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Rescued by settlers, an injured lawman fights to regain his memory His horse shot out from under him, the sheriff scrambles across ragged wasteland, desperate to outrun the four riders behind him. Bullets sing through the air as the chase comes to an abrupt halt at the lip of the Snake River Gorge. Far below him, the rapids roar through the canyon, and the lawman has no choice but to jump. He falls, slamming his head on a rock, and sinks into unconsciousness. He washes up on the riverbank near a small farm, where young Teresa Bright drags him to safety. His rescuer finds no clue to his identity but a piece of a badge nestled in his front pocket. She and her father wash and dress the stranger’s wounds, but they can do nothing to bring back his shattered memory. Whoever this man is, there were killers on his tail, and they will not rest until he’s found.
Praise for Merchant of Death "A riveting investigation of the world's most notorious arms dealer--a page-turner that digs deep into the amazing, murky story of Viktor Bout. Farah and Braun have exposed the inner workings of one of the world's most secretive businesses--the international arms trade." —Peter L. Bergen, author of The Osama bin Laden I Know "Viktor Bout is like Osama bin Laden: a major target of U.S. intelligence officials who time and again gets away. Farah and Braun have skillfully documented how this notorious arms dealer has stoked violence around the world and thwarted international sanctions. Even more appalling, they show how Bout ended up getting millions of dollars in U.S. government money to assist the war in Iraq. A truly impressive piece of investigative reporting." —Michael Isikoff, coauthor of Hubris: The Inside Story of Spin, Scandal, and the Selling of the Iraq War "Douglas Farah and Stephen Braun are two of the toughest investigative reporters in the country. This is an important book about a hidden world of gunrunning and profiteering in some of the world's poorest countries." —Steve Coll, author of Ghost Wars: The Secret History of the CIA, Afghanistan, and bin Laden, from the Soviet Invasion to September 10, 2001 "In Merchant of Death, two of America's finest reporters have performed a major public service, turning over the right rocks that reveal the brutal international arms business at the dawn of the twenty-first century. In Viktor Bout, they have given us a new Lord of War, a man who knows no side but his own, and who has a knack for turning up in every war zone just in time to turn a profit. As Farah and Braun uncover and document his troubling role in the Bush Administration's Global War on Terror, his ties to Washington almost seem inevitable." —James Risen, author of State of War: The Secret History of the CIA and the Bush Administration "An extraordinary and timely piece of investigative reporting, Merchant of Death is also a vividly compelling read. The true story of Viktor Bout, a sociopathic Russian gunrunner who has supplied weapons for use in some of the most gruesome conflicts of modern times--and who can count amongst his clients both the former Taliban regime in Afghanistan and the U.S. military in Iraq--is a stomach-churning indictment of the policy failures and moral contradictions of the world's most powerful governments, including that of the United States." —Jon Lee Anderson, author of The Fall of Baghdad Two respected journalists tell the incredible story of Viktor Bout, the Russian weapons supplier whose global network has changed the way modern warfare is fought. Bout’s vast enterprise of guns, planes, and money has fueled internecine slaughter in Africa and aided both militant Islamic fanatics in Afghanistan and the American military in Iraq. This book combines spy thrills with crucial insights on the shortcomings of a U.S. foreign policy that fails to confront the lucrative and lethal arms trade that erodes global security.
In the 1990s, the New Orleans murder rate exploded. In 1996, 350 people were killed—the highest number in the city’s history, and the highest rate in the nation. In response to this crisis, gallery owner and artist Jonathan Ferrara and artist Brian Borrello, launched a powerful project: Guns in the Hands of Artists. Over sixty artists, including painters, glass artists, sculptors, photographers, and poets, used decommissioned guns taken off the city streets via a gun buyback program to express a thought, make a statement, open a discussion, and to stimulate thinking about guns and gun violence in America. As gun violence continues to devastate the nation on a daily basis, Guns in the Hands of Artists reemerged in 2012 as a community-based social activist art project that has since traveled to six cities across the US. Using art as a mirror for life and interweaving the works of thirty diverse artists with the voices of seventeen national thought leaders, this book is an important outgrowth of the exhibition and an extension of its efforts to employ art as a vehicle for dialogue, as a call to action, and—ultimately—as an agent of change. Essays by: Walter Isaacson, Senator Tim Kaine, Lupe Fiasco, Richard Ford, Joe Nocera, Trymaine Lee, Lolis Eric Elie, John M. Barry, Dan Cameron, Lucia McBath, Harry Shearer, Jonathan Ferrara, Brian Borrello, Maria Cuomo Cole, Michael Waldman, E. Ethelbert Miller, Mayor Mitchell J. Landrieu, Congresswoman Gabrielle Giffords and Captain Mark Kelly.
