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“Another deviously construction Inspector Morse mystery from the masterly hand of Colin Dexter.”—The New York Times Book Review Why would a sniper shoot suburban physiotherapist Rachel James as she sips her morning coffee? Inspector Morse's hunt for answers kicks off with a tabloid journalist, winds through the strip clubs of Soho, then returns to Oxford, where two senior dons and their wives battle for a plum promotion. Then, on the personal front, Inspector Morse receives intimations of his own mortality. And while Morse muses on life, he reveals his first name at last. . . . Praise for Death Is Now My Neighbor “An excellent writer . . . Dexter's mysteries featuring Inspector Morse just keep getting better.”—Associated Press “His best work yet, full of insight into human nature and rich with real emotion.”—The Christian Science Monitor “A brilliant tour de force, an ingenious exploration of the human heart . . . At once sensitive, profoundly wise, and deeply felt.”—Buffalo News
In Mindy's yoga-obsessed, thirty-is-the-new-wife neighborhood, every day is a battle between Dunkin' Donuts, her jaws-of-life jeans, and Beth Diamond, the self-absorbed sancti-mommy next door who looks sixteen from the back. So much for sharing the chores, the stores, and the occasional mischief to rival Wisteria Lane. It's another day, another dilemma until Beth's marriage becomes fodder on Facebook. Suddenly the Ivy League blonde needs to be “friended,” and Mindy is the last mom standing. Together they take on hormones and hunger, family feuds and fidelity, and a harrowing journey that spills the truth about an unplanned pregnancy and a seventy-year-old miracle that altered their fates forever. Dear Neighbor, Drop Dead is a hilarious, stirring romp over fences and defenses that begs the question, what did you do to deserve living next door to a crazy woman? Sometimes it's worth finding out.
'This is a story about what might happen when a woman takes charge... A glorious visceral mystery' The Times While on her daily walk with her dog in the woods near her home, Vesta comes across a chilling handwritten note. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body. Shaky even on her best days, Vesta is also alone, and new to the area, having moved here after the death of her husband. Her brooding about the note grows quickly into a full-blown obsession: who was Magda and how did she meet her fate? From the Booker-shortlisted author of Eileen comes this razor-sharp, chilling and darkly hilarious novel about the stories we tell ourselves and how we strive to obscure the truth. __________________________ PRAISE FOR DEATH IN HER HANDS: 'Routinely hailed as one of the most exciting young American authors working today' Guardian 'A new kind of murder mystery' New Yorker 'Dark, devious' Observer 'A fine line between shocking realism and the absurd' New Statesman 'A brilliant off-kilter detective story' Evening Standard 'A beautiful novel' Sunday Times
The very last Inspector Morse novel . . . how will Morse bid his final farewell?Where does this all leave us, sir?' 'Things are moving fast.' 'We're getting near the end, you mean?' 'We were always near the end.' The murder of Yvonne Harrison had left Thames Valley CID baffled. A year after the dreadful crime they are still no nearer to making an arrest. But one man has yet to tackle the case - and it is just the sort of puzzle at which Chief Inspector Morse excels. So why is he adamant that he will not lead the re-investigation, despite the entreaties of Chief Superintendent Strange and dark hints of some new evidence? And why, if he refuses to take on the case officially, does he seem to be carrying out his own private enquiries? For Sergeant Lewis this is yet another example of the unsettling behaviour his chief has been displaying of late . . .
WINNER OF THE NOBEL PRIZE IN LITERATURE "A brilliant literary murder mystery." —Chicago Tribune "Extraordinary. Tokarczuk's novel is funny, vivid, dangerous, and disturbing, and it raises some fierce questions about human behavior. My sincere admiration for her brilliant work." —Annie Proulx In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind . . . A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?
“A modern-day Crucible….Beneath the surface of a suburban utopia, madness lurks.” —Liv Constantine, bestselling author of The Last Mrs. Parrish “Sarah Langan is a phenomenal talent with a wicked sense of wry humor. Good Neighbors knocked me out. Like Shirley Jackson, Langan’s work blends a bleak streak with an underlying sense of the humane that wrung my heart.” —Victor LaValle, author of The Changeling Celeste Ng’s enthralling dissection of suburbia meets Shirley Jackson’s creeping dread in this propulsive literary noir, when a sudden tragedy exposes the depths of deception and damage in a Long Island suburb—pitting neighbor against neighbor and putting one family in terrible danger. Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.
According to Hebrews, the Son of God appeared to "break the power of him who holds the power of death--that is, the devil--and free those who all their lives were held in slavery by their fear of death." What does it mean to be enslaved, all our lives, to the fear of death? And why is this fear described as "the power of the devil"? And most importantly, how are we--as individuals and as faith communities--to be set free from this slavery to death?In another creative interdisciplinary fusion, Richard Beck blends Eastern Orthodox perspectives, biblical text, existential psychology, and contemporary theology to describe our slavery to the fear of death, a slavery rooted in the basic anxieties of self-preservation and the neurotic anxieties at the root of our self-esteem. Driven by anxiety--enslaved to the fear of death--we are revealed to be morally and spiritually vulnerable as "the sting of death is sin." Beck argues that in the face of this predicament, resurrection is experienced as liberation from the slavery of death in the martyrological, eccentric, cruciform, and communal capacity to overcome fear in living fully and sacrificially for others.
Norah Vincent’s first two books—the New York Times bestseller Self-Made Man and Voluntary Madness—were masterworks of immersion journalism. Now Vincent unleashes her considerable talents in a spellbinding novel that’s as provocative and absorbing as her acclaimed nonfiction. Since his parents’ violent deaths thirteen years ago, Nick Walsh has been living alone in his childhood home, drinking, drugging, and debauching himself into oblivion. Deranged by his relentless sorrow, he begins spying on his neighbors via hidden cameras and microphones. As he observes all the strange, sad, and terrifying things that people do when they think no one is watching, Nick begins to unravel the shocking truth about how and why his parents died.