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Tommy DuPree is fresh out of prison with a new hustle selling stolen luxury cars - a business that proves to be lucrative and allows him to fly under the radar and clear of his drug dealing past. Life couldn't be better for Tommy with cars, money and two girlfriends, until he sells a car to some cross town drug dealers and one of them gets busted in the car and claims that Tommy set him up. Enter Summer, tall and beautiful with the body of a Victoria Secret Model. She's the side chick but she wants to be number one and she's frustrated. Summer meets and hits it off with Q. Unknown to her, Q is the leader of the cross town drug dealing gang that wants Tommy dead. Tommy has to prove he isn't a rat, but at the same time defending his manhood because Q and his boys are sure to kill him
Parker Reeves has had a really bad year. Trouble at home, trouble at school... pretty much trouble in general. On top of everything else wrong in his life, he's sent away to the small town of Concord where he knows no one and is set to have a nonexistent social life. Just when he thought his life couldn't get any worse, he met her. The girl next door is about to teach Parker that sometimes a summer can change your life.
Each season brings beautiful changes to our world, and this endearing collection of poems celebrates them all. This playful book features poets such as Kenn Nesbitt, Trevor Harvey, Jane Clarke, and many others. Charming illustrations will transfix even reluctant readers with the magic of the seasons. Readers will relate to the wide range of emotions these poems explore, from the sadness of summer ending to the excitement of playing in snow. As they explore each time of year, readers will encounter essential poetic devices such as rhyme, rhythm, and onomatopoeia. They'll also see more complex literary techniques at play, such as personification and metaphor, making this book a versatile tool for any Language Arts curriculum.
Over the last 20 years, ethnic minority groups have been increasingly featured in Japanese Films. However, the way these groups are presented has not been a subject of investigation. This study examines the representation of so-called Others – foreigners, ethnic minorities, and Okinawans – in Japanese cinema. By combining textual and contextual analysis, this book analyses the narrative and visual style of films of contemporary Japanese cinema in relation to their social and historical context of production and reception. Mika Ko considers the ways in which ‘multicultural’ sentiments have emerged in contemporary Japanese cinema. In this respect, Japanese films may be seen not simply to have ‘reflected’ more general trends within Japanese society but to have played an active role in constructing and communicating different versions of multiculturalism. In particular, the book is concerned with how representations of ‘otherness’ in contemporary Japanese cinema may be identified as reinforcing or subverting dominant discourses of ‘Japaneseness’. the author book also illuminates the ways in which Japanese films have engaged in the dramatisation and elaboration of ideas and attitudes surrounding contemporary Japanese nationalism and multiculturalism. By locating contemporary Japanese cinema in a social and political context, Japanese Cinema and Otherness makes an original contribution to scholarship on Japanese film study but also to bridging the gap between Japanese studies and film studies.
Everlasting Gestures is a culmination of experiences and feelings that many may have once enjoyed or may long to enjoy. Each poem is filled with heartfelt warmth and desirable measures that will have readers envisioning themselves in the moment by the end of each read poem. The mantras played throughout the strength of each poem creates an atmosphere that readers will appreciate, capture and imitate not only for themselves, but for their lovers and loved ones alike. The mind-blowing words and profound gestures created by the author will leave readers staggering, yet clamoring for more. In Chocolate Lady the author speaks about a womans skin tone, which creates sensational sensual thoughts in the authors mind regarding the woman and his admirable pleasures of bliss with her in his creative imagination. In Beautiful the author takes the reader to a care free zone where they can relax and release all of the stresses of everyday life, and in Ten Minutes the author takes the reader back to a night where an experience that lasted an eternity in the writers mind was culminated by recapturing the events in a ten minute time span before they depart from one another and in the writers mind, what may be forever. Buddy Hall brings you his perspective on romance, love, laughter, and the defining moments that most can only dream of in this book. The poems are intent on ensuring that the readers live the moment and embrace the feeling that is being expressed throughout every Everlasting Gesture. Everlasting Gestures will create an imagination in your mind or heighten your already imaginative thoughts and place you on a romantic high that you may have never imagined.
WINNER OF THE LAUGH OUT LOUD AWARDS AND THE PEOPLE'S BOOK PRIZE Joshua Seigal, winner of the 2020 and 2023 Laugh Out Loud Book Awards (the only UK prize for funny children's books voted for entirely by children), brings his raucous humour, creativity and wit to another brilliant collection of poems. Ideal for fans of Michael Rosen, this book will delight all young readers and fans of funny books. From hilarious to heartfelt poems – and everything in between – this collection offers something for everyone. Discover the eight steps for having a successful tantrum, and why you should NEVER attend a Teddy Bear's Picnic (you have been warned). Packed full of fun illustrations by Sarah Horne, and covering a range of imaginative topics, Yapping Away is the perfect follow-up to Joshua Seigal's prize-winning collection I Bet I Can Make You Laugh. Ideal for children as young as 3 to read with adults, or for children aged 5-7 to read by themselves.
Her mother's will states that Summer's legal guardian is her uncle Tristan: a man Summer has never even heard of before. Forced to leave her life in London, Summer moves to Tristan's creepy, ancient house in Cornwall. There she is met with indifference from him, open hostility from her cousin, and an aunt who has chosen to leave rather than to tolerate her presence. Soon Summer comes to believe that the house may be haunted. But is it haunted by ghosts, or by the shadows of her family's past? Scared and lonely, Summer begins to spend more and more time in the beautiful sheltered cove she discovers nearby. But she's not alone. A local boy frequents it too. Can Summer find first love and the answers to the mysteries of her new home with this good-looking boy who appears to be too perfect to be true?
The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film. With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon. The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions. The Japanese Cinema Book is divided into seven inter-related sections: · Theories and Approaches · * Institutions and Industry · * Film Style · * Genre · * Times and Spaces of Representation · * Social Contexts · * Flows and Interactions