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Elio Petri (1929-1982) was one of the most commercially successful and critically revered Italian directors ever. A cultured intellectual and a politically committed filmmaker, Petri made award-winning movies that touched controversial social, religious, and political themes, such as the Mafia in We Still Kill the Old Way (1967), police brutality in Investigation of a Citizen Above Suspicion (1970), and workers' struggles in Lulu the Tool (1971). His work also explored genre in a thought-provoking and refreshing manner with a taste for irony and the grotesque: among his best works are the science fiction satire The 10th Victim (1965), the ghost story A Quiet Place in the Country (1968), and the grotesque giallo Todo modo (1976). This book examines Elio Petri's life and career, and places his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of each of his films, plenty of never-before-seen bits of information recovered from the Italian ministerial archives, and an in-depth discussion of the director's unfilmed projects.
The world and creativity of Elio Fiorucci seen from the inside and recounted by those who took part in his fashion adventure. The fashion and stores created by Elio Fiorucci in the late 1960s were a great creative hotbed for the following decades, anticipating many of the trends that emerged later and the ideas of the next generation of designers. Elio Fiorucci's innate curiosity led him to explore the unknown, to broaden his vision towards new currents of freedom of expression, beyond the borders of his country, in search of other energies. This book recalls his new, joyful, mocking, free realm, and the conception of unconventional clothing that upset the rules of the bourgeois, conformist world of the 1960s. It is a choral fresco, told through the letters of those who worked with him, including absolute beginners, professionals who knew him and shared his passions, family, and friends: architects such as Antonio Citterio and Michele De Lucchi, photographers, artists (Andy Warhol and Keith Haring, who decorated the entire Milan store in 1983), singers, and actors who attended his stores and parties. Direct testimonials come from the likes of Biba (Barbara Hulanicki), Oliviero Toscani, Donna Jordan, Terry Jones, Italo Lupi, Alessandro Mendini, Paul Caranicas and Joey Arias. The book also features a preface by Janie and Stephen Schaeffer, the current brand owners.
Cassiopeia Malahki, an 18-year-old girl, falls prey to the unjust and inhumane system of her society, due to lower social standing. A society ravished by a long war and divided by a great wall where the rich command from within as they relish in the plentitude of luxuries of the Great City while the poor obey from the other side in their misery and poverty with forceful work and degrading treatment. Forced away from her home and sold as an object to the unfeeling and cruel upper class, Cassiopeia has to endure a torturous cycle of injustices and humiliation. In the midst of all the abuse and degradation, she struggles to hold on to her dignity, made worse by conflicting feelings that arise with the unlikely relationships that form in her life.
The first collection of letters in English by one of the great writers of the twentieth century This is the first collection in English of the extraordinary letters of one of the great writers of the twentieth century. Italy's most important postwar novelist, Italo Calvino (1923-1985) achieved worldwide fame with such books as Cosmicomics, Invisible Cities, and If on a Winter’s Night a Traveler. But he was also an influential literary critic, an important literary editor, and a masterful letter writer whose correspondents included Umberto Eco, Primo Levi, Gore Vidal, Leonardo Sciascia, Natalia Ginzburg, Michelangelo Antonioni, Pier Paolo Pasolini, and Luciano Berio. This book includes a generous selection of about 650 letters, written between World War II and the end of Calvino’s life. Selected and introduced by Michael Wood, the letters are expertly rendered into English and annotated by well-known Calvino translator Martin McLaughlin. The letters are filled with insights about Calvino’s writing and that of others; about Italian, American, English, and French literature; about literary criticism and literature in general; and about culture and politics. The book also provides a kind of autobiography, documenting Calvino’s Communism and his resignation from the party in 1957, his eye-opening trip to the United States in 1959-60, his move to Paris (where he lived from 1967 to 1980), and his trip to his birthplace in Cuba (where he met Che Guevara). Some lengthy letters amount almost to critical essays, while one is an appropriately brief defense of brevity, and there is an even shorter, reassuring note to his parents written on a scrap of paper while he and his brother were in hiding during the antifascist Resistance. This is a book that will fascinate and delight Calvino fans and anyone else interested in a remarkable portrait of a great writer at work.
Lives in Transit chronicles the dangerous journeys of Central American migrants in transit through Mexico. Drawing on fieldwork in humanitarian aid shelters and other key sites, Wendy A. Vogt examines the multiple forms of violence that migrants experience as their bodies, labor, and lives become implicated in global and local economies that profit from their mobility as racialized and gendered others. She also reveals new forms of intimacy, solidarity, and activism that have emerged along transit routes over the past decade. Through the stories of migrants, shelter workers, and local residents, Vogt encourages us to reimagine transit as a site of both violence and precarity as well as social struggle and resistance.
Communicating Across Cultures is an innovative short course for learners of business English who want to function effectively in an international environment by developing their intercultural skills in English. Drawing on inspirational advice from leading figures in the world of cross-cultural communication, Communicating Across Cultures covers all types of oral and written communication, from meetings to negotiations, telephone calls to emails, and deals with situations ranging from working in international teams to managing conflict. Students are invited to analyse their own intercultural competence and helped to develop a personal action plan for further use beyond the classroom. The Student's Book comes with an audio CD that contains authentic interviews with people from the world of business and extracts from meetings that exemplify the communication strategies presented.
The world into which Elio escapes might not be entirely figment of his imagination, but rather a web that was weaved around him. During a holiday in the countryside, he will have the chance to meet a Sentinel that will reveal the truth to him. Alongside a funny group of friends, both real and imaginary, he will fight in order to gain back his freedom. The adventures of this kid will make you become acquainted with Demons, Sentinels, Shadows, Bosowes, magic lullabies, and you will travel around the world using traffic lights, walking around baobab trees or flying inside an ice ball. Translator: Massimo Longo PUBLISHER: TEKTIME
Whip-smart and utterly charming, Danielle Banas's irreverent YA sci-fi adventure The Good for Nothings is perfect for fans of Guardians of the Galaxy, The Lunar Chronicles, and Firefly. Cora Saros is just trying her best to join the family business of theft and intergalactic smuggling. Unfortunately, she's a total disaster. After landing herself in prison following an attempted heist gone very wrong, she strikes a bargain with the prison warden: He'll expunge her record if she brings back a long-lost treasure rumored to grant immortality. Cora is skeptical, but with no other way out of prison (and back in her family's good graces), she has no choice but to assemble a crew from her collection of misfit cellmates—a disgraced warrior from an alien planet; a cocky pirate who claims to have the largest ship in the galaxy; and a glitch-prone robot with a penchant for baking—and take off after the fabled prize. But the ragtag group soon discovers that not only is the too-good-to-be-true treasure very real, but they're also not the only crew on the hunt for it. And it's definitely a prize worth killing for. Praise for The Good for Nothings: "A fun, galaxy-spanning treasure hunt with plenty of action and heart." —Publishers Weekly
I have known the author of this book for many years. I am familiar with his background, and partially I am familiar with his family's as well. In a nutshell, the character of Elio depicts the author himself and Elio's family depicts the author's family. I always thought it was a good idea that Ernesto/Elio write this novel. Not only for psychoanalytic self-therapeutical reasons that, seemingly, would have worked as well. It was a good idea because the storyline is gripping, unsettling and mysterious. In a word, the story is interesting.