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Being an unsigned band isn't a situation - it's a mental illness. Few people realise they're suffering from this affliction. Russell Groom knows, and he wants to change things fast. But Russell doesn't fit the traditional rock-star mould, and his woefully unexceptional band are headed nowhere, inhabiting a world of cramped and sweaty rehearsal rooms, crap day jobs, empty gigs and interminable trips down the A303 to dodgy festival slots in Wiltshire. Enter Josh - the enigmatic and arrogant son of a successful record producer - with an offer it's impossible to refuse... Tim Thornton's new novel is a hilarious fly-on-the-wall trip round the outskirts of the music industry, with a valuable lesson: unsigned bands never become signed bands. They have to die first.
Felix Romsey’s Afterparty is a rock festival with a big difference. Put it this way: this year’s lineup includes Elliott Smith, Minnie Riperton, Serge Gainsbourg, Kurt Cobain, Whitney Houston, Michael Hutchence and, making only his second live appearance since his death: John Lennon. It’s the Glastonbury of the Afterlife; the place where dearly departed music fans can let off steam to the sounds that soundtracked their lives, and where late rock stars can be rock stars again. Flamboyant, acerbic promoter Felix Romsey and his amiable assistant Adrian “Podge” Jones frantically ride the anticipation among the capacity crowd and a backstage area chockful of celebs; with the stakes this high, they’d be anxious even if everything were running smoothly. But lately, things have most definitely NOT been running smoothly. The recently-arrived David Bowie has been snagged by a rival promoter, and Felix has reason to believe that a plot to oust him as the Afterlife’s preeminent rock impresario is afoot. And when headliner John Lennon, just as he’s drawing breath to sing his first note onstage, vanishes - no, I mean really vanishes - Felix and Podge have no choice but to find out who’s behind the sabotage, and to try and rescue their star attraction – and their festival’s reputation – before it’s too late. Early in their search they run into the inscrutable Jane Brown, who at first encounter seems little more than a Lennon superfan, but proves to be invaluable, introducing Felix and Podge to the chilling possibility that their quarry mightn’t be up here, but in fact, down there... Felix Romsey’s Afterparty is a novel for anyone who’s ever heard the cliché “the great rock festival in the sky” and spent a few fleeting moments wondering what said celestial festival – and indeed, the reality it inhabits – might really be like
"Rebellion is a part of youth. Sometimes it's dangerous. Instead of a sword, I hold a guitar in my hands. I'm in the same, rigid world but instead of Molotov cocktails, I've got a computer. It's a much more powerful weapon." Confessions Of A Heretic is the forthright and erudite memoir of the front man and driving force behind the Polish heavy-metal group Behemoth, currently at the top of their game following the release of their 2014 US Top 40 album The Satanist. Presented as a series of interrogations by friends and associates, the book reveals a complex man of great contrast--a health-conscious, highly personable intellectual known for his extreme views and even more extreme music--lifting the lid on everything from his clashes with the Polish Catholic church to appearing as a judge on the Polish edition of The Voice to his recent battle with leukemia.
A memoir about the recovery from alcoholism, habitual drug use and mental illness, from broadcaster, and co-founder and editor of The Quietus website, John Doran. Jolly Lad is a memoir about the recovery from alcoholism, habitual drug use and mental illness. It is also about the healing power of music, how memory defines us, the redemption offered by fatherhood and what it means to be working class. “This is not a 'my drink and drug hell' kind of book for several reasons—the main one being that I had, for the most part, had a really good time drinking. True, a handful of pretty appalling things have happened to me and some people that I know or used to know over the years. But I have, for the most part, left them out of this book as they are not illuminating, not edifying and in some cases concern other people who aren't here to consent to their appearance. Instead this book concentrates on what you face after the drink and the drugs have gone.” Jolly Lad is about gentrification; being diagnosed bipolar; attending Alcoholics Anonymous; living in a block of flats on a housing estate in London; the psychological damage done by psychedelic drugs; depression; DJing; factory work; friendship; growing old; hallucinations; street violence and obsessive behaviour—especially regarding music and art.
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
Includes "A-Z of Swedish death metal bands - encyclopedia," with band histories and performers.
Heavy metal has developed from a British fringe genre of rock music in the late 1960s to a global mass market consumer good in the early twenty-first century. Early proponents of the musical style, such as Black Sabbath, Deep Purple, Judas Priest, Saxon, Uriah Heep and Iron Maiden, were mostly seeking to reach a young male audience. Songs were often filled with violent, sexist and nationalistic themes but were also speaking to the growing sense of deterioration in social and professional life. At the same time, however, heavy metal was seriously indebted to the legacies of blues and classical music as well as to larger literary and cultural themes. The genre also produced mythological concept albums and rewritings of classical poems. In other words, heavy metal tried from the beginning to locate itself in a liminal space between pedestrian mass culture and a rather elitist adherence to complexity and musical craftsmanship, speaking from a subaltern position against the hegemonic discourse. This collection of essays provides a comprehensive and multi-disciplinary look at British heavy metal from its beginning through The New Wave of British Heavy Metal up to the increasing internationalization and widespread acceptance in the late 1980s. The individual chapter authors approach British heavy metal from a textual perspective, providing critical analyses of the politics and ideology behind the lyrics, images and performances. Rather than focus on individual bands or songs, the essays collected here argue with the larger system of heavy metal music in mind, providing comprehensive analyses that relate directly to the larger context of British life and culture. The wide range of approaches should provide readers from various disciplines with new and original ideas about the study of this phenomenon of popular culture.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
From a powerful new voice in nonfiction comes this electrifying chronicle of a married man who leaves his wife to pursue a carefree bachelorhood - only to plunge into an abyss of shame, regret, and penis envy. Thirty-year-old Alan Wieder has everything a man could possibly want: a nice home in L.A., a thriving Hollywood career, and to top it all off, a beautiful and adoring wife. Then one day in 2005 - the Year of the Rooster - he wakes up with questions: Have I settled down too soon? Am I consigned to a humdrum future of marriage, kiddies, home-cooked meals and hybrid SUVs? How the %&! did this happen to me? And just like that - after ten years in a committed relationship - Alan decides to walk out on his wife to pursue his fantasy of becoming a hardcore bachelor. Explaining very little, thinking even less, he dives into his exhilarating new single existence - buying a vintage Porsche, moving into a tastefully decorated bachelor pad, ignoring his wife, and bedding as many chicks as possible. However, to Alan's surprise and dismay, becoming a single dude also unleashes in him a torrent of crippling insecurities that he didn't even know he had. And soon, his would-be swingin' bachelorhood is cut short - very short - by a strange and shameful obsession that drives him to utter madness. Some men leave their wives only to discover that the grass isn't greener. What Alan Wieder discovers - about the perils of newfound freedom, and about his own fragile male psyche - is far more agonizing and wretched. In this riveting and brutally honest memoir, Alan recounts the true story of his impulsive, wild, and ultimately disastrous foray into bachelorhood. A tragicomic tale of betrayal, sexual (mis)adventure, and ultimately redemption, Year of the Cock marks the debut of a remarkably talented new writer.
In this lively examination of youth and their relationship to music, first published in 1994, contributors cover issues ranging from the place of music in urban subculture and what music tells us about adolescent views on love and sex, to the political status of youth and youth culture.