experimentalism, and the critique of modernity. Contributors: Howard J. Booth, Joseph Bristow, Ellen Crowell, Nick Freeman, Ellis Hanson, Kate Hext, Kirsten MacLeod, Kristin Mahoney, Douglas Mao, Michèle Mendelssohn, Alex Murray, Sarah Parker, Vincent Sherry
Decadence, that flowering of a mannered literary style in France during the Second Empire, and in the last two decades of the nineteenth century in Britain, holds an endless fascination. Yet the ambiguity of the term 'decadence' and the challenges of identifying its practitioners make grasping its contours difficult. From the obsession with classical cultures, to the responses to the HIV/AIDS crisis of the 1980s and 1990s, this book offers one of the most comprehensive histories of literary Decadence. The essays here interrogate and expand the formal, geographical, and temporal frameworks for understanding Decadent literature, while offering a renewed focus on the role played by women writers. Featuring essays by leading scholars on sexuality, politics, science, translation, the New Woman, Russian and Spanish American Decadence, the influence of cinema on Decadence, and much more, it is essential reading for all those interested in the literature of the 1890s and Oscar Wilde.
Decadent literature in Britain blossomed in the 1890s around such figures as Oscar Wilde, Aubrey Beardsley, Max Beerbohm, Ernest Dowson and Arthur Symons. Under the maxim 'Art for Art's Sake' they often defied moral convention and pursued the limits of sensation, wilfully transgressing Victorian respectability along the way. This illustrated anthology concentrates on the major preoccupations of Decadence: Artifice, Intoxication, Spirituality, and Death. The selections include not only the finest examples of Decadent prose and poetry, but also extracts from theoretical texts, criticism and parody. This wider focus creates a well-rounded and distinctive introduction to the best of Decadent writing.
Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history – decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety. International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890 to 1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama. Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D'Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.
In Literature and the Politics of Post-Victorian Decadence, Kristin Mahoney argues that the early twentieth century was a period in which the specters of the fin de siècle exercised a remarkable draw on the modern cultural imagination and troubled emergent avant-gardistes. These authors and artists refused to assimilate to the aesthetic and political ethos of the era, representing themselves instead as time travelers from the previous century for whom twentieth-century modernity was both baffling and disappointing. However, they did not turn entirely from the modern moment, but rather relied on decadent strategies to participate in conversations concerning the most highly-vexed issues of the period including war, the rise of the Labour Party, the question of women's sexual freedom, and changing conceptions of sexual and gender identities.
Decadence and Literature explains how the concept of decadence developed since Roman times into a major cultural trope with broad explanatory power. No longer just a term of opprobrium for mannered art or immoral behaviour, decadence today describes complex cultural and social responses to modernity in all its forms. From the Roman emperor's indulgence in luxurious excess as both personal vice and political control, to the Enlightenment libertine's rational pursuit of hedonism, to the nineteenth-century dandy's simultaneous delight and distaste with modern urban life, decadence has emerged as a way of taking cultural stock of major social changes. These changes include the role of women in forms of artistic expression and social participation formerly reserved for men, as well as the increasing acceptance of LGBTQ+ relationships, a development with a direct relationship to decadence. Today, decadence seems more important than ever to an informed understanding of contemporary anxieties and uncertainties.