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From teen star to leading lady, Deanna Durbin was an audience favourite with her bright personality and sweet, clear singing voice. This title presents many of her movie costumes including It's a Date and Spring Parade. It also includes a lovely star biography on the inside back cover.
The 1930s was a magical age in Hollywood, with Shirley Temple and Mickey Rooney, Bette Davis and Clark Gable lighting up the silver screen. But Deanna Durbin's fame surpassed them all. Born in Canada, Deanna was “discovered” by starmaker Eddie Cantor, producer Joe Pasternak and director Henry Koster, and she quickly became the world’s most celebrated star. She saved Universal Studios from ruin, she was a favourite of Winston Churchill and Anne Frank, and she became the highest-paid woman in America. From the start, Deanna’s life was irrevocably connected with that of another young ingénue, Judy Garland. Deanna and Judy were wildly talented, ambitious, and strong-willed young women who followed vastly different paths to stardom. While fame was thrust upon Deanna, Judy spent years struggling for success and their early friendship soon turned into a lifelong rivalry. Despite her tragic life, Judy Garland is remembered as an entertainment icon, beloved by millions. However, Deanna Durbin—who turned her back on Hollywood at the age of twenty-eight to pursue love and happiness—has been largely forgotten. But Deanna’s legacy endures, and this first-ever biography tells of how her gorgeous voice and winning charm vaulted her to worldwide fame and how a thirteen-year-old girl transformed moviemaking and influenced a generation of fans as the first teenage superstar.
This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.
In the past stars have been studied as cogs in a mass entertainment industry selling desires and ideologies. But since the 1970s, new approaches have reopened debate, as film and cultural studies try to account for the active role of the star in producing meanings, pleasures, and identites for a diversity of audiences. Stardom brings together for the first time some of the major writing of the last decade which seeks to understand the phemomenon of stars and stardom. Gathered under four headings - The System, Stars and Society, Performers and Signs, Desire and Politics - these essays represent a range of approaches drawn from film history, sociolgy, textual analysis, audience research, psychoanalysis, and cultural politics. They raise important issues about the politics of representation and the cultural limitations and possibilities of stars.
The Great Speeches of Modern India tells the story of modern India through its speeches. Here are all the classics from Tilak, Gandhi, Nehru, Tagore, Ambedkar, L.K. Advani, Manmohan Singh, Indira Gandhi, and here are also some rare speeches—Satyajit Ray on cinema, Vikram Seth on his school days and Godse’s defence of his assassination of Gandhi. Stimulating, informative, and full of rare gems, The Great Speeches of Modern India is a must on every bookshelf.
A Nobel Laureate offers a dazzling new book about his native country India is a country with many distinct traditions, widely divergent customs, vastly different convictions, and a veritable feast of viewpoints. In The Argumentative Indian, Amartya Sen draws on a lifetime study of his country's history and culture to suggest the ways we must understand India today in the light of its rich, long argumentative tradition. The millenia-old texts and interpretations of Hindu, Buddhist, Jain, Muslim, agnostic, and atheistic Indian thought demonstrate, Sen reminds us, ancient and well-respected rules for conducting debates and disputations, and for appreciating not only the richness of India's diversity but its need for toleration. Though Westerners have often perceived India as a place of endless spirituality and unreasoning mysticism, he underlines its long tradition of skepticism and reasoning, not to mention its secular contributions to mathematics, astronomy, linguistics, medicine, and political economy. Sen discusses many aspects of India's rich intellectual and political heritage, including philosophies of governance from Kautilya's and Ashoka's in the fourth and third centuries BCE to Akbar's in the 1590s; the history and continuing relevance of India's relations with China more than a millennium ago; its old and well-organized calendars; the films of Satyajit Ray and the debates between Gandhi and the visionary poet Tagore about India's past, present, and future. The success of India's democracy and defense of its secular politics depend, Sen argues, on understanding and using this rich argumentative tradition. It is also essential to removing the inequalities (whether of caste, gender, class, or community) that mar Indian life, to stabilizing the now precarious conditions of a nuclear-armed subcontinent, and to correcting what Sen calls the politics of deprivation. His invaluable book concludes with his meditations on pluralism, on dialogue and dialectics in the pursuit of social justice, and on the nature of the Indian identity.
In this spirited memoir John Mortimer, an esteemed barrister as well as novelist, playwright, and journalist, relates all the paradoxes and pleasures of his double life. With wit and style, Mr. Mortimer takes you from his unusual childhood (his father, a blind barrister, insisted that his wife read the sordid details of his divorce briefs in public) to the dilemmas of his life as a barrister (one of his clients indignantly declared, "Your Mr. Rumpole could have gotten me out of this, why the hell can't you!"). Filled with laughter and a sense of the absurd, , Clinging to the Wreckage makes it clear why John Mortimer has been called Noel Coward, P. G. Wodehouse, and Evelyn Waugh rolled into one.
In a historical investigation of the pleasures of cinema, Star Gazing puts female spectators back into theories of spectatorship. Combining film theory with a rich body of ethnographic research, Jackie Stacey investigates how female spectators understood Hollywood stars in the 1940's and 1950's. Her study challenges the universalism of psychoanalytic theories of female spectatorship which have dominated the feminist agenda within film studies for over two decades. Drawing on letters and questionnaires from over three hundred keen cinema-goers, Stacey investigates the significance of certain Hollywood stars in women's memories of wartime and postwar Britain. Three key processes of spectatorship - escapism, identification and consumption - are explored in detail in terms of their multiple and changing meanings for female spectators at this time. Star Gazing demonstrates the importance of cultural and national location for the meanings of female spectatorship, giving a new direction to questions of popular culture and female desire.