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While investigating a doctor accused of drug-facilitated sexual assaults, Manhattan Assistant DA Alex Cooper learns of the grisly death of a world-class ballerina at Lincoln Center. Fairstein's latest "New York Times" bestseller is available in a Premium Edition.
New York Times bestselling author Linda Fairstein takes readers behind the scenes of New York City's theater world -- from Lincoln Center to the lights of Broadway -- in a riveting new novel, rich with her trademark blend of cutting-edge legal issues, skillful detective work, and heart-stopping suspense. Teaming up with longtime friends -- NYPD's Mike Chapman and Mercer Wallace -- Assistant DA Alex Cooper investigates the disappearance of world-famous dancer Natalya Galinova, who has suddenly vanished backstage at Lincoln Center's Metropolitan Opera House -- during a performance. The three colleagues are soon drawn into the machinations of New York City's secretive theatrical community, where ambition takes many forms, including those most deadly. Among Galinova's lovers is Joe Berk, the colorful, strong-willed boss of the Berk Organization, one of four family companies that own all the legitimate theaters on Broadway. The aging ballerina was using Berk to help revive her career at the time of her disappearance. Cooper, Chapman, and Wallace go underground and backstage at the Met, explore Berk's unusual apartment on top of the Belasco Theatre with its rumored ghostly resident, and then discover bizarre circumstances at City Center, which has a peculiar history not one of them knew about until now. Within the glamorous but sordid inner sanctums of the Broadway elite, the team confronts the ruthless power brokers who control both the stars and the stages where they appear. They meet Joe's niece Mona Berk, who is mounting a vicious campaign to extract her share of the family fortune, and stunning starlet Lucy DeVore, whose beauty may be her fatal undoing. Chet Dobbis is the artistic director of the Metropolitan Opera, and therefore privy to the most scandalous exploits among its famous inhabitants. He also knows every inch of the labyrinthine building into which the ballerina disappeared... Meanwhile, Alex is working on a very different case, using a creative technique to nab a physician who has been drugging women in order to assault them. As Dr. Selim Sengor eludes capture, Alex must navigate the new investigative world of DFSA -- drug-facilitated sexual assault -- intent on proving him guilty. Complicating her quest is the explosive legal and ethical dilemma of using the existing DNA databank to solve new cases. Can Alex convince a judge to let her prosecute a man for a violent crime using DNA that was collected for a prior case in which he was never charged? Or do the suspect's civil rights prevent law enforcement from keeping his DNA on file to be used against him at any future time? Death Dance is a spellbinding thriller combining a former prosecutor's fresh insight into hot-button legal issues with the unique history and spectacle of New York theater, and its shocking twists make this novel Linda Fairstein's most chilling adventure yet.
A masked ball, a dead body, a missing diamond necklace and a suspicious silver candlestick? Sounds like a case for Lady Eleanor Swift! England, 1920. Lady Eleanor Swift, adventurer extraordinaire and reluctant amateur detective, is taking a break from sleuthing. She's got much bigger problems: Eleanor has two left feet, nothing to wear and she's expected at the masked ball at the local manor. Her new beau Lance Langham is the host, so she needs to dazzle. Surrounded by partygoers with painted faces, pirates, priests and enough feathers to drown an ostrich, Eleanor searches for a familiar face. As she follows a familiar pair of long legs up a grand staircase, she's sure she's on Lance's trail. But she opens the door on a dreadful scene: Lance standing over a dead Colonel Puddifoot, brandishing a silver candlestick, the family safe wide open and empty. Moments later, the police burst in and arrest Lance for murder, diamond theft and a spate of similar burglaries. But Eleanor is convinced her love didn't do it, and with him locked up in prison, she knows she needs to clear his name. Something Lance lets slip about his pals convinces Eleanor the answer lies close to home. Accompanied by her faithful sidekick Gladstone the bulldog, she begins with Lance's friends - a set of fast driving, even faster drinking, high-society types with a taste for mischief. But after they start getting picked off in circumstances that look a lot like murder, Eleanor is in a race against time to clear Lance's name and avoid another brush with death... Fans of Agatha Christie, T E Kinsey and Downton Abbey will adore this tremendously fun cozy whodunnit, full of mystery, murder and intrigue! Readers love Verity Bright! 'What a great cozy mystery! I am hooked! This is the best book, bar none, that I have read this year... An extremely witty, fast-paced mystery... I love the heroine, intrepid adventuress... I want to live at Henley Hall, I love Gladstone, the very funny bulldog, too cute! A most enjoyable read!' Reviews by Carol in Tallahassee ⭐️⭐️⭐️⭐️⭐️ 'So engaging. I loved reading this book it was so easy to read and absolutely captivating. I cannot wait to read of the further adventures of Lady Eleanor and her beloved bulldog Gladstone. Highly recommended.' Goodreads Reviewer ⭐️⭐️⭐️⭐️⭐️ 'I liked Eleanor a lot, she's feisty and sweet... The ending had me a little teary, because she's finally come home... The best part of the book was that it made me feel cozy and warm. Looking forward to the next book! Highly recommended.' Goodreads Reviewer ⭐️⭐️⭐️⭐️⭐️
Dance Dance Dance—a follow-up to A Wild Sheep Chase—is a tense, poignant, and often hilarious ride through Murakami’s Japan, a place where everything that is not up for sale is up for grabs. As Murakami’s nameless protagonist searches for a mysteriously vanished girlfriend, he is plunged into a wind tunnel of sexual violence and metaphysical dread. In this propulsive novel, featuring a shabby but oracular Sheep Man, one of the most idiosyncratically brilliant writers at work today fuses together science fiction, the hardboiled thriller, and white-hot satire.
Elina Gertsman's multifaceted study introduces readers to the imagery and texts of the Dance of Death, an extraordinary subject that first emerged in western European art and literature in the late medieval era. Conceived from the start as an inherently public image, simultaneously intensely personal and widely accessible, the medieval Dance of Death proclaimed the inevitability of death and declared the futility of human ambition. Gertsman inquires into the theological, socio-historic, literary, and artistic contexts of the Dance of Death, exploring it as a site of interaction between text, image, and beholder. Pulling together a wide variety of sources and drawing attention to those images that have slipped through the cracks of the art historical canon, Gertsman examines the visual, textual, aural, pastoral, and performative discourses that informed the creation and reception of the Dance of Death, and proposes different modes of viewing for several paintings, each of which invited the beholder to participate in an active, kinesthetic experience.
For their heroism and success against the enemy, two of the women's regiments were honored by designation as "Guard" regiments. At least thirty women were decorated with the gold star of Hero of the Soviet Union, their nation's highest award.
Bethany Griffin continues the journey of Araby Worth in Dance of the Red Death—the sequel to her teen novel Masque of the Red Death. Lauren DeStefano, author of the New York Times bestselling Chemical Gardens trilogy, called Masque of the Red Death "luscious, sultry, and lingeringly tragic." In Dance of the Red Death, Araby's world is in shambles—betrayal, death, disease, and evil forces surround her. She has no one to trust. But she will fight for herself, for the people she loves, and for her city. Her revenge will take place at the menacing masked ball. It could destroy her and everyone she loves . . . or it could turn her into a hero. With a nod to Edgar Allan Poe, Bethany Griffin concludes her tragic and mysterious Red Death saga about a heroine that young adult readers will never forget.
As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city’s subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.