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Cremation was rediscovered in the late nineteenth century, popularised in the twentieth, and now more than two-thirds of us are cremated after death. This method of disposal required a wholly unprecedented building type - both functional and symbolic - set in a new landscape for mourning. The 251 crematoria in Britain have to suit both the practical and emotional needs of the religious and non-religious, Christians and those of other faiths. Yet until now they have not had the attention their importance and interest deserve. This book examines the special historical, social and cultural conditions that lie behind them. The buildings - some by leading architects - often display real architectural merit, and many are set in gardens representing the very finest traditions of twentieth-century landscape design. An illustrated gazetteer provides comprehensive information about each one.
Like every aspect of life in the Big Apple, how New Yorkers have interacted with death is as diverse as each of the countless individuals who have called the city home. Waves of immigration brought unique burial customs as archaeological excavations uncovered the graves of indigenous Lenape and enslaved Africans. Events such as the 1788 Doctors' Riot--a response to years of body snatching by medical students and physicians--contributed to new laws protecting the deceased. Overcrowding and epidemics led to the construction of the "Cemetery Belt," a wide stretch of multi-faith burial grounds throughout Brooklyn and Queens. From experiments in embalming to capital punishment and the far-reaching industry of handling the dead, author K. Krombie unveils a tapestry of stories centered on death in New York.
A collection of articles by scientists, clinicians, and educators discussing clinical and empirical findings and new perspectives on death.
Death of a New American by Mariah Fredericks is the atmospheric, compelling follow-up to the stunning debut A Death of No Importance, featuring series character, Jane Prescott. In 1912, as New York reels from the news of the Titanic disaster, ladies’ maid Jane Prescott travels to Long Island with the Benchley family. Their daughter Louise is to marry William Tyler, at their uncle and aunt’s mansion; the Tylers are a glamorous, storied couple, their past filled with travel and adventure. Now, Charles Tyler is known for putting down New York’s notorious Italian mafia, the Black Hand, and his wife Alva has settled into domestic life. As the city visitors adjust to the rhythms of the household, and plan Louise’s upcoming wedding, Jane quickly befriends the Tyler children’s nanny, Sofia—a young Italian-American woman. However, one unusually sultry spring night, Jane is woken by a scream from the nursery—and rushes in to find Sofia murdered, and the carefully locked window flung open. The Tylers believe that this is an attempted kidnapping of their baby gone wrong; a warning from the criminal underworld to Charles Tyler. But Jane is asked to help with the investigation by her friend, journalist Michael Behan, who knows that she is uniquely placed to see what other tensions may simmer just below the surface in this wealthy, secretive household. Was Sofia’s murder fall-out from the social tensions rife in New York, or could it be a much more personal crime?
Governing Death, Making Persons tells the story of how economic reforms and changes in the management of death in China have affected the governance of persons. The Chinese Communist Party has sought to channel the funeral industry and death rituals into vehicles for reshaping people into "modern" citizens and subjects. Since the Reform and Opening period and the marketization of state funeral parlors, the Party has promoted personalized funerals in the hope of promoting a market-oriented and individualistic ethos. However, things have not gone as planned. Huwy-min Lucia Liu writes about the funerals she witnessed and the life stories of two kinds of funeral workers: state workers who are quasi-government officials and semilegal private funeral brokers. She shows that end-of-life commemoration in urban China today is characterized by the resilience of social conventions and not a shift toward market economy individualization. Rather than seeing a rise of individualism and the decline of a socialist self, Liu sees the durability of socialist, religious, communal, and relational ideas of self, woven together through creative ritual framings in spite of their contradictions.
"This book is about dying, not about death. We are always dying a big, always giving things up, always having things taken away. Is there a person alive who isn't really curious about what dying is for them? Is there a person alive who wouldn't like to go to their dying full of excitement, without fear and without morbidity? This books tells you how." -- Front cover.
“[This] is one of the great crime mysteries of modern times. It took an author of Caitlin Rother’s caliber to bring it into sharp focus. A riveting read.” —Gregg Olsen, #1 New York Times bestselling author “I got a girl, hung herself in the guest house.” The call came on the morning of July 13, 2011, from the historic Spreckels Mansion, a lavish beachfront property in Coronado, California, owned by pharmaceutical tycoon and multimillionaire Jonah Shacknai. When authorities arrived, they found the naked body of Jonah’s girlfriend, Rebecca Zahau, gagged, her ankles tied and her wrists bound behind her. Jonah’s brother, Adam, claimed to have found Rebecca hanging by a rope from the second-floor balcony. On a bedroom door in black paint were the cryptic words: SHE SAVED HIM CAN YOU SAVE HER. Was this scrawled message a suicide note or a killer’s taunt? Rebecca’s death came two days after Jonah’s six-year-old son, Max, took a devastating fall while in Rebecca’s care. Authorities deemed Rebecca’s death a suicide resulting from her guilt. But who would stage either a suicide ora murder in such a bizarre, elaborate way? Award-winning investigative journalist Caitlin Rother weaves stunning new details into a personal yet objective examination of the sensational case. She explores its many layers—including the civil suit in which a jury found Adam Shacknai responsible for Rebecca’s death, and the San Diego County Sheriff’s Department bombshell decision to reconfirm its original findings. As compelling as it is troubling, this controversial real-life mystery is a classic American tragedy that evokes the same haunting fascination as the JonBenet Ramsey and O.J. Simpson cases. “Rother’s meticulous journalism shines through in this authoritative account of the Rebecca Zahau death incident. If you think you know this case, think again. And read this book.” —Katherine Ramsland, professor of forensic psychology and author of The Psychology of Death Investigations
Kim Hyesoon’s poems “create a seething, imaginative under-and over-world where myth and politics, the everyday and the fabulous, bleed into each other” (Sean O’Brien, The Independent) *Winner of The Griffin International Poetry Prize and the Lucien Stryk Asian Translation Award* The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death—how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.
NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation. An estiated 750,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be seven and a half million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief in a benevolent God. Throughout, the voices of soldiers and their families, of statesmen, generals, preachers, poets, surgeons, nurses, northerners and southerners come together to give us a vivid understanding of the Civil War's most fundamental and widely shared reality. With a new introduction by the author, and a new foreword by Mike Mullen, 17th Chairman of the Joint Chiefs of Staff.
Explore the intriguing realm of forensic science in Unlocking the Mysteries of Death - New Perspectives for Post-mortem Examination. Curated by an experienced professional, this thorough compilation merges groundbreaking research and developing methodologies that revolutionize our perception of post-mortem examinations. Each chapter in the book reveals a distinct aspect of forensic science, from molecular autopsies investigating the genetic causes of arrhythmogenic diseases to the study of microbial communities for accurate post-mortem interval estimations. Modern forensic investigations demonstrate their multidisciplinary nature through a detailed examination of liver histopathological changes, determination of bone injuries, and utilization of the innovative diatom test in cases of drowning-related fatalities. Explore innovative methods like conducting limited genomic studies on quickly collected post-mortem tissue and restoring decomposed and mummified tissues through rehydration. The microbial witness chapter offers new insights into understanding crime scenes and solving mysteries by harnessing the untapped potential of forensic microbiomes.