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With extensive research, this account of the Hollywood star and his legion of fans offers “the best narrative yet of Dean’s final ten hours” (San Francisco Examiner). Just before sunset on September 20, 1955, James Byron Dean’s Porsche 550 Spyder collided with Donald Gene Turnupseed’s Ford Tudor on California Highway 46. At age twenty-four, America’s newest screen idol was dead. But what really happened? Drawing on original documents, including the coroner’s inquest and other previously unpublished material, author Warren Newton Beath provides a painstakingly accurate reconstruction of Dean’s final hours and tragic death. In addition, Beath explores Dean’s life and his enduring status as a cultural icon, including Elvis Presley’s worship of him; Hitchcock’s use of Highway 46 in the famous crop-dusting scene in North by Northwest; death threats against Giant director George Stevens if he dared excise a single frame of Deans’ final performance; and many more fascinating facts about the enigmatic screen legend. Beath’s definitive account concludes with a memorable portrait of the James Dean cult, a strangely moving record of his posthumous life in the hearts of his adoring fans.
While in Stratford, widow Sheila Malory always stays with her old friend, actor David Beaumont. On this visit she finds him in dire straits: his career is on the skids and his finances are in ruins. Unless he can convince his penny-pinching brother Francis to sell their jointly owned family home in the seaside village of Taviscombe, the bank will repossess his cottage. Francis, Dean of the Culminster Cathedral, does not believe that charity begins at home. He refuses to put the house on the market or provide a loan. Mrs. Malory offers David a place to stay in her own home in Taviscombe so that the two brothers might meet in person to find a solution. Even if Francis can be persuaded to sell, one impediment remains: their ancient and addled nanny has been told that she can stay in the home until she dies. Even after Nana's sudden death, Francis insists that they hold on to the property. When he dies from consuming high tea laced with poison, the police conclude that both deaths were murder. Unfortunately David is their prime suspect. Determined to clear her friend's name, Mrs. Malory applies her considerable skills as an amateur sleuth to identify the real culprit. She has seen her share of evil, but even Mrs. Malory is shocked by what her investigation turns up. Death of a Dean is the seventh of Hazel Holt's Mrs. Malory mysteries.
The brutal slayings of a string of her patients in New York and a horrific attempt on her own life leave Hailey Dean down, but not defeated. After a yearlong respite back home in the Southland, former violent crimes prosecutor Hailey Dean finally returns to her apartment in the sky overlooking Manhattan. Hailey's determined to rebuild a normal life and settle back into her growing practice as a therapist. But in a twist of fate, Hailey agrees to follow her heart and fight crime once again, this time in a new arena, in front of a camera! Under the hot lights of a TV studio, Hailey learns the TV industry's not so glamorous. In fact, it's downright deadly! Waning celebrities, all stunning actresses, each one a shining star turned has-been now struggling to get off the D-List and back into the limelight, meet with a bloody stage exit . . . murder! Hailey's archenemy, Lieutenant Ethan Kolker, the NYPD cop who hunted Hailey down for the murders of her own patients, now wants the past forgotten and reaches out for Hailey's help to solve the murders. In a race against the clock, Hailey has no idea that TV can be murder! In best-selling author, attorney, and TV personality Nancy Grace's second Hailey Dean thriller, life on television is no less dangerous than life in the courtroom!
Story of Dean Reed, movie actor and rock ?n? roll singer, known throughout South America, Eastern and parts of Western Europe, and the Soviet Union. He was an American living in Communist East Berlin when he disappeared.
James Dean's short life and three-film career inspired countless actors and rebellious teenagers, but his untimely death in a 1955 car crash has been an inspiration of a different kind. The ensuing decades have seen a continuing fascination with Dean's life, and have also fostered legions of devotees fascinated by his death. With the expected (death site pilgrims, alternative theorists, reports of Dean's ghost hitchhiking along that fated highway), there are the odd, the unbelievable and the downright wacky: lingering love affairs with Dean's ghost, visions of his disembodied head, and, of course, reports that he's alive and well, raising chickens and drinking rum with buddies in South America. The ongoing, growing fascination, folklore and legend surrounding the life and death of James Dean is testament that the cult of celebrity death is alive and well. This encyclopedia of James Dean-related subjects includes entries on such topics as associates, locales, books, and ephemera associated with his life. It focuses intensely on the events and people linked to his fatal crash, and on the body of myth, mystery and folklore surrounding Dean's tragic death.
Writer, vampire, and sleuth extraordinaire Simon Kirby-Jones becomes immersed in medieval mayhem when a renaissance fair comes to town bringing with it Tristan Lovelace, the man who made him a vampire, and murder. Reprint.
A collection of photographs from the burial grounds of Europe explores the beauty of cemeteries and the emotions the survivors of the dead placed into the making of the tombs.
A larger-than-life narrative of the making of the classic film, marking the rise of America as a superpower, the ascent of Hollywood celebrity, and the flowering of Texas culture as mythology. Featuring James Dean, Rock Hudson, and Elizabeth Taylor, Giant is an epic film of fame and materialism, based around the discovery of oil at Spindletop and the establishment of the King Ranch of south Texas. Isolating his star cast in the wilds of West Texas, director George Stevens brought together a volatile mix of egos, insecurities, sexual proclivities, and talent. Stevens knew he was overwhelmed with Hudson’s promiscuity, Taylor’s high diva-dom, and Dean’s egotistical eccentricity. Yet he coaxed performances out of them that made cinematic history, winning Stevens the Academy Award for Best Director and garnering nine other nominations, including a nomination for Best Actor for James Dean, who died before the film was finished. In this compelling and impeccably researched narrative history of the making of the film, Don Graham chronicles the stories of Stevens, whose trauma in World War II intensified his ambition to make films that would tell the story of America; Edna Ferber, a considerable literary celebrity, who meets her match in the imposing Robert Kleberg, proprietor of the vast King Ranch; and Glenn McCarthy, an American oil tycoon; and Errol Flynn lookalike with a taste for Hollywood. Drawing on archival sources Graham’s Giant is a comprehensive depiction of the film’s production showing readers how reality became fiction and fiction became cinema.
England has a new sleuth--Simon Kirby-Jones, who is not only a vampire, but an American to boot. Settling in the village of Snupperton Mumsley, Simon's preternatural senses are tuned for trouble as he looks into the mysterious death of the village's mean spirited postmistress.