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If cats get nine lives, Muse burned through eight of hers by the time she met David Peeler. And David made a hash of the one life allotted to him. The pair of them are on the way out. But Muse goes first, and the death of the cat holds the key to a new life for David. If he can prove who murdered her before he shares her fate. For an audio sample of this book, visit https://joslynchase.com/audio-samples-full-length-stories/
Part 1: The Muse is DEAD! Long live the Muse! Or so say the headlines. But like any good reporter sometimes the best news is the news you make happen. For years, the 10th Muse has fought a variety of evil in the name of justice, but she has never battled the media! If the future is written, the Muse is a dead woman and there is nothing the gods can do about it. In the bigger-than-life series finale, Emma Sonnet encounters her final destiny...but will it mean her death? This is a giant-sized 44-page roller coaster ride that will keep fans on the edge of their seat until the very last page! Part 1: The Muse is DEAD! Long live the Muse! Or so say the headlines. But like any good reporter sometimes the best news is the news you make happen. For years, the 10th Muse has fought a variety of evil in the name of justice, but she has never battled the media! If the future is written, the Muse is a dead woman and there is nothing the gods can do about it. In the bigger-than-life series finale, Emma Sonnet encounters her final destiny...but will it mean her death? This is a giant-sized 44-page roller coaster ride that will keep fans on the edge of their seat until the very last page!
This study uses photography to recreate classical images of women with the goal of repersenting the women as subjects rather than objects.
The inevitability of death—that of others and our own—is surely among our greatest anxieties. Mortality’s Muse: The Fine Art of Dying explores how art, mainly literary art, addresses that troubling reality. While religion and philosophy offer important consolations for life’s end, art responds in ways that are perhaps more complete and certainly more deeply human. Among subjects treated: the ars moriendi or “art of dying” tradition; the contrast between past and more recent cultural values; the religious consolation’s value but shortcoming for some people; the role of art in offering a secular consolation; dying as a performing art; the philosophic ideal of good death; the lively appeal of carpe diem or living for the present moment; the elegiac sense of life; and the two opposite parts Mortality’s Muse has played in dealing with war, the most senseless and unnecessary cause of death. The idea of an aesthetic sense of life forms the basis of these discussions. Human beings are makers in the largest sense of the word, and art represents everything they make—civilization itself with all its greatness and failings. Our civilization may ultimately be nothing but an evanescent blip in the cosmos. Even so, the creation of beauty, meaning, and purpose from disorder and suffering defines us as human beings. In the words of Robinson Jeffers, even if monuments eventually crumble and all art perish, yet for thousands of years carved stones have stood and “pained thoughts found the honey of peace in old poems.”
In 1846, Edgar Allen Poe wrote that 'the death of a beautiful woman is, unquestionably, the most poetic topic in the world'. The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs.
From the author of Landon's Cry, Follow the Leader, and The last words of a dying muse; comes a brand new book of original poetry.