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The powerful true-life story of one of the world's most prolific professional killers Julio Santana grew up in a poor fishing family in Brazil. At the age of 17 he committed his first murder in exchange for food for his family. Santana went on to become a killer for hire on an almost unimaginable scale, murdering more than 490 people. Yet, despite his appalling crimes, he was far from a monster. Santana was a loyal son, a family man and a devout Christian who was tormented by his conscience with every killing shot. Klester Cavalcanti, an acclaimed investigative journalist, became fascinated with the story of a normal man who happened to be one of the world's most prolific murderers. Over the course of seven years, Cavalcanti interviewed Santana by phone, and used his skills as a journalist to trace the path of his life and infamous career. The result is an extraordinary and chilling insight into a killer.
"Big Bob" Bashara put on a respectable face. To his friends in Detroit's affluent suburb of Grosse Pointe, he was a married father of two, Rotary Club President, church usher and soccer dad who organized charity events with his wife, Jane. To his "slaves," he was "Master Bob," a cocaine-snorting slumlord who operated a sex dungeon and had a submissive girlfriend to do his bidding--and he wanted more slaves to serve him. But Bashara knew he couldn't rule a household of concubines on his income alone. He eyed his wife's sizable retirement account and formulated a murderous plan. This meticulous account tells the complete story of the crime, the nationally watched investigation and trials, and the lives affected.
Perkins, a former chief economist at a Boston strategic-consulting firm, confesses he was an "economic hit man" for 10 years, helping U.S. intelligence agencies and multinationals cajole and blackmail foreign leaders into serving U.S. foreign policy and awarding lucrative contracts to American business.
Rex Feral kills for hire. Some consider him a criminal. Others think him a hero. In truth, he is a lethal weapon aimed at those he hunts. He is a last recourse in these times when laws are so twisted that justice goes unserved. He is a man who feels no twinge of guilt at doing his job. He is a professional killer. Learn how a pro gets assignments, creates a false identity, maizes a disposable silencer, leaves the scene without a trace, watches his mark unobserved and more. Feral reveals how to get in, do the job and get out without getting caught.
On the night of December 1,1900, Iowa farmer John Hossack was attacked and killed while he slept at home beside his wife, Margaret. On April 11, 1901, after five days of testimony before an all-male jury, Margaret Hossack was found guilty of his murder and sentenced to life in prison. One year later, she was released on bail to await a retrial; jurors at this second trial could not reach a decision, and she was freed. She died August 25, 1916, leaving the mystery of her husband's death unsolved. The Hossack tragedy is a compelling one and the issues surrounding their domestic problems are still relevant today, Margaret's composure and stoicism, developed during years of spousal abuse, were seen as evidence of unfeminine behavior, while John Hossack--known to be a cruel and dangerous man--was hailed as a respectable husband and father. Midnight Assassin also introduces us to Susan Glaspell, a journalist who reported on the Hossack murder for the Des Moines Daily, who used these events as the basis for her classic short story, " A Jury of Her Peers", and the famous play Trifles. Based on almost a decade of research, Midnight Assassin is a riveting story of loneliness, fear, and suffering in the rural Midwest.
The powerful true-life story of a Brazilian boy who could have been a fisherman but instead became the biggest professional killer known to the world--soon to be a major motion picture. Julio Santana as seen through the eyes of acclaimed investigative reporter Klester Cavalcanti is not a monster--he is a loyal son, a family man, a devout Christian who is tormented by his conscience with every shot. But in a cruel and lawless area of Brazil, where every life has its price, respect for life is a luxury that he can't afford. Trained by his uncle, an assassin, and initiated in murder at 17 years of age, Santana proved to be a natural. Without moralizing about mass murderer, The Name of Death attempts to show how such a career can be not so very different from other ordinary working lives. The portrait that emerges in this riveting narrative, based on seven years of phone conversations between Cavalcanti and Santana, is not only that of a man but also that of a country. Describing in detail only a handful of the almost 500 murders Santana carried out, Cavalcanti reveals just how lawless much of the interior of Brazil has been for the past 50 years. The state, the police, and the security forces play almost no part in establishing the rule of law--except when they are suppressing the guerrilla threat of the early 1970s. Cavalcanti shows just how easy it is for a boy like Julio to take the law into his own hands, and what a wild place Brazil has been and in many ways continues to be. The Name of Death is being adapted into a major motion picture produced by Fernando Meirelles (director of City of God, Blindness, and The Constant Gardener) and Globo Filmes, for release in Brazil in July 2017 and distribution in the U.S. the following year.
The unbelievable account of life as a hitman from a man who has been doing it for decades Hitmen commit heinous crimes virtually every day of the week and, in most instances, we don’t even realize. He’s been a killer for hire for more than twenty years now, but life as a fulltime professional assassin has never been easy. There have been close calls, failed attempts and a lot of looking over his shoulder. And now, he has decided to come clean and seek atonement for his life as a murderer and one of the most covertly dangerous men alive. An account of a life lived between our world and a shadowy underworld of criminals, a life lived under the radar of the law, a life lived in death. This is the true story of a hitman.
In the follow up to Murder in Limestone County. We find Sheriff John Carter struggling with the aftermath of the fire at Fort Parker and Slone’s escape and the professional and personal toll it has taken. We find Jake Slone reflecting on what turned a decorated Navy Seal into a killer. Until an unexpected break in the case puts Carter on a Hitman’s Trail.
The true confession of an assassin, a sicario, who rose through the ranks of the Southern California gang world to become a respected leader in an elite, cruelly efficient crew of hit men for Mexico's "most vicious drug cartel," and eventually found a way out and an (almost) normal life. Martin Corona, a US citizen, fell into the outlaw life at twelve and worked for a crew run by the Arellano brothers, founders of the the Tijuana drug cartel that dominated the Southern California drug trade and much bloody gang warfare for decades. Corona's crew would cross into the United States from their luxurious hideout in Mexico, kill whoever needed to be killed north of the border, and return home in the afternoon. That work continued until the arrest of Javier Arellano-Félix in 2006 in a huge coordinated DEA operation. Martin Corona played a key role in the downfall of the cartel when he turned state's evidence. He confessed to multiple murders. Special Agent of the California Department of Justice Steve Duncan, who wrote the foreword, says Martin Corona is the only former cartel hit man he knows who is truly remorseful. Martin's father was a US Marine. The family had many solid middle-class advantages, including the good fortune to be posted in Hawaii for a time during which a teenage Martin thought he might be able to turn away from the outlaw life of theft, drug dealing, gun play, and prostitution. He briefly quit drugs and held down a job, but a die had been cast. He soon returned to a gangbanging life he now deeply regrets. How does someone become evil, a murderer who can kill without hesitation? This story is an insight into how it happened to one human being and how he now lives with himself. He is no longer a killer; he has asked for forgiveness; he has made a kind of peace for himself. He wrote letters to family members of his victims. Some of them not only wrote back but came to support him at his parole hearings. It is a cautionary tale, but also one that shows that evil doesn't have to be forever.