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When a series of mysterious deaths plagues a new Scottish play, heiress and lawyer Prudence MacKenzie and her partner ex-Pinkerton Geoffrey Hunter are called in to perform an investigation at one of Broadway’s most stunning theatres . . . DEATH TAKES THE LEAD APRIL 1891: Prudence MacKenzie is delighted to attend a riveting rehearsal of Waif of the Highlands with her dear friend, Lydia Truitt, whose cousin, Septimus Ward, stars in the play. But the drama continues after the curtain falls, as the women overhear a ferocious argument between Septimus and the play’s famous playwright-director, Barrett Hughes. When confronted about the dispute, Septimus reveals that he actually wrote the script, but allowed Hughes to claim authorship in return for casting Septimus’s paramour, Flora Campbell, in the lead. Septimus has come to regret the agreement and vows to reclaim authorship, even if it means the play never opens. But, days later, Prudence and Geoffrey are urgently summoned to Septimus’s boarding house, where the thespian lays dying in Lydia’s arms. Lydia believes her cousin’s death is no accident and wants Hunter and MacKenzie Investigative Law to look into the matter, going so far as to help Prudence and Flora secure employment undercover in the play’s wardrobe department. At first, Hughes’s determination to keep the production running seems admirable, but his motives are soon called into question as Prudence hears whispers backstage about his notorious predatory behavior with young women. And when another body turns up at the theatre, it’s clear that someone is targeting the play and its company—but why? Prudence and Geoffrey must improvise as they tread into an unfamiliar world where deceit is cultivated for entertainment and deception is celebrated as talent, to expose a darkness lurking behind the glittering stage lights. . .
'Extraordinary. It is about death, but I can think of few books which have such life. It shows us what love is.' Max Porter, author of Grief is the Thing With Feathers and Lanny 'There is no one quite like Naja Marie Aidt' Valeria Luiselli 'Devastating, angry, challenging, fragmented and filled with the beautiful hope that the love we have for people continues into the world even after they're gone.' Culturefly 'Fragmented, poetic, informative and truthful, Aidt faces the greatest loss we can ever know with all the force of great elegy writers like Anne Carson and Denise Riley. Essential.' Polly Clark, author of Larchfield and Tiger _______ "I raise my glass to my eldest son. His pregnant wife and daughter are sleeping above us. Outside, the March evening is cold and clear. 'To life!' I say as the glasses clink with a delicate and pleasing sound. My mother says something to the dog. Then the phone rings. We don't answer it. Who could be calling so late on a Saturday evening?" In March 2015, Naja Marie Aidt's 25-year-old son, Carl, died in a tragic accident. When Death Takes Something From You Give It Back is about losing a child. It is about formulating a vocabulary to express the deepest kind of pain. And it's about finding a way to write about a reality invaded by grief, lessened by loss. Faced with the sudden emptiness of language, Naja finds solace in the anguish of Joan Didion, Nick Cave, C.S. Lewis, Mallarmé, Plato and other writers who have suffered the deadening impact of loss. Their torment suffuses with her own as Naja wrestles with words and contests their capacity to speak for the depths of her sorrow. This palimpsest of mourning enables Naja to turn over the pathetic, precious transience of existence and articulates her greatest fear: to forget. The insistent compulsion to reconstruct the harrowing aftermath of Carl's death keeps him painfully present, while fragmented memories, journal entries and poetry inch her closer to piecing Carl's life together. Intensely moving and quietly devastating, this is what is it to be a family, what it is to love and lose, and what it is to treasure life in spite of death's indomitable resolve.
A straightforward framework for creating engaging and exciting business meetings Casey McDaniel had never been so nervous in his life. In just ten minutes, The Meeting, as it would forever be known, would begin. Casey had every reason to believe that his performance over the next two hours would determine the fate of his career, his financial future, and the company he had built from scratch. “How could my life have unraveled so quickly?” he wondered. In his latest page-turning work of business fiction, best-selling author Patrick Lencioni provides readers with another powerful and thought-provoking book, this one centered around a cure for the most painful yet underestimated problem of modern business: bad meetings. And what he suggests is both simple and revolutionary. Casey McDaniel, the founder and CEO of Yip Software, is in the midst of a problem he created, but one he doesn’t know how to solve. And he doesn’t know where or who to turn to for advice. His staff can’t help him; they’re as dumbfounded as he is by their tortuous meetings. Then an unlikely advisor, Will Peterson, enters Casey’s world. When he proposes an unconventional, even radical, approach to solving the meeting problem, Casey is just desperate enough to listen. As in his other books, Lencioni provides a framework for his groundbreaking model, and makes it applicable to the real world. Death by Meeting is nothing short of a blueprint for leaders who want to eliminate waste and frustration among their teams and create environments of engagement and passion.
