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One body, two minds: what could possibly go wrong? Dead Doughboy Walking is about a soldier without a body, the girl he must marry, and his best friend who must make room for his mind. Cecil loved life in the trenches as a doughboy. The dullness of a blood-stained blade. The thud of a bullet finding flesh. The exhilaration of rushing over the top. But as much as he loved his job, he loved his girl more. So after winning the war, he was headed home to Edna and they were going to be happily married. Except Cecil woke up without a body. Now, Cecil’s mind must navigate a wasteland of memories, crawl into a new body, and get back to Edna before it’s too late. Unfortunately, his best friend’s body is the first one he finds. It’s Cecil vs. Horace and Edna is the prize. Dead Doughboy Walking is a Sojourning Souls short story. Edited by Arlene Prunkl, 2011 Finalist for the Tom Fairley Award for Editorial Excellence (www.penultimateword.com) Cover Art by Steven Novak (novakillustration.com)
“Before the Greatest Generation, there was the Forgotten Generation of World War I . . . wonderfully engaging” (Kirkus Reviews, starred review). “Richard Rubin has done something that will never be possible for anyone to do again. His interviews with the last American World War I veterans—who have all since died—bring to vivid life a cataclysm that changed our world forever but that remains curiously forgotten here.” —Adam Hochschild, author of To End All Wars: A Story of Loyalty and Rebellion, 1914–1918 In 2003, eighty-five years after the end of World War I, Richard Rubin set out to see if he could still find and talk to someone who had actually served in the American Expeditionary Forces during that colossal conflict. Ultimately he found dozens, aged 101 to 113, from Cape Cod to Carson City, who shared with him at the last possible moment their stories of America’s Great War. Nineteenth-century men and women living in the twenty-first century, they were self-reliant, humble, and stoic, never complaining, but still marveling at the immensity of the war they helped win, and the complexity of the world they helped create. Though America has largely forgotten their war, you will never forget them, or their stories. A decade in the making, The Last of the Doughboys is the most sweeping look at America’s First World War in a generation, a glorious reminder of the tremendously important role America played in the “war to end all wars,” as well as a moving meditation on character, grace, aging, and memory. “An outstanding and fascinating book. By tracking down the last surviving veterans of the First World War and interviewing them with sympathy and skill, Richard Rubin has produced a first-rate work of reporting.” —Ian Frazier, author of Travels in Siberia “I cannot remember a book about that huge and terrible war that I have enjoyed reading more in many years.” —Michael Korda, The Daily Beast
This multilayered history of World War I's doughboys captures the experiences of American soldiers as they trained for war, voyaged to France, and faced the harsh reality of combat on the Western Front in 1917-18. Hallas uses the words of the troops themselves to describe the first days in the muddy trenches, the bloody battles for Belleau Wood, the violent clash on the Marne, the seemingly unending morass of the Argonne, and more, revealing what the doughboys saw, what they did, how they felt, and how the Great War affected them.
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Through the vivid diary entries and artwork of Harold W. Pierce, this book offers a gripping firsthand account of a young soldier's journey through World War I. April 1917. Eighteen-year-old Harold W. Pierce leaves school to join the U.S. Army, specifically the National Guard infantry company from heavily forested Warren County in northwestern Pennsylvania. He’s big for his age and he’s determined to serve his country. Thirteen months later, having trained at the steaming hot tent city of Camp Hancock in Georgia, Pierce and the rest of the 28th Division’s 112th Infantry Regiment is on its way to England and then to France. He’s one of the First Battalion’s scouts so he’ll see the war from a different perspective than the rest of the infantrymen, which includes his older brother Hugh. What Pierce sees, hears and feels will fill the small diary he keeps in his pocket. His descriptions become a diary of 79,000 words. His descriptions, his insights, his fears and his hopes bring the war to life as a young man experiences it. This young man, though, has a keen ability to express and describe that goes beyond his years: The abject terror of being in the middle of a sustained artillery barrage, his fear as he desperately tries to dig in as machine gun bullets fly inches over his head, and the relief he feels when an artillery round splits the air where he would have been if he had not – inexplicably – stopped walking. Pierce has moments when he does not want to answer the runner’s call of his name, when all he wants to do is sleep in a safe shelter. But he does answer and he goes on the patrol that all are convinced will be a one-way mission. Pierce survives it all, becoming a state police trooper in Pennsylvania after the war and later the chief law enforcement instructor for that state’s Public Service Institute until his retirement in 1966. In 1979, the diary was printed in serialized form in a small Pennsylvania newspaper. Throughout his life Pierce took to canvas to depict a variety of scenes from the World War. Included in this book are six of those paintings. Pierce died in 1983.
