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'This book shows just how far, wide and deep the story of Azaria has gone' Lindy Chamberlain-Creighton The Azaria Chamberlain case was one of the most followed and documented murder trials in our nation's history. And we responded with grief, rage, prejudice and remorse to Lindy directly, through thousands of letters. Here, Alana Valentine uses a selection of the letters sent to Lindy Chamberlain-Creighton to capture Australians' reaction to the loss of Azaria. The court of public opinion made its own ruling in the case, shown in the hurtful, supportive, accusatory or sympathetic letters received by Lindy in prison. Some of the letters are full of vitriol; some include bizarre theories. More are compassionate, sent by mothers, by people of faith or by those who had suffered similar tragedies. We hear Lindy's voice too, in candid conversations with the author. The selection is a time capsule of Australia, a reflection of our attitudes and of how far we've come. These are the letters, poems and works of art we were compelled to send to Lindy Chamberlain-Creighton.
Lindy is a fantasy, but it's not much like the books that people call fantasy nowadays. It has only a very few swords, almost nothing by way of sorcery, and no werewolves or vampires at all, only a quite ordinary girl who finds herself in an extraordinary world and who must learn how to make the kinds of difficult decisions that all ordinary people have to make. Some readers will probably find this disappointing, but there have been too many books about sorcerers and werewolves and vampires lately anyway, and we could probably do with something a bit different. Besides, I think you will quite like Lindy once you've had the chance to meet her.
I found [Singer's] honesty and raw emotion very refreshing. His treatment of friendship is very well thought out and the relationships among the boys are marked by essential checks and balances...[a] real roller-coaster ride of emotion and elation. Along t If you cringe at the ads for White Christmas on Broadway or roll your eyes at the plaintive pleas of Tiny Tim, then have I got a jolly good time for you. THE TRUTH ABOUT SANTA, a giddy, pleasingly sloppy downtown satire...is a holiday show for people sick
Set in West Texas after World War II, A Way of Knowing is a drama of the conflict between ignorance and enlightenment, a masterful rendering of a time and place.
Rose Hilory is thrilled when she receives a promotion at the Data Computer Company. Finally, her hard work has paid off, and she moves to Blue Ridge, Alberta. In addition to an increase in pay and responsibility, the company has provided a house to live in rent-free. This is not an ordinary house. With its computerized components, Rose finds surprises in every corner, and some of them are disconcerting. Also troublesome are her mysterious boss and an employee who is determined to see Rose fail. Even though shes glad for the move, Roses memory remains vivid, and she yearns for the love she lost more than ten years ago. She can still envision the growling of the cougar when it attacked her horse, Queenie, as she spent the evening with her boyfriend, Donavin. Even more devastating was the reaction of Donavins parents; they disapproved of their son riding with a simple country girl. His family had packed up without even a goodbye. She never saw him again. Determined, Rose tries to move her life forward, but strange events intervene. Her life, her job, and her welfare could be at stake if her enemies get their way in A Canadian Rose.
Sarah Bennett’s life has gone completely out of her control. Suddenly finding herself mother to her orphaned niece, Addy, Sarah is thrust into a bizarre and dangerous world. To keep her and Addy safe, she reluctantly takes a job with Addy’s enigmatic uncle, Sam, who ’s apparently the victim of sabotage and linked to a foreign government in turmoil. Not to mention the fact that the nanny she hired is psychic and someone is trying to scare her to death. When had her life become a damn soap opera? Things like this weren’t supposed to happen. Not to Sarah, anyway. Sarah must battle her own demons, grief and the threats against her as well as fight off her instant and combustible attraction to Sam if she's going to survive and create a new life for her and Addy. But Sam's got other ideas. And secrets that could change Sarah's life forever.