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Find out about the rush for gold in the exciting frontier community of Deadwood, South Dakota. (Set of 6 with Teacher's Guide and Comprehension Question Card)
When William F. Cody introduced his Wild West exhibition to European audiences in 1887, the show soared to new heights of popularity and success. With its colorful portrayal of cowboys, Indians, and the taming of the North American frontier, Buffalo Bill’s Wild West popularized a myth of American national identity and shaped European perceptions of the United States. The Popular Frontier is the first collection of essays to explore the transnational impact and mass-cultural appeal of Cody’s Wild West. As editor Frank Christianson explains in his introduction, for the first four years after Cody conceived it, the Wild West exhibition toured the United States, honing the operation into a financially solvent enterprise. When the troupe ventured to England for its first overseas booking, its success exceeded all expectations. Between 1887 and 1906 the Wild West performed in fourteen countries, traveled more than 200,000 miles, and attracted a collective audience in the tens of millions. How did Europeans respond to Cody’s vision of the American frontier? And how did European countries appropriate what they saw on display? Addressing these questions and others, the contributors to this volume consider how the Wild West functioned within social and cultural contexts far grander in scope than even the vast American West. Among the topics addressed are the pairing of William F. Cody and Theodore Roosevelt as embodiments of frontier masculinity, and the significance of the show’s most enduring persona, Annie Oakley. An informative and thought-provoking examination of the Wild West’s foreign tours, The Popular Frontier offers new insight into late-nineteenth-century gender politics and ethnicity, the development of American nationalism, and the simultaneous rise of a global mass culture.
Thirteen essays treat children from the pre-Civil War generation to 1950 as active, influential participants in society. The essays are organized into four topics: cultural and regional variation, toys and play, family life, and the ways evolving memories of childhood shape how adults think of themselves.
After just two seasons, the HBO drama Deadwood has become one of cable's highest rated series, a symbol of how great television can be when pushed to its limits. From the masterful acting to the surprisingly credible re-creation of a Western gold-rush town to the provocative dialogue, Deadwood is television made at the highest level of craft. Now, through the eyes of series creator David Milch, the Emmy and Golden Globe Award-winning drama comes to life like never before. Imaginatively rendered and lavishly illustrated, Deadwood- Stories of the Black Hills is an unprecedented look at the people, places, and history of Deadwood, as seen and imagined by the show's creator, chief writer, and executive producer David Milch. Through in-depth discussions of the themes and motivations that run throughout Deadwood - from violence to gold to profane language - Milch sheds light on the characters and events of Deadwood. Fresh interviews with the Deadwood cast, never before seen photographs of the show, and dozens of historical photographs and objects vividly bring the most dangerous settlement in the West to life. Much more than a companion to the series, this book is an integral part of the show's storied mythology, as it examines, in great detail, the fascinating intersection of historical fact and inventive fiction - from Custer's opening of the Black Hills (and defeat by the Sioux), to the compelling story of the frontier Chinese, who endured years of racism in order to survive in the West. Entertaining and illuminating, Deadwood
Americans imagine the Early West as a vast expanse of almost empty land populated only by farmers, ranchers, cattle, and horses. Now a leading scholar challenges this stereotype with his concise examination of early city planning and urban development in the region. Extending and elaborating on studies by Carl Bridenbaugh and Richard Wade of the Atlantic Seaboard and the Ohio Valley, John Reps demonstrates that throughout the Trans-Mississippi West cities and towns, not farms and ranches, formed the vanguard of frontier settlement. Urban communities thus stimulated rather than followed the opening of the West to agriculture. These cities did not grow randomly, for their founders established patterns of streets, lots, and public sites to guide expansion as population increased. Reps supports his thesis with 100 illustrations-plans, maps, surveys, and views-showing the original designs of every major Western city and of dozens of smaller places. Based on Reps's massive Cities of the American West (winner of the Beveridge Prize in 1980), this succinct account includes extensive notes and references that will be useful to readers who wish to pursue his penetrating critique.
Much of Seth Bullock's modern renown comes from TV, film, and his friendship with Theodore Roosevelt. But Bullock was much more than the frontier law enforcer portrayed in fictional accounts. In Seth Bullock, David Wolff examines the life work of Bullock as he helped build Deadwood, found the town of Belle Fourche, and promote the Black Hills.
Celebrated accounts of lawless towns that relied on the extra-legal justice of armed citizens and hired gunmen are part of the enduring cultural legacy of the American West. This work presents a case study of law and legal culture in Lincoln County, Nebraska, during the nineteenth century. It also examines legal institutions on the Great Plains.
Chronicles Deadwood, South Dakota, a typical American frontier and gold rush town, especially the volatile years 1875-1925.