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Dear Mister Essay Writer Guy, I have a hot crush on the em dash. What does my need to stuff—while simultaneously fracturing—my sentences—with the meandering, the explanatory, the discursive, the perhaps not-entirely-necessary—say about me? —Cheryl Strayed Have you ever wished there were an advice columnist for writers, but one who didn’t take things so damned seriously? This unique writing guide pairs questions sent in by top contemporary essayists with hilariously witty answers and essays from acclaimed author Dinty W. Moore. Phillip Lopate asks for advice on writing about your ex without sounding like an ass, Julianna Baggott worries that to be a great writer you must drink like a fish, and Roxane Gay asks whether it’s kosher to write about writing. Taking advantage of all the tools available to today’s personal essayist—egregious puns, embarrassing anecdotes, and cocktail napkins—Professor Moore answers these questions, and more, demystifying the world of nonfiction once and for all. With a tip of the hat to history’s most infamous essay—Montaigne’s “Of Cannibals”—this book provides rollicking relief for writers in distress.
Dear Mister Essay Writer Guy, I have a hot crush on the em dash. What does my need to stuff—while simultaneously fracturing—my sentences—with the meandering, the explanatory, the discursive, the perhaps not-entirely-necessary—say about me? —Cheryl Strayed Have you ever wished there were an advice columnist for writers, but one who didn’t take things so damned seriously? This unique writing guide pairs questions sent in by top contemporary essayists with hilariously witty answers and essays from acclaimed author Dinty W. Moore. Phillip Lopate asks for advice on writing about your ex without sounding like an ass, Julianna Baggott worries that to be a great writer you must drink like a fish, and Roxane Gay asks whether it’s kosher to write about writing. Taking advantage of all the tools available to today’s personal essayist—egregious puns, embarrassing anecdotes, and cocktail napkins—Professor Moore answers these questions, and more, demystifying the world of nonfiction once and for all. With a tip of the hat to history’s most infamous essay—Montaigne’s “Of Cannibals”—this book provides rollicking relief for writers in distress.
This book "renders the singular arc of a woman's life through letters Mary-Louise Parker composes to the men, real and hypothetical, who have informed the person she is today. Beginning with the grandfather she never knew, the letters range from a missive to the beloved priest from her childhood to remembrances of former lovers to an homage to a firefighter she encountered to a heartfelt communication with the uncle of the infant daughter she adopted"--
An eerily brilliant and spooky tale of spiritualism and deception 'Now you know why you are drawn to me - why your flesh comes creeping to mine, and what it comes for. Let it creep.' From the dark heart of a Victorian prison, disgraced spiritualist Selina Dawes weaves an enigmatic spell. Is she a fraud, or a prodigy? By the time it all begins to matter, you'll find yourself desperately wanting to believe in magic. 'Refined, repressed and simmering... a delicious tale of Victorian spiritualism' Independent on Sunday 'Spooky, spellbinding, exquisitely written' Val Hennessy 'Beautifully, atmospherically written, this is a tale to thrill your very soul' Metro 'Sexy, spooky, stylish... a wonderful book' Guardian
NATIONAL BESTSELLER • Soon to be a Hulu Original series • The internationally acclaimed author of Wild collects the best of The Rumpus's Dear Sugar advice columns plus never-before-published pieces. Rich with humor and insight—and absolute honesty—this "wise and compassionate" (New York Times Book Review) book is a balm for everything life throws our way. Life can be hard: your lover cheats on you; you lose a family member; you can’t pay the bills—and it can be great: you’ve had the hottest sex of your life; you get that plum job; you muster the courage to write your novel. Sugar—the once-anonymous online columnist at The Rumpus, now revealed as Cheryl Strayed, author of the bestselling memoir Wild—is the person thousands turn to for advice.
A collection of cures for writer's block, plotting and characterization issues, and other ailments writers face when completing a novel or memoir, prescribed by the director of creative writing at Ohio University. People want to write the book they know is inside of them, but they run into stumbling blocks that trouble everyone from beginners to seasoned writers. Drawing on his years of teaching at both the university level and at writing workshops across the country, Professor Dinty W. Moore dons his book-doctor hat to present an authoritative guide to curing the issues that truly plague writers at all levels. His hard-hitting handbook provides inspiring solutions for diagnoses such as character anemia, flat plot, and silent voice, and is peppered with flashes of Moore's signature wit and unique take on the writing life.
