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MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.
'You are an artificially constructed human being, a mobile gathering device.' That is what the computer's metallic voice tells Tanner when it releases him from his cell. Naked, unarmed, with no memory to guide him, he emerges into a savage world, into the ruins of Manhattan in the 23rd century where wild animals roam and men have become cannibals in a frantic struggle to survive. Who has unleashed this chaos upon the world? Has Tanner really been dispatched to gather facts to help save the tragic remnants of humanity? Or is he to be the final instrument of its destruction?
“This gonzo-journalistic exploration of the Silicon Valley techno-utopians’ pursuit of escaping mortality is a breezy romp full of colorful characters.” —New York Times Book Review (Editor's Choice) Transhumanism is a movement pushing the limits of our bodies—our capabilities, intelligence, and lifespans—in the hopes that, through technology, we can become something better than ourselves. It has found support among Silicon Valley billionaires and some of the world’s biggest businesses. In To Be a Machine, journalist Mark O'Connell explores the staggering possibilities and moral quandaries that present themselves when you of think of your body as a device. He visits the world's foremost cryonics facility to witness how some have chosen to forestall death. He discovers an underground collective of biohackers, implanting electronics under their skin to enhance their senses. He meets a team of scientists urgently investigating how to protect mankind from artificial superintelligence. Where is our obsession with technology leading us? What does the rise of AI mean not just for our offices and homes, but for our humanity? Could the technologies we create to help us eventually bring us to harm? Addressing these questions, O'Connell presents a profound, provocative, often laugh-out-loud-funny look at an influential movement. In investigating what it means to be a machine, he offers a surprising meditation on what it means to be human.
If a machine could predict how you would die, would you want to know? This is the tantalizing premise of This Is How You Die, the brilliant follow-up anthology to the self-published bestseller, Machine of Death. THIS IS HOW YOU DIE Stories of the Inscrutable, Infallible, Inescapable Machine of Death The machines started popping up around the world. The offer was tempting: with a simple blood test, anyone could know how they would die. But the machines didn't give dates or specific circumstances-just a single word or phrase. DROWNED, CANCER, OLD AGE, CHOKED ON A HANDFUL OF POPCORN. And though the predictions were always accurate, they were also often frustratingly vague. OLD AGE, it turned out, could mean either dying of natural causes, or being shot by an elderly, bedridden man in a botched home invasion. The machines held onto that old-world sense of irony in death: you can know how it's going to happen, but you'll still be surprised when it does. This addictive anthology--sinister, witty, existential, and fascinating--collects the best of the thousands of story submissions the editors received in the wake of the success of the first volume, and exceeds the first in every way.
The crew of the TARDIS are scattered across the stars and the Doctor's memory has been wiped. The fourth Doctor is at the heart of a star spanning conspiracy involving the Time Lords and the ultimate device of death.
#1 bestselling author Patricia Cornwell returns to the world of gutsy medical examiner Kay Scarpetta in the seventh suspenseful novel in the forensic thriller series On a quiet day, away from the hustle of Richmond, in a small cottage on the Virginia coast, Dr. Kay Scarpetta receives a disturbing phone call from the Chesapeake police. Thirty feet deep in the murky waters of Virginia's Elizabeth River, a scuba diver's body is discovered near the Inactive Naval Shipyard.As the police begin searching for clues, the wallet of investigative reporter Ted Eddings is found. Unnerved by the possible identity of the victim, Scarpetta orders the crime scene roped off and left alone until she arrives. What was he doing there, searching for Civil War relics as the officer suggested, or was there a bigger story? As she rifles through the multitude of clues, a second murder hits much closer to home. This new development puts Scarpetta and her colleagues hot on the trail of a military conspiracy.
Philip Sarkis was a good doctor - maybe a little too good. So when he is sued for malpractice after a young patient dies suddenly he sinks into an alcoholic depression, losing his family and his career.
The new Hannah Ives mystery - Hannah is returning from a charity luncheon in Washington, DC, when her train is involved in a horrific crash. Although her arm is broken, she remains at the side of her critically injured seatmate until help arrives - but when she is later discharged from hospital, she finds herself in possession of the man's distinctive bag, and her efforts to return it soon set in motion a chain of events that put her life in grave danger.
“One of our greatest thinkers” on death presents a radical new approach to thinking about dying and the human corpse (Caitlin Doughty, mortician and bestselling author of Smoke Gets in Your Eyes). A fascinating exploration of the relationship between technology and the human corpse throughout history—from 19th-century embalming machines to 21st-century death-prevention technologies. Death and the dead body have never been more alive in the public imagination—not least because of current debates over modern medical technology that is deployed, it seems, expressly to keep human bodies from dying, blurring the boundary between alive and dead. In this book, John Troyer examines the relationship of the dead body with technology, both material and conceptual: the physical machines, political concepts, and sovereign institutions that humans use to classify, organize, repurpose, and transform the human corpse. Doing so, he asks readers to think about death, dying, and dead bodies in radically different ways. Troyer explains, for example, how technologies of the nineteenth century including embalming and photography, created our image of a dead body as quasi-atemporal, existing outside biological limits formerly enforced by decomposition. He describes the “Happy Death Movement” of the 1970s; the politics of HIV/AIDS corpse and the productive potential of the dead body; the provocations of the Body Worlds exhibits and their use of preserved dead bodies; the black market in human body parts; and the transformation of historic technologies of the human corpse into “death prevention technologies.” The consequences of total control over death and the dead body, Troyer argues, are not liberation but the abandonment of Homo sapiens as a concept and a species. In this unique work, Troyer forces us to consider the increasing overlap between politics, dying, and the dead body in both general and specifically personal terms.