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An omnibus, containing the first two novellas in the Human Extinction Level Loss (H.E.L.L.) series, SUBSTATION, and LIBERATIONSubstationWhen the Zombie Apocalypse hits, the power will fail, within two days the grid will go down. Everyone knows that. Gary Sykes knew it too. From his mundane job at Tres Hombres substation, Gary saw the outbreak coming, knew that the horrific zombie attacks being reported on the news were only going to get worse. The plague was here and the days ahead were going to be dark, except Gary Sykes had a plan, a plan that just might keep the lights burning a little longer. When Nicole Bennett and her band of survivors had to fight for their lives, they could do it with the lights on thanks to the efforts and sacrifice of one man. This is his story. The Last Stand of Gary SykesLiberationIt has been eight months since the the zombie virus swept through Tres Hombres Substation and changed Beverly Sanders' life forever. She, her husband Mark, and their young son Tommy have tried to hang on while all around them the world fell victim to one zombie horde after another. A simple message, broadcast twice a day on every channel has drawn them out. "This is Nicole Bennett. We are survivors. To anybody that can hear us, and can get here, we offer you refuge..." On the road, they meet Sheriff Jacob Miller and learn that not all who heard the message believed it was real. Jacob roams the Deadlands, chasing demons of his own and following the horde that took his town. Will he help Beverly and her family reach Colorado, or will they fall victim to his guilt and sadness? After the zombie apocalypse, Gary Sykes gave survivors a chance. Nicole Bennett and her Colorado safe haven will give them a hope. All they have to do is get there.
NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST “A proper hero for these times . . . To us, V.I. is perfect.” — THE NEW YORK TIMES BOOK REVIEW "Sara Paretsky’s gloriously kick-ass private eye, V.I. “Vic” Warshawski, is back . . . in a political-rot thriller that’s the definition of perfection in the genre." — THE WASHINGTON POST Chicago’s legendary detective, V.I. Warshawski, knows her city’s rotten underbelly better than most, but she’s unable to avoid it when her goddaughter drags her into a fight over lakefront land use, in this propulsive novel from New York Times bestseller Sara Paretsky. Chicago may be the city of broad shoulders, but its political law is “Pay to Play.” Money changes hands in the middle of the night, and by morning, buildings and parks are replaced by billion-dollar projects. Chicago PI V.I. Warshawski gets pulled into one of these clandestine deals through her impetuous goddaughter, Bernie Fouchard. Bernie tries to rescue Lydia Zamir, a famed singer-songwriter now living on the streets; Zamir’s life fell apart when her lover was murdered next to her in a mass shooting at an outdoor concert. Not only does Bernie plunge her and V.I. headlong into the path of some ruthless developers, they lead to the murder of the young man Bernie is dating. He’s a computer geek working for a community group called SLICK. V.I. is desperate to find a mysterious man named Coop, who roams the lakefront in the middle of the night with his dog. She’s sure he holds the key to the mounting body count within SLICK. Coop may even know why an international law firm is representing the mass murderer responsible for Lydia’s lover’s death. Instead, the detective finds a terrifying conspiracy stretching from Chicago’s parks to a cover-up of the dark chapters in America’s meddling in South American politics. Before she finds answers, this electrifying novel pushes V.I. close to the breaking point: People who pay to play take no prisoners.
In Benjamin Percy's new thriller, a post-apocalyptic reimagining of the Lewis and Clark saga, a super flu and nuclear fallout have made a husk of the world we know. A few humans carry on, living in outposts such as the Sanctuary-the remains of St. Louis-a shielded community that owes its survival to its militant defense and fear-mongering leaders. Then a rider comes from the wasteland beyond its walls. She reports on the outside world: west of the Cascades, rain falls, crops grow, civilization thrives. But there is danger too: the rising power of an army that pillages and enslaves every community they happen upon. Against the wishes of the Sanctuary, a small group sets out in secrecy. Led by Lewis Meriwether and Mina Clark, they hope to expand their infant nation, and to reunite the States. But the Sanctuary will not allow them to escape without a fight.
Gina Santiago is a member of an elite tactical team in charge of protecting the world. She’s devoted her life to apprehending the most heinous criminals that prey on society—and now she’s after the worst one yet. On her own, with no backup, the trail takes her to a dusty, tight-knit town on the fringes of society, where everyone’s a suspect. Even the sexy sheriff, Morgan Hunter, isn’t telling her everything. Gina knows he’s trouble, but she’s inexorably drawn to him. The closer Gina comes to finding out the secret of this sleepy little town and its big bad sheriff; the closer she comes to catching the predator, the more scared she gets—because she’s beginning to realize that she has a secret too. A secret that will change Gina’s life… and make her the killer’s prey.
