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Talcroft explores Sutcliff's use of sacred themes through twelve of her most famous novels.
Presents a complete idiot's guide to understanding paganism and examines the basic principles of shamanism, druidism, and Wicca as well as the fundamentals of meditation, magic, divination, and spiritual healing.
Introduced by Naomi Mitchison. Set over two thousand years ago on the clam and fertile shores of the Black Sea, Naomi Mitchison’s The Corn King and the Spring Queen tells of ancient civilisations where tenderness, beauty and love vie with brutality and dark magic. Erif Der, a young witch, is compelled by her father to marry his powerful rival, Tarrik the Corn King, so becoming the Spring Queen. Forced by her father, she uses her magic spells to try and break Tarrik’s power. But one night Tarrik rescues Sphaeros, an Hellenic philosopher, from a shipwreck. Sphaeros in turn rescues Tarrik from near death and so breaks the enchantment that has bound him. And so begins for Tarrik a Quest – a fabulous voyage of discovery which will bring him new knowledge and which will reunite him with his beautiful Spring Queen. ‘This breathtaking recreation of life in the ancient world welds the power of myth and magic to a stirring plot.’ Ian Rankin
Driving through the cornfields in rural Nebraska, Burt and Vicky run over a young boy—only to discover that they may not be responsible for his death. Out in the corn, something is watching them, and help is nowhere to be found. From the unrivaled master of horror and the supernatural, Stephen King. “Children of the Corn,” first collected in the extraordinary collection Night Shift in 1973 and then adapted into a horror film franchise of the same name, is a terrifying and unforgettable classic of the genre. A Vintage Short.
“Captivating reading that builds the faith while it fills the mind with greatness.”—Sherwood Wirt, former editor, DECISION Magazine One of this century's greatest writers of fact, fiction, and fantasy explores, in utterly beautiful terms, questions of faith in the modern world: • On the experience of miracles • On silence and religious belief • On the assumed conflict between work and prayer • On the error of trying to lead “a good life” without Christ • On the necessity of dogma to religion • On the dangers of national repentance • On the commercialization of Christmas . . . and more “The searching mind and the poetic spirit of C.S. Lewis are readily evident in this collection of essays edited by his one-time secretary, Walter Hopper. Here the reader finds the tough-mind polemicist relishing the debate; here too the kindly teacher explaining a complex abstraction by means of clarifying analogies; here the public speaker addressing his varied audience with all the humility and grace of a man who knows how much more remains to be unknown.”—The New York Times Book Review
This illustrated volume covers the career of Sam Shepard, the provocative American playwright, scriptwriter, actor, and director, through an introductory survey followed by in-depth analyses of representative selections from the one-acts (Action, States of Shock), experimental collaborations with Joseph Chaikin (Savage/Love), and by now classic family plays (Buried Child, A Lie of the Mind). It ranges from Shepard's unpublished adaptation of Marlowe's Doctor Faustus through the textual variants and political context of Operation Sidewinder to Robert Altman's movie version of Fool for Love, besides offering brief comparisons with fellow dramatists (Albee and Beckett) and visual artists (Edward Weston, Marsden Hartley). Several performance analyses supplement the textual criticism and provide a sample of European directorial approaches. Together, these takes offer a composite picture of an artist whose output over the past forty years has turned him into a figurehead of twentieth century drama, studied and produced all over the world with a keen eye for his idiosyncratic and critical view of what it means to be American.
THE BOOK; Alice Kessleris a fighter and when she is told that her husband only has a few months left to live, she refuses to accept it. Instead Alice searches relentlessly for a doctor willing to offer a better prognosis and when she fails to find one in England, she takes her beloved Peter back to where they came from. America, the land of miracles. But Alice soon discovers that their fight is far from over. Death Comes for Peter Pan is a turbulent and unpredictable love story - the story of a young woman's fight for her husband's dignity and a powerful indictment of the politics that rule medicine today.
When Michael Ward's Planet Narnia emerged a decade ago, myriad things were pulled into its orbit: The immense gravitational force altered the field of C.S. Lewis studies, to be sure, but the discovery's scope stretched far into the worlds of literary criticism, Christian apologetics, and the arts. Only now, after ten years under its influence, have we begun to consider the magnitude of Planet Narnia's effects, and perhaps it is best to begin such an index by cultivating a jovial atmosphere of appreciation. Thus we curated this issue to celebrate both Dr. Ward and his stellar work. Photography: Lancia E. Smith Illustrations: Virginia de la Lastra Artwork: Ryan Grube. Contributors: Adam L. Brackin: "Quarantine," a short story. Annie Crawford: "The Cure Has Begun." Brenton Dickieson: "(Re)Considering the Planet Narnia Thesis," a challenging essay to the thesis. Ryan Grube: "For Your Contemplation" Malcolm Guite: "Planet Narnia as Creative Inspiration," an essay; "The Daily Planet," a poem; "The Circle Dance", a poem. Marshall Liszt: "Gravitational Pull," a reflection. Louis Markos: "Why We Love to Visit Narnia." Jason Monroe: "The Voyage of the Dawn Treader and the Rehabilitation of Practical Reason." Holly Ordway: "A Seven-Day's Journey through the Heavens," a poem Jahdiel Perez: "Where Paradoxes Play," Michael Ward on Christian Orthodoxy. Josiah Peterson: "A Defense of Planet Narnia." John Mark Reynolds: "An Unexpected Journey: Imaginative Apologetics and the Ward Moment," A personal reflection from Dr. John Mark Reynolds on the origins of the apologetics program at Houston Baptist University. Michael Ward: "Seven Questions," an interview with Dr. Michael Ward and An Unexpected Journal, and "Return to Planet Narnia" with additional support for the planetary thesis. Donald T. Williams: "C.S. Lewis, A Life," a poem. Kyoko Yuasa: "Table Narnia: Fugue to Evangelical Adventure," an essay on the symbolism of the table throughout the Chronicles.
This volume offers a new account of the relationship between literary and secularist scenes of writing in interwar Britain. Organized secularism has sometimes been seen as a phenomenon that lived and died with the nineteenth century. But associations such as the National Secular Society and the Rationalist Press Association survived into the twentieth and found new purpose in the promotion and publishing of serious literature. This book assembles a group of literary figures whose work was recommended as being of particular interest to the unbelieving readership targeted by these organisations. Some, including Vernon Lee, H.G. Wells, Naomi Mitchison, and K.S. Bhat, were members or friends of the R.P.A.; others, such as Mary Butts, were sceptical but nonetheless registered its importance in their work; a third group, including D.H. Lawrence and George Moore, wrote in ways seen as sympathetic to the Rationalist cause. All of these writers produced fiction that was experimental in form and, though few of them could be described as modernist, they shared with modernist writers a will to innovate. This book explores how Rationalist ideas were adapted and transformed by these experiments, focusing in particular on the modifications required to accommodate the strong mode of unbelief associated with British secularism to the notional mode of belief usually solicited by fiction. Whereas modernism is often understood as the literature for a secular age, Unbelief in Interwar Literary Culture looks elsewhere to find a literature that draws more directly on secularism for its aesthetics and its ethics.
A comprehensive overview of both modernist and popular British fiction of the first half of the twentieth century.