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In addition to the writer's 1624 collection of meditations, debates with God, and prayers on the human condition-particularly earthly physical sickness and health-this volume contains the 1631 work "Death's Duel," a sermon said to be his own funeral oration, which he preached shortly before his own death. Readers of 17th-century literature, religious devotionals, and ponderers of human mortality are sure to find something profound in this fascinating, famous work. British metaphysical poet JOHN DONNE (1572-1631), renowned for his satires on English society, wrote this prose work in the latter part of his life, after he became an Anglican priest.
A welcome dose of dark humor for these dark times, from acclaimed illustrator Cecilia Ruiz The Book of Extraordinary Deaths introduces readers to the bizarre demises of thinkers, writers, monarchs, artists, and notable nobodies throughout history. Beginning in the seventh century BC with the unusual death of Draco and journeying chronologically to the present day, Ruiz’s playfully sinister giftbook illustrates and describes the infamous deaths of these unfortunate souls. From stories of the hot-air balloon duel that claimed a Frenchman’s life to the fatal wardrobe malfunction of famed dancer Isadora Duncan, The Book of Extraordinary Deaths is a uniquely clever and gorgeously rendered meditation on life’s ironies and mysteries. With Ruiz’s witty descriptions and rich, captivating illustrations, her characters come to life on the page even as they shuffle off this mortal coil.
Putting aside Roman gladiators and gun-slingers of the American Wild West, by the 19th century duelling had become the sole domain of nobility, military officers and gentleman, with rules added to make sure everything was conducted in a fair and professional manner. The word 'honour' became popular, because it was the reason why most men would challenge another to a duel. This book challenges that notion and asks whether it was really about honour at all, or was it more about arrogance or social standing? Over time kings, leaders and governments passed rules, decrees, edicts and laws banning the practice, but still it continued, even when the duellists knew that the punishment for taking part in such an event could be their own death. The last known duel with swords in France took place at a private residence just outside of Paris in 1967 between two politicians, Gaston Deferre and Rene Ribiere. It was ended after Ribiere, who was due to be married the following day, was twice cut on the arm by Gaston. The book also looks at some of the more humorous, unusual and least expected ways people found to conduct their duels, including throwing billiard balls at each other, duelling whilst sat on the backs of elephants, and two men who decided their differences should be settled half a mile up in the sky in hot air balloons. With more efforts to bring about an end to duelling, the upper classes of British society in particular still held on to the idea of being able to defend their honour, which saw many of them turn to pugilism as a way to sate their disputes, however ridiculous they might appear today.
NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • “A taut page-turner with all the hallmarks of a good historical thriller.”—Orlando Sentinel The gripping true story of the duel to end all duels in medieval France as a resolute knight defends his wife’s honor against the man she accuses of a heinous crime In the midst of the devastating Hundred Years’ War between France and England, Jean de Carrouges, a Norman knight fresh from combat in Scotland, returns home to yet another deadly threat. His wife, Marguerite, has accused squire Jacques Le Gris of rape. A deadlocked court decrees a trial by combat between the two men that will also leave Marguerite’s fate in the balance. For if her husband loses the duel, she will be put to death as a false accuser. While enemy troops pillage the land, and rebellion and plague threaten the lives of all, Carrouges and Le Gris meet in full armor on a walled field in Paris. What follows is the final duel ever authorized by the Parlement of Paris, a fierce fight with lance, sword, and dagger before a massive crowd that includes the teenage King Charles VI, during which both combatants are wounded—but only one fatally. Based on extensive research in Normandy and Paris, The Last Duel brings to life a colorful, turbulent age and three unforgettable characters caught in a fatal triangle of crime, scandal, and revenge. The Last Duel is at once a moving human drama, a captivating true crime story, and an engrossing work of historical intrigue with themes that echo powerfully centuries later.
Mutually assured destruction has led to decades of peace between humanity and the Trisolarans, but a new force is awakening and this delicate balance can no longer hold... Half a century after the Doomsday Battle, the uneasy balance of Dark Forest Deterrence keeps the Trisolaran invaders at bay. Earth enjoys unprecedented prosperity due to the infusion of Trisolaran knowledge. With human science advancing daily and the Trisolarans adopting Earth culture, it seems that the two civilizations will soon be able to co-exist peacefully as equals without the terrible threat of mutually assured annihilation. But the peace has also made humanity complacent. Cheng Xin, an aerospace engineer from the early twenty-first century, awakens from hibernation in this new age. She brings with her knowledge of a long-forgotten program dating from the beginning of the Trisolar Crisis, and her very presence may upset the delicate balance between two worlds. Will humanity reach for the stars or die in its cradle? Death's End is the New York Times bestselling conclusion to Cixin Liu's tour-de-force series that began with The Three-Body Problem. "The War of the Worlds for the twenty-first century . . . Packed with a sense of wonder." --The Wall Street Journal "A meditation on technology, progress, morality, extinction, and knowledge that doubles as a cosmos- in-the-balance thriller." --NPR The Remembrance of Earth's Past Trilogy The Three-Body Problem The Dark Forest Death's End Other Books Ball Lightning (forthcoming)
Death, like most experiences that we think of as natural, is a product of the human imagination: all animals die, but only human beings suffer Death; and what they suffer is shaped by their own time and culture. Tragedy was one of the principal instruments through which the culture of early modern England imagined the encounter with mortality. The essays in this book approach the theatrical reinvention of Death from three perspectives. Those in Part I explore Death as a trope of apocalypse — a moment of un-veiling or dis-covery that is figured both in the fearful nakedness of the Danse Macabre and in the shameful openings enacted in the new theatres of anatomy. Separate chapters explore the apocalyptic design of two of the periods most powerful tragedies — Shakespeare's Othello, and Middleton and Rowley's The Changeling. In Part 2, Neill explores the psychological and affective consequences of tragedy's fiercely end-driven narrative in a number of plays where a longing for narrative closure is pitched against a particularly intense dread of ending. The imposition of an end is often figured as an act of writerly violence, committed by the author or his dramatic surrogate. Extensive attention is paid to Hamlet as an extreme example of the structural consequences of such anxiety. The function of revenge tragedy as a response to the radical displacement of the dead by the Protestant abolition of purgatory — one of the most painful aspects of the early modern re-imagining of death — is also illustrated with particular clarity. Finally, Part 3 focuses on the way tragedy articulates its challenge to the undifferentiating power of death through conventions and motifs borrowed from the funereal arts. It offers detailed analyses of three plays — Shakespeare's Antony and Cleopatra, Webster's The Duchess of Malfi, and Ford's The Broken Heart. Here, funeral is rewritten as triumph, and death becomes the chosen instrument of an heroic self-fashioning designed to dress the arbitrary abruption of mortal ending in a powerful aesthetic of closure.