A story of race, guns, and self-protection in America today, through the quest--funny and searing--of a young black man learning to shoot a handgun better than a white person
A THRILLER IN THREE PARTS The FIRST direct to digital short-story in a race-against-time three-part adventure from the bestselling author of Relentless, Siege and Ultimatum, Simon Kernick. MP Tim Horton arrives home to find his seven year old son has been abducted by a ruthless gang of kidnappers. All they have left behind is the brutally murdered body of the Horton’s nanny. The gang’s demands are simple: Tim must sacrifice his own life in order to save his son’s. It’s the ultimate dead man’s gift ... 'Simon Kernick writes great plots, great characters, great action.' Lee Child 'Simon Kernick writes with his foot pressed hard on the pedal. Hang on tight!' Harlen Coben
At last, a complete work on the conversion of readily available surplus military rifles to high performance sniper weapons. D. Boone describes & illustrates how to make the conversions using simple tools, methods and materials. You will be able to accurize certain bolt action rifles to sniper grade performance for a price that's a fraction of a commerical sniper type rifle. Covered selections: surplus rifle, stock to barrel/action fit, sniper triggers, sights, ammo & more.
Deadhouse: Life in a Coroner's Office chronicles the exploits of a diverse team of investigators at a coroner's office in Pittsburgh. Ed Strimlan is a doctor who never got to practice medicine. Instead he discovers how people died. Mike Chichwak is a stolid ex-paramedic, respected around the office for his compassion and doggedness. Tiffani Hunt is twenty-one, a single mother who questions whether she wants to spend her nights around dead bodies. All three deputy coroners share one trait: a compulsive curiosity. A good thing too because any observation at a death scene can prove meaningful. A bag of groceries standing on a kitchen counter, the milk turning sour. A broken lamp lying on the carpet of an otherwise tidy living room. When they approach a corpse, the investigators consider everything. Is the victim face-up or down? How stiff are the limbs? Are the hands dirty or clean? By the time they bag the body and load it into the coroner's wagon, Tiffani, Ed, and Mike have often unearthed intimate details that are unknown even to the victim's family and friends. The intrigues of investigating death help make up for the bad parts of the job. There are plenty of burdens—grief-stricken families, decomposed bodies, tangled local politics, and gore. And maybe worst of all is the ever-present reminder of mortality and human frailness. Deadhouse also chronicles the evolution of forensic medicine, from early rituals performed over corpses found dead to the controversial advent of modern forensic pathology. It explains how pathologists “read” bullet wounds and lacerations, how someone dies from a drug overdose or a motorcycle crash or a drowning, and how investigators uncover the clues that lead to the truth.
A comprehensive film guide featuring films and television shows of the great American western. The stories of the men and women who tamed the old West. Also featuring actors and directors who made these films possible.
As violence in the media and media-linked toys increases, parents and teachers are also seeing an increase in children's war play. The authors have revised this popular text to provide more practical guidance for working with children to promote creative play, and for positively influencing the lessons about violence children are learning. Using a developmental and sociopolitical viewpoint, the authors examine five possible strategies for resolving the war play dilemma and show which best satisfy both points of view: banning war play; taking a laissez-faire approach; allowing war play with specified limits; actively facilitating war play; and limiting war play while providing alternative ways to work on the issues. New for the Second Edition are: more anecdotal material about adults'' and children's experiences with war play, including examples from both home and school settings; greater emphasis on the impact of media and commercialization on children's war play, including recent trends in media, programming, marketing, and war toys; expanded discussion about the importance of the distinction between imitative and creative war play; and summary boxes of key points directed at teachers or parents. * New information about violent video games, media cross feeding, and gender development and sex-role stereotyping.