An account of the emergence of creative nonfiction, written by the “godfather” of the genre In the 1970s, Lee Gutkind, a leather-clad hippie motorcyclist and former public relations writer, fought his way into the academy. Then he took on his colleagues. His goal: to make creative nonfiction an accepted academic discipline, one as vital as poetry, drama, and fiction. In this book Gutkind tells the true story of how creative nonfiction became a leading genre for both readers and writers. Creative nonfiction—true stories enriched by relevant ideas, insights, and intimacies—offered liberation to writers, allowing them to push their work in freewheeling directions. The genre also opened doors to outsiders—doctors, lawyers, construction workers—who felt they had stories to tell about their lives and experiences. Gutkind documents the evolution of the genre, discussing the lives and work of such practitioners as Joan Didion, Tom Wolfe, Norman Mailer, James Baldwin, Zora Neale Hurston, Rachel Carson, Upton Sinclair, Janet Malcolm, and Vivian Gornick. Gutkind also highlights the ethics of writing creative nonfiction, including how writers handle the distinctions between fact and fiction. Gutkind’s book narrates the story not just of a genre but of the person who brought it to the forefront of the literary and journalistic world.
Parker, I never meant for any of this to happen, to fall for you. It doesn't matter that we're both adults, or how much we want this to work. The college policy is clear. I can't see a way around this without one of us getting hurt. If I would've known who you were when we met online, I would have never pursued a relationship. I'm new to all of this, and besides my daughter, getting to know you has been the best thing to ever happen to me. But I can't make you hide again. I won't. It's not fair to either of us. Deepest regrets, Donovan **** Dear Mr. Brody, You're right, we are adults. I'm twenty-four years old, and I think I can decide for myself what's best for me. If this is about you losing your job, I'll walk away. But if this is you trying to protect me, then you're an idiot. I want you. I care about you. My past isn't an issue. What we're doing... it isn't the same thing. If we have to hide, so be it. I'm not ready to let you go. Your Lost Boy, Parker Dear Mr. Brody is a 93,000-word interconnected standalone, contemporary, MM slow burn romance that is light on angst and features, dating app shenanigans, student/professor fraternization, single dad swoonery, waffles, "Peter Pan" references, and a fish named Tony. TW: Brief mention of a past assault on page without graphic detail.
A bracing amalgamation of devastating humor and brilliant cultural observation, in which Gabe Hudson fearlessly explores the darker implications of American military power. "Weird, wonderful, and worrisome.” —The Washington Post Book World “Dear Mr. President is a war book like no other. It’s as if Salvador Dali had rewritten All Quiet on the Western Front.” —USA Today Everybody’s Gulf War Syndrome is a little bit different. Or so believes Larry, who returns home from Desert Storm to find his hair gone and his bones rapidly disintegrating. Then there’s Lance Corporal James Laverne of the US Marines, who grows a third ear in Kuwait. And in the audaciously comic novella “Notes from a Bunker Along Highway 8,” a Green Beret deserts his team after seeing a vision of George Washington, only to find a new calling—administering aid to wounded Iraqi civilians; he’s hindered only by the furtive nature of his mission and an unruly band of chimpanzees.
A collection of cures for writer's block, plotting and characterization issues, and other ailments writers face when completing a novel or memoir, prescribed by the director of creative writing at Ohio University. People want to write the book they know is inside of them, but they run into stumbling blocks that trouble everyone from beginners to seasoned writers. Drawing on his years of teaching at both the university level and at writing workshops across the country, Professor Dinty W. Moore dons his book-doctor hat to present an authoritative guide to curing the issues that truly plague writers at all levels. His hard-hitting handbook provides inspiring solutions for diagnoses such as character anemia, flat plot, and silent voice, and is peppered with flashes of Moore's signature wit and unique take on the writing life.