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Simmering tensions, buried memories and old scores are revived at Wychbourne Court when Lady Ansley's old theatre group reunite to perform the Wychbourne Follies. 1926, Kent. Lady Ansley’s old Gaiety Theatre group are reuniting at Wychbourne Court for the weekend. But how will they react when they learn that, thanks to her son Richard, the Follies, which began as a jolly idea for their own amusement, has become a fully-fledged performance to be held in the village at the Coach and Horses Inn? Chef Nell Drury is sure her guests’ reaction isn’t the only thing worrying Lady Ansley. A fascinating group of actors and actresses – from the pompous Hubert Jarrett to the dashing Neville Heydock, it’s not long before simmering tensions, revived old scores, fears and, worst of all, buried memories take centre stage. What happened to Mary Ann Darling, the young Gaiety actress who disappeared thirty years ago? As the performance draws to a close, the real drama is only just beginning...
Welcome to Tanton Towers! Explore the eccentric, history-filled house, take tea in the café . . . and visit the site of a recent murder?! First in a delightful new traditional British cozy mystery series. Everyone told Cara Shelley that she was crazy to set up a café in the shadow of eccentric Kentish stately home Tanton Towers. But now, three years later, the forty-something single mother can’t believe her good luck. The Happy Huffkin café is thriving, and Cara considers the Tanton Towers staff – and its equally eccentric owners, Max and Alison – to be more like family than colleagues. Three cheers for Tanton Towers! But one beautiful summer evening, when Cara’s hard at work clearing up after closing time, Alison comes hurtling down to the café to beg her for help. It’s trouble – and of the worst kind. Daphne Hanson, queen of the Towers’ costume-clad dancing troupe – and the greatest nosy parker in Kent – is lying dead in the orangery. Strangled! But by whom? And why? Determined that the culprit should not be one of her friends, and suspicious of the detective assigned the case – the deeply annoying, and annoyingly attractive DCI Andrew Mitchem – Cara launches her own investigation. But the more secrets she uncovers, the more she’s forced to consider the unthinkable: that one of her dear friends could be the killer . . . Fans of Richard Osman, M.C. Beaton, Simon Brett, and Nancy Atherton won’t want to miss this charming British cozy with a twist of romance!
A summer festival ends in disaster for chef sleuth Nell Drury in this gripping historical mystery full of dark secrets, disturbing discoveries and page-turning twists. 1926, Kent. Chef Nell Drury is busy with preparations for Lady Ansley’s luncheon to welcome Wychbourne Court’s new neighbours, Sir Gilbert and Lady Saddler. The couple’s arrival has led to much rumour and intrigue swirling around the village, particularly with regards to the mysterious Lady Saddler. Sir Gilbert belongs to a new artistic movement, the Artistes de Cler, and is organizing a summer festival in the grounds of Spitalfrith Manor, where the Clerries will gather to reveal their Africa-inspired paintings. The whole village is invited and buzzing with excitement. But at the festival itself, Nell witnesses some strange and disturbing events, and when a terrible discovery is made the following day, she is horrified to learn that Lord Ansley’s valet has been arrested. Can Nell clear his name while also confronting a face from the past?
The creator of the acclaimed Detective Murdoch Mysteries turns her exceptional storytelling skills to a murder mystery set in rural Shropshire, England, in the darkest days of the Second World War. Following the disastrous retreat of the British army from Dunkirk in 1940, England is plunged into a state of fear. The threat of a German invasion is real, and many German Nationals are interned in camps across the country. One such camp is on the ancient moor land of Prees Heath, near the small town of Whitchurch in Shropshire, where Tom Tyler is the sole detective inspector. Young women from all walks of life have joined the Land Army, to help desperate farmers keep the country fed. When one of these young women is found murdered on a desolate country road, Tyler is almost glad for the challenge; he has been fretting for some time about the dullness of policing in a rural community. In addition, a former lover has reappeared and turned his emotions upside down; his soldier son seems utterly changed by his experience at Dunkirk; and his sixteen year old daughter is unhappy. As he pursues the murderer, Tyler finds himself drawn into an uneasy alliance with one of the Prees Heath internees, a psychiatrist, who claims to be an expert on the criminal mind.
Fingerprints left on time. This is the premise on which wheelchair- bound Peter Marsh - a former policeman invalided out of the force - and his daughter Georgia base their investigations into unsolved past murders. A sense of "unfinished business".
Chimney sweep Tom Wasp and his eight-year-old apprentice look for the killer of their friend Bessie Barton among the painters in Victorian London.
1926, Kent. Lady Ansley's old Gaiety Theatre group are reuniting at Wychbourne Court for the weekend to perform the Wychbourne Follies, but it's not long before simmering tensions, revived old scores, fears and, worst of all, buried memories take centre stage. As the performance draws to a close, the real drama is only just beginning...
A ’38 Lagonda is driving someone to murder in “this lively, fast-paced mystery” series debut featuring British classic car expert and detective Jack Colby (Publishers Weekly). When Jack Colby, owner of Frogs Hill Classic Car Restorations, stumbles upon a 1938 coupé Lagonda V12 rusting away in a country barn in Kent, he longs to bring it back to its former glory. Jack also takes a shine to its owner, the fetching widow Polly Davis. Sadly, his romantic pursuits cut short. A few days later Polly is murdered just a few feet from the elegant machine. Now Jack’s curiosity about the car—and the crime—are kicking into high gear. He knows that years ago Polly’s late husband was found dead in the driver’s seat. And it’s clear she had no interest in selling or restoring the Lagonda—just hiding it. But are the rumors about Polly’s dicey past the key to it all, or just a detour? Convinced that the Lagonda is somehow involved, especially when it disappears, Jack is determined to uncover Polly’s secrets and bring her killer to justice, even at the risk of his own life.
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and Fire of Court, this is the first instalment in the acclaimed Lydmouth series Workmen in the small market town of Lydmouth are demolishing an old cottage. A sledgehammer smashes into what looks like a solid wall. Instead, layers of wallpaper conceal the door of a locked cupboard which holds a box - and in the box is the skeleton of a young baby. Items within the box suggest that the baby was entombed early in the nineteenth century, but when another man is also found dead, the evidence suggests that the baby's death is more recent and that a killer is on the loose. For Journalist Jill Francis, newly arrived from London, this looks like her first story to chase ... 'The most under-rated crime writer in Britain today' Val McDermid 'Captures perfectly the drab atmosphere and cloying morality of the 1950s . . . Taylor is an excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling'The Times 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out 'Andrew Taylor is a master story-teller' Daily Telegraph
March 1934. Revered mystery writer Josephine Tey is traveling from Scotland to London for the final week of her play Richard of Bordeaux, the surprise hit of the season, with pacifist themes that resonate in a world still haunted by war. But joy turns to horror when her arrival coincides with the murder of a young woman she had befriended on the train ride—and Tey is plunged into a mystery as puzzling as any in her own works. Detective Inspector Archie Penrose is convinced that the killing is connected to the play, and that Tey herself is in danger of becoming a victim of her own success. In the aftermath of a second murder, the writer and the policeman must join together to stop a ruthless killer who will apparently stop at nothing.