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Death and the King’s Grey Hair and Other Plays is a collection of three plays, ‘Death and the King’s Grey Hair,’ ‘Truce with the Devil,’ and ‘Fringe Benefits,’ which are all experimental plays from the early period of the writing career of Denja Abdullahi, who is presently renowned as a poet of populist expressions. ‘Death and the King’s Grey Hair’ examines the use and misuse of absolute power based on an ancient Jukun myth of young kings and short reigns. ‘Truce with the Devil’ is a satire on the later abandonment of the creed of Marxism by its adherents, a kind of mockery of turncoat revolutionaries in the grip of practical social realities. ‘Fringe Benefits’, a radio play, is an expose of the happening in Nigeria’s ivory towers, seen from the eyes of a participant-observer.
Ahmed Yerima's play celebrates the phenomenon of twins among the Yoruba people. Orisa Ibeji is also about man's fear of death and love of life; destiny and reincarnation; and the place of the gods in human affairs. Yerima employs simple and beautiful language, dynamic characters and deft skill to navigate the labyrinth that is Orisa Ibeji
Bernth Lindfors, Ira Aldridge: The Last Years, 1855-1867 -- Paul Schauert, Staging Ghana: Artistry & nationalism in state dance ensembles -- Maëline Le Lay, 'La parole construit le pays': Théâtre, langues et didactisme au Katanga (République Démocratique du Congo) -- Benita Brown, Dannabang Kuwabong & Christopher Olsen, Myth Performance in the African Diasporas: Ritual, theater, and dance -- S.A. Kafewo, T.J. Iorapuu & E.S. Dandaura (eds), Theatre Unbound: Reflections on Theatre for Development and Social Change - A festschrift in honour of Oga Steve Abah -- Hakeem Bello, The Interpreters: Ritual, Violence and Social Regeneration in the Writing of Wole Soyinka -- Five plays: Ekpe Inyang, The Swamps -- Augustine Brempong, The King's Wages -- Denja Abdullahi, Death and the King's Grey Hair and Other Plays -- Books received and noted
In Soundings in Kings, international scholars examin 1 and 2 Kings as an independent work, identifying new methods and models for envisioning the social location of the authors (or redactors) of Kings, the nature of the intended audience or audiences, and the political and rhetorical implications of its construction. Soundings in Kings demonstrates the role of Kings as a cornerstone work within the Hebrew Bible, a crossroads between prophecy, poetry, wisdom, ancestral and national narrative, and ritual instruction.
Pulitzer Prize winner and New York Times bestseller: A “lush, tipsy, all-night mambo of a novel about Cuban musicians in strange places like New York City” (People). Brothers Nestor and Cesar Camillo arrive from Cuba in 1949 with dreams of becoming famous mambo musicians. This memorable novel traces the arc of the two brothers’ lives—one charismatic and macho, the other soulful and sensitive—from Havana to New York, from East Coast clubs and dance halls to the heights of musical fame. The basis for a popular film, The Mambo Kings Play Songs of Love “tells of the triumphs and tragedies that befall two men blessed with gigantic appetites and profoundly melancholic hearts. . . . Hijuelos has depicted a world as enchanting as that in Garcia Marquez’s Love in the Time of Cholera” (Publishers Weekly). “Rich and provocative . . . a moving portrait of a man, his family, a community and a time.” —Michiko Kakutani, The New York Times
Death, Culture and Leisure: Playing Dead is an inter- and multi-disciplinary volume that engages with the diverse nexuses that exist between death, culture and leisure. At its heart, it is a playful exploration of the way in which we play with both death and the dead.
The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities
The Mann’s back, playing it low and deadly in a last-chance game of international espionage. Tiger Mann, America’s superspy, outwits an ace Soviet agent, foils a plot to kill a king, and takes the ruby from the navel of a restless Arabian dancer. All for the good of his country. No one but Mann and his ultrasecret organization could handle such a hazardous mission. No one but Spillane could write such a roaring hell-raiser of a thriller.
The sixth installment of Bernard Cornwell’s New York Times bestselling series chronicling the epic saga of the making of England, “like Game of Thrones, but real” (The Observer, London)—the basis for The Last Kingdom, the hit television series. As the ninth century wanes, Alfred the Great lies dying, his lifelong goal of a unified England in peril, his kingdom on the brink of chaos. Though his son, Edward, has been named his successor, there are other Saxon claimants to the throne—as well as ambitious pagan Vikings to the north. Torn between his vows to Alfred and the desire to reclaim his long-lost ancestral lands in the north, Uhtred, Saxon-born and Viking-raised, remains the king’s warrior but has sworn no oath to the crown prince. Now he must make a momentous decision that will forever transform his life and the course of history: to take up arms—and Alfred’s mantle—or lay down his sword and let his liege’s dream of a unified kingdom die along with him.