The disturbing, criminal history of Britain’s “World Capital City of Pop”—home of murderers, thieves, bodysnatchers . . . and The Beatles. The city of Liverpool, England, was like every other city energized by the Victorian boon in industry and trade. It is best known today as the home of the British Invasion and music that changed the world. But Liverpool’s history has a less harmonious side, and a dark past that reaches back centuries. True crime historian, Stephen Wade, goes there. In Foul Deeds & Suspicious Deaths in Liverpool, Wade reveals the city’s most shocking crimes: a notoriously deadly duel in 1806; gang wars and the infamous nineteenth-century “Cholera Riots”; a killer butcher and a terrorist bombing; grandma killers and sinister sisters; swindlers and crimes of passion; poisonings, bodysnatchers, and serial killers; a murderer who claimed to be possessed by demons; and a terrifying hunt for the fiend behind the Ripper murders. Wade invites readers into the shadowy backstreets of a fabled city in this criminally fascinating chronicle of misdeeds, madmen, and real-life mysteries.
This rare little book was first published in 1836. Only a handful of the original editions remain, and are now extremely costly. OBSCURE PRESS has republished this classic work in a high quality, modern edition, using the original text and artwork. The author remains unknown, but from his manner of writing and expert knowledge of his subject was obviously a man of means well known to the nobility of the day. His book, which "contains much information useful to young continental tourists," deals with every aspect of the duel. Settling a dispute by single combat was then countenanced by law in the northern nations of Europe, among whom it was customary to decide many controversies by arms. The book consists of eighty pages and contains Chapters on: History of the Origins of Duelling. The Pistol. Charging the Pistol. Position of Firing. Method of Practice. The Chances. The Challenge. Selection of a Second, and his Duties. Precautions to be Observed. Some Accounts of Duels with Sword and Pistol. This is a fascinating read for any historian of the subject or for enthusiasts of pistol shooting and its varieties.
Death and dying and death-related behavior involve the causes of death and the nature of the actions and emotions surrounding death among the living. Interest in the varied dimensions of death and dying has led to the development of death studies that move beyond medical research to include behavioral science disciplines and practitioner-oriented fields. As a result of this interdisciplinary interest, the literature in the field has proliferated. This two-volume resource addresses the traditional death and dying–related topics but also presents a unique focus on the human experience to create a new dimension to the study of death and dying. With more than 300 entries, the Encyclopedia of Death and the Human Experience includes the complex cultural beliefs and traditions and the institutionalized social rituals that surround dying and death, as well as the array of emotional responses relating to bereavement, grieving, and mourning. The Encyclopedia is enriched through important multidisciplinary contributions and perspectives as it arranges, organizes, defines, and clarifies a comprehensive list of death-related perspectives, concepts, and theories. Key Features Imparts significant insight into the process of dying and the phenomenon of death Includes contributors from Asia,; Africa; Australia; Canada; China; eastern, southern, and western Europe; Iceland; Scandinavia; South America; and the United States who offer important interdisciplinary and cross-cultural perspectives Provides a special focus on the cultural artifacts and social institutions and practices that constitute the human experience Addresses death-related terms and concepts such as angel makers, equivocal death, end-of-life decision making, near-death experiences, cemeteries, ghost photography, halo nurses, caregiver stress, cyberfunerals, global religious beliefs and traditions, and death denial Presents a selective use of figures, tables, and images Key Themes Arts, Media, and Popular Culture Perspectives Causes of Death Conceptualization of Death, Dying, and the Human Experience Coping With Loss and Grief: The Human Experience Cross-Cultural Perspectives Cultural-Determined, Social-Oriented, and Violent Forms of Death Developmental and Demographic Perspectives Funerals and Death-Related Activities Legal Matters Process of Dying, Symbolic Rituals, Ceremonies, and Celebrations of Life Theories and Concepts Unworldly Entities and Events With an array of topics that include traditional subjects and important emerging ideas, the Encyclopedia of Death and the Human Experience is the ultimate resource for students, researchers, academics, and others interested in this intriguing area of study.