WE ALL HAVE DEMONS. SOME DEMONS HAVE YOU.The world you know is dead. We did this to ourselves.The epidemic struck at the end of the Third World War. Fighting over oil, power, and religion, governments ignored the rise of an antibacterial-resistant plague. In just five years, the Earth was annihilated. Only one city survived-Etyom-a frozen hellhole in northern Siberia, engulfed in endless conflict.The year is 2251.Two groups emerged from the ashes of the old world. Within the walled city of Lower Etyom dwell the Robusts-descendants of the poor who were immune to the New Black Death. Above them, in a metropolis of pristine platforms called lillipads, live the Graciles-the progeny of the superrich, bio-engineered to resist the plague.Mila Solokoff is a Robust who trades information in a world where knowing too much can get you killed. Caught in a deal gone bad, she's forced to take a high-risk job for a clandestine organization hell-bent on revolution.Demitri Stasevich is a Gracile with a dark secret-a sickness that, if discovered, will get him Ax'd. His only relief is an illegal narcotic produced by the Robusts, and his only means of obtaining it is a journey to the arctic hell far below New Etyom.Thrust together in the midst of a sinister plot that threatens all life above and below the cloud line, Mila and Demitri must master their demons and make a choice-one that will either salvage what's left of the human race or doom it to extinction ¿
"In Death Takes a Holiday, it's just after World War I and the loneliest of souls arrives at an Italian villa disguised as a handsome young Prince, and for the first time experiences the joys and heartbreaks of life. The show began as an Alberto Casella play from the 1920s that was made into a much-loved 1934 film. The original film was remade in 1998 as Meet Joe Black."--Page 4 of cover.
'Most people spend their whole lives asleep and then wake up a few days before they're about to die.' – Olivia Bareham, Sacred Crossings Death has a 100 per cent success rate. We can't escape its inevitability nor can we deny its existence. So, when someone close to us dies or we are confronted by our own mortality, why are we utterly unprepared? In Do Death, social activist Amanda Blainey seeks to transform our lives through our relationship with death. By inviting us to accept death as a natural part of life, she encourages us to think about what really matters – and live more consciously. With uplifting wisdom from leaders and visionaries, Do Death will: • Help us rediscover the power of human connection • Inspire us to think and talk about death more openly • Offer sage advice on how to navigate grief, and talk to children • Empower us to be better prepared, both practically and emotionally Death can be our greatest teacher. This book is a manual for living, at any stage in life.
Each of us is in the middle of a story. In this astoundingly unique book, bestselling author N.D. Wilson reminds us that to truly live we must recognize that we are dying. Cause of death: life. Death by Living is a poetic exploration of faith, futility, and the incredible joy of this mortal life. N.D. Wilson recounts stories from his life in poetic prose, giving perspective on the life we're given by God. Death by Living explores the topics of family, grappling with the death of loved ones, and how to live with intention to get the most out of our time on Earth. Wilson encourages us to live hard and die grateful, and to see Christ in every pair of eyes. To write a past we won’t regret. All of us must pause and breathe. See the past, see life as the fruit of providence and thousands of personal narratives. We did not choose where to set our feet in time, but we choose where to set them next. We stand in the now. God says create. Live. Choose. Shape the past. Etch your life in stone, and what you make will be forever. In Death by Living, you will: Experience life with renewed wonder Recognize mundane moments as opportunities Learn to live hard and die grateful Recognize death as a gift instead of something to be feared At once inspiring, humorous, and unbelievably moving, this a book that you will read again and again, finding fresh perspective each time you open it.
Spunky Bay Area nun Sister Mary Helen and her sidekick, Sister Eileen, return for an eighth outing, this time investigating the poisoning death of a monsignor.
Estimation of the Time Since Death remains the foremost authoritative book on scientifically calculating the estimated time of death postmortem. Building on the success of previous editions which covered the early postmortem period, this new edition also covers the later postmortem period including putrefactive changes, entomology, and postmortem r
"This book is enormously important, beautifully reasoned and written with crystal clarity by an author of wide scholarly experience, brilliant insights and extraordinary erudition. It is the first book length study I've seen that reasons from the individual psychology of all stakeholders. It ultimately provides the only truly revealing way to understand the personal and civic conundrums surrounding dying, which have always been characterized by irrational thinking, inconsistencies of behavior and paradoxes of personal viewpoints."—Sherwin Nuland, M.D., author of How We Die "Once you acknowledge the profound and inescapable ambivalence that shapes our attitudes toward death, what can we learn about our death-dealing policies and practices, from end-of-life care and assisted suicide to the death penalty? Robert Burt's Death is That Man Taking Names provides extraordinary insights in eloquent and elegant prose. All thoughtful people who are seriously interested in the deeper roots and broader implications of our policies concerning death should read this remarkably original and provocative book."—Thomas H. Murray, President, The Hastings Center, and author of The Worth of a Child