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The first time she is blindfolded and kidnapped, star-athlete and posh boarding school newbie Sadie is terrified. She wakes up in a dark room surrounded by hushed whispers, hooded strangers, and a mysterious voice whispering not-so-sweet nothings in her ear. But once the robes come off, she realizes it's just an elaborate prank designed to induct her into the group that's been pulling the strings at Keating Hall for generations. The circle has it all--incredible connections; fabulous parties; and, of course, an in with the brother society's gorgeous pledges. The instant popularity is enough to make Sadie forget about the unexplained marks on her body, the creepy ceremonial rituals, and the incident that befell one of her teammates the year before. So the next time Sadie is kidnapped, she isn't scared, but she should be. The worst of Keating Hall is yet to come.
DEAD WEST takes elements of Deadwood, The Walking Dead, and Hell on Wheels, puts it all in a big cask of TNT, then watches it go BOOM! Collecting Those Poor, Poor Bastards and The Ten Thousand Things in a spectacular omnibus edition, this is 420+ pages of Weird Western, Supernatural, Lovecraftian horror, with "strong female characters!" The DEAD WEST OMNIBUS (vol. 1) puts half-Shoshone Nina Weaver, her grizzled father Lincoln, and a motley crew of survivors and ne'er-do-wells through a gauntlet of undead hordes and demonic forces from 'deaduns' to giant, flying creatures, to hellish steam engines, to actual murders of devil-crows. The Dead West series has it all. Guns, explosives, bloodletting, necromancy, expletives, faith-magic, gore, betrayal, more expletives, lots of true grit and high emotion! Brought to you in a collaborative storyhouse style by the team of Tim Marquitz, J.M. Martin, and Kenny Soward. "The writing is visceral in a style similar to Chuck Wendig's...this is a high-octane story." --Ryan Lawler, Fantasy Book Review "Unique, fresh, invigorating. Those Poor, Poor Bastards will sink its teeth into you and leave you wanting more. It's a crime not to read this right away." --Sarah Chorn, Bookworm Blues "Two parts bullets, three parts shambling undead, one part Lovecraftian magic, and ALL fast-paced action! This is one wild ride!" --Becca Butcher, Voluted Tales Magazine
"WE REQUIRE A DIFFERENT BATTLEFIELD."Nobody expected the war to last three hours, let alone three years. The star system of Archangel holds the line against invading corporate fleets, but a quarter of its territory is already lost. The navy can't hang on much longer. Faced with this grim truth, Archangel's leaders shift their strategy to diplomacy and espionage. For both arenas, they call upon a reluctant weapon: a frontline grunt named Tanner Malone.These days, Tanner doesn't aspire to win the war. He merely wants to survive it. Now he'll be thrust into the center of events once again, pulled back and forth from covert missions to the media spotlight. Yet with every battle, he gets closer to the old enemy hidden in the shadows, and the ugly truth about the war that could unravel everything Archangel might hope to win.
Debunking the current model of international aid promoted by both Hollywood celebrities and policy makers, Moyo offers a bold new road map for financing development of the world's poorest countries.
Kirkus Reviews Best Book of the Year This “witty, engaging analysis” of female monsters in pop culture offers “provocative and incisive” commentary on society’s fear of female rage and power (Soraya Chemaly, author of Rage Becomes Her) Women have always been seen as monsters. Men from Aristotle to Freud have insisted that women are freakish creatures, capable of immense destruction. Maybe they are. And maybe that’s a good thing. Sady Doyle, hailed as “smart, funny and fearless” by the Boston Globe, takes readers on a tour of the female dark side, from the biblical Lilith to Dracula’s Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein’s “domineering” mother Augusta; exorcism casualty Anneliese Michel, who starved herself to death to quell her demons; author Mary Shelley, who dreamed her dead child back to life. These monsters embody patriarchal fear of women, and illustrate the violence with which men enforce traditionally feminine roles. They also speak to the primal threat of a woman who takes back her power. In a dark and dangerous world, Dead Blondes and Bad Mothers asks women to look to monsters for the ferocity we all need to survive. “Some people take a scalpel to the heart of media culture; Sady Doyle brings a bone saw, a melon baller, and a machete.” —Andi Zeisler, author of We Were Feminists Once
Mist (Niebla), published in 1914, is one of Miguel de Unamuno's key works; a truly Modernist work of Europe-wide significance which aims to shatter the conventions of fiction, using the novel as a vehicle for exploration of philosophical themes. The plot revolves around the character of Augusto, a wealthy, intellectual and introverted young man and his love affair with Eugenia, which eventually ends in heartbreak. Augusto decides to kill himself, but decides that he needs to consult Unamuno himself, who had written an article on suicide which Augusto had read. When Augusto speaks with Unamuno, the truth is revealed that Augusto is actually a fictional character whom Unamuno has created. Augusto is not real, Unamuno explains, and for that reason cannot kill himself. Augusto asserts that he exists, even though he acknowledges internally that he doesn't, and threatens Unamuno by telling him that he is not the ultimate author. Augusto reminds Unamuno that he might be just one of God's dreams. Augusto dies and the book ends with the author himself debating to himself about bringing back the character of Augusto. He establishes, however, that this would not be feasible. Following on from his translation of Abel Sanchez , John Macklin's edition provides a much needed new English translation, alongside the Spanish text, together with a substantial introduction.