The zombie is cinema’s most enduring horror icon, having terrified audiences for decades. Book of the Dead charts the history of the walking dead from the monster’s origins in Haitian voodoo, through its cinematic debut in 1932’s White Zombie up to blockbuster World War Z and beyond. Covering hundreds of movies from America, Europe, Asia and even the Middle East, Jamie Russell examines zombies’ on-screen evolution from Caribbean bogeymen to flesh-eating corpses and apocalyptic plague carriers. With an exhaustive filmography covering the history of the zombie genre, Book of the Dead explains our ongoing fascination with the living dead and how this shambolic monster has become a stumbling, moaning metaphor for our age. Fully revised and updated with over 300 new movies Includes an exclusive interview with the ‘Don of the Dead’ George A. Romero The ultimate resource for zombie fans everywhere
Where better to get away with murder than a place where thousands are dying every day? Deep in the trenches of Flanders Fields, men are dying in their thousands every day. So one more death shouldn't be a surprise. But then a body turns up with bizarre injuries, and Sherlock Holmes' former sidekick Dr John Watson - unable to fight for his country due to injury but able to serve it through his medical expertise - finds his suspicions raised. The face has a blue-ish tinge, the jaw is clamped shut in a terrible rictus and the eyes are almost popping out of his head, as if the man had seen unimaginable horror. Something is terribly wrong. But this is just the beginning. Soon more bodies appear, and Watson must discover who is the killer in the trenches. Who can he trust? Who is the enemy? And can he find the perpetrator before he kills again? Surrounded by unimaginable carnage, amidst a conflict that's ripping the world apart, Watson must for once step out of the shadows and into the limelight if he's to solve the mystery behind the inexplicable deaths. 'A vivid account of life in the trenches…this is a genuinely fascinating and finely researched piece of war fiction' Daily Express 'A hugely powerful depiction of wartime horror, a cunning murder mystery and a brilliant re-invention of Dr John Watson. Conan Doyle would most definitely approve!' Mark Billingham
A SUNDAY TIMES CRIME BOOK OF THE MONTH PICK ****** A V.I. Warshawski novel from the New York Times bestselling author pits acclaimed detective V.I. Warshawski against some of today's most powerful figures. 'The 19th Warshawski novel is also a panoramic vision of Chicago at a time when the city is so polarised that decent people don't know who to trust' The Sunday Times 'Paretsky is a genius' Lee Child Legendary sleuth V.I. Warshawski returns to the Windy City to save an old friend's nephew from a murder arrest. The case involves a stolen artifact that could implicate a shadowy network of international criminals. As V.I. investigates, the detective soon finds herself tangling with the Russian mob, ISIS backers, and a shady network of stock scams and stolen art that stretches from Chicago to the East Indies and the Middle East. In Shell Game, nothing and no one are what they seem, except for the detective herself, who loses sleep, money, and blood, but remains indomitable in her quest for justice.
“Sandman Slim is my kind of hero.” —Kim Harrison “Richard Kadrey is a genius.” —Holly Black Sandman Slim is back from Hell. After wreaking unholy havoc in author Richard Kadrey’s resoundingly acclaimed Sandman Slim, the demon-slaying anti-hero and half-angel fugitive from the underworld returns in a brutally funny, eye-poppingly inventive, and totally addicting follow-up, Kill the Dead. If you’re a fan of Buffy and Jim Butcher, Christopher Moore, Neil Gaiman, and Warren Ellis, or you dig the dark urban fantasy vibe of Charlaine Harris, Kim Harrison, and Simon Green, you’ll cheer Lucifer’s onetime personal assassin as he signs on as his ex-boss’ Hollywood bodyguard…and takes on the zombie apocalypse almost single-handedly.
The first volume of the first paperback edition of The Poems of T. S. Eliot This two-volume critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” In addition to the masterpieces, The Poems of T. S. Eliot contains the poems of Eliot’s youth, which were rediscovered only decades later; poems that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. This first volume respects Eliot’s decisions by opening with his Collected Poems 1909–1962 as he arranged and issued it shortly before his death. This is followed by poems uncollected but either written for or suitable for publication, and by a new reading text of the drafts of The Waste Land. The second volume opens with the two books of verse of other kinds that Eliot issued: Old Possum’s Book of Practical Cats and Anabasis, his translation of St.-John Perse’s Anabase. Each of these sections is accompanied by its own commentary. Finally, pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.