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Xu Xi’s body of work witnesses her turbulent love affair with her home-city of Hong Kong. In this probing memoir, she unravels her recently finalised decision to leave the city for good. She critiques a Hong Kong that has, in her eyes, lost its way. And yet, it is only out of the city’s enduring presence in her life, both in the form of memory and periodic homecomings, that she has carved out a personal and literary identity. Dear Hong Kong is a profound reflection on the life of Hong Kong, personified and interrogated by one of its most lucid writers.
"Xu Xi's body of work witnesses her turbulent love affair with her home-city of Hong Kong. In this probing memoir, she unravels her recently finalised decision to leave the city for good. She critiques a Hong Kong that has, in her eyes, lost its way. And yet, it is only out of the city's enduring presence in her life, both in the form of memory and periodic homecomings, that she has carved out a personal and literary identity. Dear Hong Kong is a profound reflection on the life of Hong Kong, personified and interrogated by one of its most lucid writers."--Provided by publisher
Hong Kong Yesterday presents a singular vision of this enigmatic city by award winning photographer, Fan Ho. Black and white images capturing life in mid-century Hong Kong range from quiet voyeuristic tableaus to chaotic crowds, most focusing on the citys inhabitants. Businessmen, families, dockworkers, alleys, markets and street scenes are all rendered in a style that is simultaneously abstract and humanistic. Fan Ho was born in Shanghai in 1937; he immigrated to Hong Kong as child and passed away in 2016.
An unusual book of quirky essays, some deeply personal. Xu Xi writes from within, of Hong Kong's vanishing culture and sensibility as it transforms itself into a space that is 21st Century China. She zooms in on her own life in the city: on family, friends and a professional history as both business executive and author, on moments that offer wry observations of the shifting world around her. She casts her eye on films, pop stars, public transportation, and muses on the political, without losing sight of the distinctly apolitical culture that evolved through a history as the former British colony and Chinese "Special Administrative Region" after the 1997 "handover."
A boldly rendered—and deeply intimate—account of Hong Kong today, from a resilient young woman whose stories explore what it means to survive in a city teeming with broken promises. “[A] pulsing debut . . . about what it means to find your place in a city as it vanishes before your eyes.”—The New York Times Book Review ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post Hong Kong is known as a place of extremes: a former colony of the United Kingdom that now exists at the margins of an ascendant China; a city rocked by mass protests, where residents rally—often in vain—against threats to their fundamental freedoms. But it is also misunderstood, and often romanticized. Drawing from her own experience reporting on the politics and culture of her hometown, as well as interviews with musicians, protesters, and writers who have watched their home transform, Karen Cheung gives us a rare insider’s view of this remarkable city at a pivotal moment—for Hong Kong and, ultimately, for herself. Born just before the handover to China in 1997, Cheung grew up questioning what version of Hong Kong she belonged to. Not quite at ease within the middle-class, cosmopolitan identity available to her at her English-speaking international school, she also resisted the conservative values of her deeply traditional, often dysfunctional family. Through vivid and character-rich stories, Cheung braids a dual narrative of her own coming of age alongside that of her generation. With heartbreaking candor, she recounts her yearslong struggle to find reliable mental health care in a city reeling from the traumatic aftermath of recent protests. Cheung also captures moments of miraculous triumph, documenting Hong Kong’s vibrant counterculture and taking us deep into its indie music and creative scenes. Inevitably, she brings us to the protests, where her understanding of what it means to belong to Hong Kong finally crystallized. An exhilarating blend of memoir and reportage, The Impossible City charts the parallel journeys of both a young woman and a city as they navigate the various, sometimes contradictory paths of coming into one’s own. LONGLISTED FOR THE ANDREW CARNEGIE MEDAL
The third book in the Mother-Daughter Book Club series by Heather Vogel Frederick follows the girls for a new year of humor and friendship.
The trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia’s cinematic landscape. The author introduces the “Cinema of Transitions” to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which “transitions” are negotiated.
How was Hong Kong perceived and described by writers from the 1950s during the last colonial period? Was it a British city or was it Chinese? The writers show how different life was for ex-pats ensconced on the Peak and leading a glitzy lifestyle compared to refugees who came pouring into the colony from mainland China and lived in dire poverty in squatter camps. Find out if that East and West ever mingled in My Hong Kong.
A captivating and rarely told World War II story: that of the Canadian troops sent to defend Hong Kong from the invading Japanese. Nineteen-year-old Jack Finnigan is a born troublemaker. He has grown up defying authority and leaves his small town to enlist in the Royal Rifles, expecting adventure . . . and not afraid of danger. Little does he know what awaits across the Pacific, where his untested regiment is being sent to defend the vulnerable British colony of Hong Kong. The Royal Rifles and the Winnipeg Grenadiers, many of them young and untrained, quickly find themselves in the thick of battle as the Japanese attack on Sunday, December 7, 1941 (the same day as the bombing of Pearl Harbor). After nearly a month of fighting, the colony falls to the Japanese. Jack writes about the fierce battles during those hard weeks, the surrender and capture of his unit, and his brutal time in the POW camp. In those desperate battles and horrendous conditions, he befriends a once-despised sergeant and learns to work with him in order to survive.
Qiaopi is one of several names given to the “silver letters” Chinese emigrants sent home in the nineteenth and twentieth centuries. These letters-cum-remittances document the changing history of the Chinese diaspora in different parts of the world and in different times. Dear China is the first book-length study in English of qiaopi and of the origins, structure, and operations of the qiaopi trade. The authors explore the characteristics and transformations of qiaopi, showing how such institutionalized and cross-national mechanisms helped sustain families separated by distance and state frontiers and contributed to the sending regions’ socioeconomic development. Dear China contributes substantially to our understanding of modern Chinese history and to the comparative study of global migration.