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The city of Miles is here presented in a complete and accessible format for use with any fantasy roleplaying system (though For Gold & Glory is recommended). This is the paperback edition.
Civic virtues were central to early modern Nürnberg’s visual culture. These essays explore Nürnberg as a location from which to study the intersection of art and power. The imperial city was awash in emblems, and they informed most aspects of everyday life. The intent of this volume is to focus new attention on the town hall emblems, while simultaneously expanding the purview of emblem studies, moving from strict iconological approaches to collaborations across methodologies and disciplines.
Johnson provides an historically rich examination of the intersection of early twentieth-century imperial culture, imperial politics, and imperial economics as reflected in the colonial built environment at New Delhi, a remarkably ambitious imperial capital built by the British between 1911 and 1931.
At the turn of the twentieth century, Alexandria, Egypt, was a bustling transimperial port city, under nominal Ottoman and unofficial British imperial rule. Thousands of European subjects lived, worked, and died there. And when they died, the machinery of empire had to negotiate for space, resources, and control with the nascent national state. Imperial Bodies shows how the mechanisms of death became a tool for exerting both imperial and national governance. Shana Minkin investigates how French and British power asserted itself in Egypt through local consular claims of belonging manifested within the mundane caring for dead bodies. European communities corralled imperial bodies through the bureaucracies and rituals of death—from hospitals, funerals, and cemeteries to autopsies and death registrations. As they did so, imperial consulates pushed against the workings of both the Egyptian state and each other, expanding their governments' material and performative power. Ultimately, this book reveals how European imperial powers did not so much claim Alexandria as their own, as they maneuvered, manipulated, and cajoled their empires into Egypt.
Within the context of the Vietnam War, the battle for Hue City stands as an example of urban warfare and how the U.S. military and the Army of the Republic of Vietnam were able to secure victory in the face of severe odds. This commemorative begins with an overview of the city and its geographical, political, and cultural importance to the region. According to Buddhist myth, the picturesque city of Hue, the provincial capital of Thua Thien Province and the former imperial capital of Vietnam, sprang to life as a lotus flower blossoming in a puddle of mud.* Hue is located on a bend of the Huong or Perfume River, a major waterway running from the western foothills to the sea. The river provides an excellent supply route from the South China Sea only seven kilometers northeast of the city. The mountain slopes of the Annamite Chain (or Giai Truong Son) begin an equal distance away and the Laotian border lies another 50 miles farther west. In between the mountains and the border are the A Shau Valley and the Ho Chi Minh Trail, the major North Vietnamese infiltration and supply route to the south. The narrow 25-mile long A Shau Valley, known as Base Area 114, served *Some of the content in the following work was originally published in 1997 by Jack Shulimson, LtCol Leonard A. Blasiol (USMC), Charles R. Smith, and Capt David A. Dawson (USMC) in U.S. Marines in Vietnam: The Defining Year, 1968. as an arm of the Ho Chi Minh Trail and provided an important sanctuary from which Communist forces could launch their attacks on the population centers along the coast. The Annamite Chain presented a formidable obstacle that prevented allied forces from penetrating into the interior of the country except by helicopter.
Chinese Imperial City Planning is the first synthesis of what is known from textual and archaeological evidence about every Chinese imperial capital, from earliest times to the present. It explains the fundamental architectural principles and visual characteristics of imperial planning in China and shows how these features are related to the Chinese idea of rulership. The volume also reconstructs the 3,500-year-old history of imperial planning using sources such as resident descriptions, travel accounts, official Chinese court records, and the most recent archaeological and scholarly studies. The extensive documentation provides students with a standard source of reference from which to embark on further research on Chinese urban planning.
Through a range of case studies, this book traces how death shaped cities, and vice versa. It argues that by focusing on death and the city, we can open up new avenues of research into religious, political and cultural change. Dying in a city was significantly different from dying in a village or the countryside. Cities and towns were centres of commerce and learning, shaping discourses on death. The importance of urban centres meant that events had a large audience there, for example when people were executed. Urban diversity led to a wide variety of deathways, which also had to be regulated by urban magistrates. The placement of dead bodies and the urban arrangement of cemeteries were related to the high population density in towns, urban hygiene and religious changes, such as the Reformation. The fact that many cities were seats of power had a direct impact on the design of necropolises and the performance of funerary rituals. It was also in urban centres that religious, ethnic and cultural diversity tended to be more pronounced, leading to compromise and conflict when it came to burials and commemoration. Considering death and the city can therefore help us understand much broader processes of dying, urbanity and change over time. This book is essential reading for all students and academics of death in the premodern period. The chapters in this book were originally published as a special issue of Mortality.
Martyrs create space and time through the actions they take, the fate they suffer, the stories they prompt, the cultural narratives against which they take place and the retelling of their tales in different places and contexts. The title "Desiring Martyrs" is meant in two senses. First, it refers to protagonists and antagonists of the martyrdom narratives who as literary characters seek martyrs and the way they inscribe certain kinds of cultural and social desire. Second, it describes the later celebration of martyrs via narrative, martyrdom acts, monuments, inscriptions, martyria, liturgical commemoration, pilgrimage, etc. Here there is a cultural desire to tell or remember a particular kind of story about the past that serves particular communal interests and goals. By applying the spatial turn to these ancient texts the volume seeks to advance a still nascent social geographical understanding of emergent Christian and Jewish martyrdom. It explores how martyr narratives engage pre-existing time-space configurations to result in new appropriations of earlier traditions.