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For the legions of readers who enjoy books that celebrate life’s simple pleasures, eighty-seven-year-old Dorothy Jean Wetstra and her beloved farming town of Partonville, Illinois, will become instant favorites. In this hilarious, touching series, Charlene Ann Baumbich introduces readers to Dearest Dorothy, who tools around town in a 1976 Lincoln Continental nicknamed “The Tank,” plays bunco regularly with her pals, and grabs a stool at Harry’s counter often enough to stay on top of the latest-breaking news—which she is often creating. In the series debut, Dearest Dorothy, Are We There Yet?, Dorothy faces a decision that may change her town forever, and her gift for shaking things up comes in handy. In the second book, Dearest Dorothy, Slow Down, You're Wearing Us Out!, the town’s irresistible cast of characters is back in full swing as they confront some of the many surprises life sends their way. So pull up a chair and get ready for fireworks, laughter, and we’ll-get-through-it-all-with-faith friendships.
This book contains success stories and inspired interviews from the work of Christian publishing.
“Be warned—this series is addictive. You’ll soon be hooked on the small town of Partonville and its cast of assorted characters” (BookReporter). In her late eighties, Dorothy Wetstra is still going strong—getting around in her 1976 Lincoln Continental (nicknamed “The Tank”), playing bunco with friends, and catching up on local events while sitting at the counter at Harry’s. But her beloved car seems to be ailing, and as Dorothy packs up her possessions at Crooked Creek Farm and prepares to move to Partonville, Illinois, she’s determined to find a silver lining. For example, her new home is conveniently located—perfect for her new life as a pedestrian—and she gets to decorate it any way she pleases! Plus, her new friends Katie and Josh will be relocating from Chicago to Crooked Creek Farm. As the moving process proves more arduous than expected, Dorothy realizes it may be time for her to slow down. But old habits die hard, and Dorothy’s routines will prove as hard to break as The Tank itself . . . “Fans of Jan Karon’s Mitford or Philip Gulley’s Harmony will revel in the antics of the residents of Partonville.” —Publishers Weekly
For the legions of readers who enjoy books that celebrate life’s simple pleasures, eighty-seven-year-old Dorothy Jean Wetstra and her beloved farming town of Partonville, Illinois, will become instant favorites. In this hilarious, touching series, Charlene Ann Baumbich introduces readers to Dearest Dorothy, who tools around town in a 1976 Lincoln Continental nicknamed “The Tank,” plays bunco regularly with her pals, and grabs a stool at Harry’s counter often enough to stay on top of the latest-breaking news—which she is often creating. In the series debut, Dearest Dorothy, Are We There Yet?, Dorothy faces a decision that may change her town forever, and her gift for shaking things up comes in handy. In the second book, Dearest Dorothy, Slow Down, You're Wearing Us Out!, the town’s irresistible cast of characters is back in full swing as they confront some of the many surprises life sends their way. So pull up a chair and get ready for fireworks, laughter, and we’ll-get-through-it-all-with-faith friendships.
This Country issue from Ideals magazine describes life on the farm and in smaller towns across America, where life moves a bit slower.
We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.
The beloved New York Times bestselling author reflects on home, family, friendships and writing in this deeply personal collection of essays. "The elegance of Patchett’s prose is seductive and inviting: with Patchett as a guide, readers will really get to grips with the power of struggles, failures, and triumphs alike." —Publisher's Weekly “Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart. At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores “what it means to be seen, to find someone with whom you can be your best and most complete self.” When Patchett chose an early galley of actor and producer Tom Hanks’ short story collection to read one night before bed, she had no idea that this single choice would be life changing. It would introduce her to a remarkable woman—Tom’s brilliant assistant Sooki—with whom she would form a profound bond that held monumental consequences for them both. A literary alchemist, Patchett plumbs the depths of her experiences to create gold: engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer’s eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds how fleeting and enigmatic life can be. From the enchantments of Kate DiCamillo’s children’s books (author of The Beatryce Prophecy) to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz’s Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author’s grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark—and demonstrate why Ann Patchett is one of the most celebrated writers of our time.
This Side of Paradise is a novel about post-World War I youth and their morality. Amory Blaine is a young Princeton University student with an attractive face and an interest in literature. His greed and desire for social status warp the theme of love weaving through the story.
New York Times Bestseller • Finalist for the Pulitzer Prize • An Oprah's Book Club Selection “Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.