Eye Spy is a 106,000-word paranormal thriller about a psychic agoraphobe, the bodies he visits, the sister who saves him, and the people they protect. CJ lives in fear. Fear of the outdoors. Fear of strangers. But his fear disappears when his mind secretly hitchhikes in someone else’s body. Undetectable, he goes where his hosts go, and he senses what they sense. As a spy hidden beyond others’ eyes, he has foiled robberies and solved murders with the support of his sister Steph. Now, they must save a kidnapped teenager from a cult leader who believes the teen is destined to bear his child. But when CJ’s mobile mind is noticed by other psychics, CJ and Steph’s attempted rescue becomes a struggle for survival. Eye Spy is a Sojourning Souls story. Edited by Arlene Prunkl, 2011 Finalist for Canada’s Tom Fairley Award for Editorial Excellence (www.penultimateword.com) Cover art by Steven Novak (www.novakillustration.com) Ebook designed, formatted, and converted by 52 novels (52novels.com) Bonus: This book also includes the short story Dead Doughboy Walking (Sojourning Souls #1). Dead Doughboy Walking can also be downloaded for free from Google Play: https://play.google.com/store/books/details/Kevin_J_Hallock_Dead_Doughboy_Walking?id=Fe_TAAAAQBAJ
* 2018 "12 best books to give this holiday season" —TODAY (Elizabeth Acevedo) * A "Best Book of 2017" —Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily * American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' * Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.
Tom Willard began the compelling saga of African-American fighting men and their wives in book one of The Black Sabre Chronicles, the highly acclaimed Buffalo Soldiers. In The Sable Doughboys, the second edition of the chronicles, Willard continues that captivating story as he takes us back to World War I and the sons of Sergeant Major Augustus Sharps, the great "buffalo soldier" of the Western Indian wars. Continuing their father's valiant fighting tradition, the two young men withstand vicious racial attacks in order to endure the first Negro officer training program. Once officers of the 93rd Division in 1917-18, however, Adrian and David Sharps face war on two fronts: They are subjected to racial hatred and violence on the home front as they prepare to face death in the horrors of trench warfare in the battle of the Meuse-Agronne on the Western Front of France. The Sable Doughboys is an engrossing story of uncommon courage and fortitude-unheralded hallmarks of the African-American soldier in America's wars.
For many the postcard may seem trivial, little more than a mundane souvenir or a way to keep in touch with friends and relatives while on vacation. But if we look carefully, postcards offer valuable insights into the time periods in which they were created and the mentalities of those who bought or sent them. Frank Marhefka, while serving in the U.S. Army Motor Transportation Corps during the First World War, amassed a collection of more than 150 postcards and photographs while in France, and bound them into a souvenir album. Marhefka's collection provides a diverse and vivid look into a period of history that - in many soldiers' accounts - is not usually visualized with all its cruelties. Emphasizing the pictorial turn of the Great War, this album offers personal insight into a conflict that caused so much death and destruction. The book begins with an introduction providing a history of postcards and their extensive use by soldiers during the Great War. Then, after a biography of Marhefka, his postcard collection is presented in its entirety. Accompanying the images are brief texts that place them into historical context, as well as suggestions for further reading.As a visual artifact of the First World War and the perspective of one U.S. soldier, this book is aimed at students, scholars, postcard collectors, and general readers alike who have an interest in military history and popular culture.