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Adventure Time meets The Good Place in this zany-yet-philosophical graphic novel buddy comedy about the unlikely friendship between Death, a grim reaper who's never had a friend, and Sparkles, The Last Unicorn, a celebrity influencer who is somehow immune to Death's touch. Being Death is no way to live. Sure, you're all-powerful, but collecting souls involves a ton of paperwork, and it's impossible to have friends when everything you touch instantly dies. Being Sparkles the Last Unicorn isn't as fun as you'd imagine, either. Maybe it seems like the whole world wants to be your bestie, but really people just want you to pose with them for selfies, or use you to help them sell stuff. Everything changes when Death and Sparkles meet and realize they might just be one another's first chance at a real friend. But before they can even enjoy the bromance, the whole world starts freaking out about this unlikely pair. Will fame or BFFdom prevail? Laugh-out-loud hilarious, gently philosophical, and full of delightfully zany exuberance, this buddy comedy turns friendship on its head—literally—and will have readers believing in the power of cupcakes for breakfast and cosmic camaraderie. HILARIOUS BUDDY COMEDY: Move over, Wayne and Garth! Move over, Beavis and Butthead! Readers will love this spin on the classic mismatched BFF dynamic featuring two of the most powerful beings around: the guy in charge of taking everyone's life, and the most magical creature still in existence on Earth. Never have two beings been less alike or more adorable. PERFECT FOR RELUCTANT READERS: With bright, vibrant illustrations, big fun fonts, expressive sound effects throughout, an irreverent spirit, and a heart full of cupcakes, this graphic novel will entice even the most skeptical of young readers. BIG THEMES: Self-awareness; empathy; bravery; commercialism; celebrity influencers; and the courage to stand up for what you believe in, even if that's the hard thing to do—all of these important themes weave throughout the book in subtle ways that will resonate with readers without feeling heavy-handed. THE FIRST ADVENTURE OF MANY: This is the first book in a planned series about the adventures of Death and Sparkles. The next book will be out in Fall 2022! LIKE LIVING IN CANDYLAND: Rob Justus's expressive, vivid art makes readers feel like they're living in Candyland. With tons to see on every page, and countless visual gags per spread, this book will delight graphic novel fans and bring new readers to the genre. Perfect for: • Reluctant readers • Parents • Fans of graphic novels • Fans of unicorns • Educators
Death never takes a day off. Until he gets a letter from the HR department insisting he use up his accrued vacation time, that is. In this humorous and heartfelt book from beloved illustrator Brian Rea, readers take a peek at Death's journal entries as he documents his mandatory sabbatical in the world of the living. From sky diving to online dating, Death is determined to try it all! Death Wins a Goldfish is an important reminder to the overstressed, overworked, and overwhelmed that everyone—even Death—deserves a break once in a while.
LONGLISTED FOR THE 2018 MAN BOOKER INTERNATIONAL PRIZE The Dinner Guest is Gabriela Ybarra’s prizewinning literary debut: a singular autobiographical novel piecing together the kidnap and murder of her grandfather by terrorists, reflecting on the personal impact of private pain and public tragedy. The story goes that in my family there’s an extra dinner guest at every meal. He’s invisible, but always there. He has a plate, glass, knife and fork. Every so often he appears, casts his shadow over the table, and erases one of those present. The first to vanish was my grandfather. In 1977, three terrorists broke into Gabriela Ybarra’s grandfather’s home, and pointed a gun at him in the shower. This was the last time his family saw him alive, and his kidnapping played out in the press, culminating in his murder. Ybarra first heard the story when she was eight, but it was only after her mother’s death, years later, that she felt the need to go deeper and discover more about her family’s past. The Dinner Guest is a novel, with the feel of documentary non-fiction. It connects two life-changing events – the very public death of Ybarra’s grandfather, and the more private pain as her mother dies from cancer and Gabriela cares for her. Devastating yet luminous, the book is an investigation, marking the arrival of a talented new voice in international fiction.
A beautiful heiress is fatally poisoned in a West End restaurant... Six people sit down to dinner at a table laid for seven. In front of the empty place is a sprig of rosemary - in solemn memory of Rosemary Barton who died at the same table exactly one year previously. No one present on that fateful night would ever forget the woman's face, contorted beyond recognition - or what they remembered about her astonishing life.
Daphne Rhodes would tell anyone: being ‘the one’ sucks. At least, she would if there was anyone left to tell. She’s the one who’d survived. The one with the magic immune system that saved her. The only one left on this whole miserable planet. Daphne spends her days alone and craving answers as to why it had to be her. Why did she have to watch everyone she’d ever known and loved die a horrific death? On her mother’s deathbed, Daphne learns long-hidden family secrets that send her on a quest across Canada to not only discover where she came from, why she survived, and who she is…but what she is, as well. The collected volumes 1-5 of the Bloodlines series
"Outside the palace of Versailles, it's modern day. Inside, the people dress, eat, and act like it's the eighteenth century. The palace has every indulgence, but for one pretty young thing, it's about to become a very beautiful prison. When Danica witnesses an act of murder by the young king, her mother makes a cruel power play...blackmailing the king into making Dani his queen on her eighteenth birthday. That gives Dani six months to escape her terrifying destiny."--Page [4] of cover.
Annette Baier goes beyond her earlier work on David Hume to reflect on a topic that links his philosophy to questions of immediate relevance—in particular, questions about what character is and how it shapes our lives. Her reading radically revises the received interpretation of Hume's epistemology and, in particular, philosophy of mind.
Through a close reading of Leaves of Grass, its constituent poems, particularly Song of Myself and Whitman's prose and letters, Aspiz charts how the poet's exuberant celebration of life is a consequence of his central concern: the ever presence of death and the prospect of an afterlife.