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This is the history of Death Valley, where that bitter stream the Amargosa dies. It embraces the whole basin of the Amargosa from the Panamints to the Spring Mountains, from the Palmettos to the Avawatz. And it spans a century from the earliest recollections and the oldest records to that day in 1933 when much of the valley was finally set aside as a National Monument. This is the story of an illusory land, of the people it attracted and of the dreams and delusions they pursued-the story of the metals in its mountains and the salts in its sinks, of its desiccating heat and its revitalizing springs, and of all the riches of its scenery and lore-the story of Indians and horse thieves, lost argonauts and lost mine hunters, prospectors and promoters, miners and millionaires, stockholders and stock sharps, homesteaders and hermits, writers and tourists. But mostly this is the story of the illusions-the illusions of a shortcut to the gold diggings that lured the forty-niners, of inescapable deadliness that hung in the name they left behind, of lost bonanzas that grew out of the few nuggets they found, of immeasurable riches spread by hopeful prospectors and calculating con men, and of impenetrable mysteries concocted by the likes of Scotty. These and many lesser illusions are the heart of its history.
Vols. for 1971- include annual reports and statistical summaries.
Women Writers of the American West, 1833–1927 recovers the names and works of hundreds of women who wrote about the American West during the nineteenth and early twentieth centuries, some of them long forgotten and others better known novelists, poets, memoirists, and historians such as Willa Cather and Mary Austin Holley. Nina Baym mined literary and cultural histories, anthologies, scholarly essays, catalogs, advertisements, and online resources to debunk critical assumptions that women did not publish about the West as much as they did about other regions. Elucidating a substantial body of nearly 650 books of all kinds by more than 300 writers, Baym reveals how the authors showed women making lives for themselves in the West, how they represented the diverse region, and how they represented themselves. Baym accounts for a wide range of genres and geographies, affirming that the literature of the West was always more than cowboy tales and dime novels. Nor did the West consist of a single landscape, as women living in the expanses of Texas saw a different world from that seen by women in gold rush California. Although many women writers of the American West accepted domestic agendas crucial to the development of families, farms, and businesses, they also found ways to be forceful agents of change, whether by taking on political positions, deriding male arrogance, or, as their voluminous published works show, speaking out when they were expected to be silent.
‘Tappan’s Burro, and Other Stories’ (1923) is a collection of classic western tales from the master of the genre, American author Zane Grey, best known for his romanticized stories about the old West. Tappan and his burro Jenet, is an impressive, Western duo searching for gold. Jenet is a great companion, since she knows the trails and waterholes of their upcoming journey to remote, dangerous terrain better than her prospecting owner. Trekking through the searing heat of Death Valley and the freezing blizzards of Arizona's mountains, the duo’s adventures take them to the brink of death in the search of gold. This gripping short story is a tale of loyalty, courage and friendship with a Western twist. The book features four other short stories: ‘The Great Slave’, ‘Yaqui’, ‘Tigre’ and ‘The Rubber Hunter’. Pearl Zane Grey (1872 – 1939) was an American author best known for his popular adventure novels about the American West. His stories are credited with the creation of the ‘Western’ literary genre. The novel ‘Riders of the Purple Sage’ (1912) was Grey’s best-selling work, while other popular titles include ‘The Lone Star Ranger’ (1915), ‘The U.P. Trail’ (1918), ‘Call of the Canyon’ (1924), and ‘Code of the West’ (1934). His nonfiction books include ‘Tales of Fishing’ (1925). Grey wrote more than 80 books in total, a number of which were published posthumously. Many of his works have been adapted for tv and film, including ‘Zane Grey Theatre’ (1956-1958) and ‘Riders of the Purple Sage’ (1996) starring Ed Harris.
In William Caruthers' 'Loafing Along Death Valley Trails', readers are taken on a literary journey through the rugged landscapes of Death Valley, where they encounter fascinating tales of exploration, survival, and the human spirit. Caruthers' writing style is marked by its vivid descriptions and engaging storytelling, making this book a compelling read for anyone interested in the history and folklore of the American West. The author's attention to detail immerses the reader in the harsh yet beautiful terrain of Death Valley, bringing to life the struggles and triumphs of those who dared to venture into this unforgiving wilderness. Caruthers' work is a valuable contribution to the literary landscape of the West, offering a unique perspective on a region that has captivated explorers and storytellers for generations. Readers who enjoy historical narratives and adventure tales will find 'Loafing Along Death Valley Trails' both informative and entertaining, a must-read for anyone seeking a deeper understanding of the essence of the American frontier.