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Go-go is the conga drum–inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the "Godfather of Go-Go," created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks. Go-Go Live is a social history of black Washington told through its go-go music and culture. Encompassing dance moves, nightclubs, and fashion, as well as the voices of artists, fans, business owners, and politicians, Natalie Hopkinson's Washington-based narrative reflects the broader history of race in urban America in the second half of the twentieth century and the early twenty-first. In the 1990s, the middle class that had left the city for the suburbs in the postwar years began to return. Gentrification drove up property values and pushed go-go into D.C.'s suburbs. The Chocolate City is in decline, but its heart, D.C.'s distinctive go-go musical culture, continues to beat. On any given night, there's live go-go in the D.C. metro area.
The Beat! was the first book to explore the musical, social, and cultural phenomenon of go-go music. In this edition, updated by a substantial chapter on the current scene, authors Kip Lornell and Charles C. Stephenson, Jr., place go-go within black popular music made since the middle 1970s—a period during which hip-hop has predominated. This styling reflects the District's African American heritage. Its super-charged drumming and vocal combinations of hip-hop, funk, and soul evolved and still thrive on the streets of Washington, DC, and in neighboring Prince George's County, making it the most geographically compact form of popular music. Go-go—the only musical form indigenous to Washington, DC—features a highly syncopated, nonstop beat and vocals that are spoken as well as sung. The book chronicles its development and ongoing popularity, focusing on many of its key figures and institutions, including established acts such as Chuck Brown (the Godfather of Go-Go), Experience Unlimited, Rare Essence, and Trouble Funk; well-known DJs, managers, and promoters; and filmmakers who have incorporated it into their work. The Beat! provides longtime fans and those who study American musical forms a definitive look at the music and its makers.
DC Represent! There's a party over here, there's a party over there! In go-go the party never stops, and neither does the beat. The bands, the stars, the clubs, the spots, the sweat, the late nights and the passion are the sound of the city--all photographically captured and preserved right here. For those who know go-go this book is a documentary celebration. Shout yourself out with a special photographic section dedicated to the fans. For those who don't know, this book is a peek into that world through the lens of photographer Chip Py. Once Chuck Brown's official photographer, his go-go collection is now part of the People's Archive at the DC Public Library. Discover the district's distinctive music, its artists, its culture, and why it has become The Official Music of Washington, D.C.
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Washington DC teens take the reader on an exciting alphabet tour of their city using both photographs and words. It's DC like you've never seen it before. D is for Duke Ellington, G is for Go-Go, P is for the Potomac River, and Q is for Quadrants. The reader will learn the alphabet while learning about the city through the eyes of kids just like them! Made in collaboration with Shootback, an organization that empowers young people to tell their own stories through photography and writing.
The Music of Multicultural America explores the intersection of performance, identity, and community in a wide range of musical expressions. Fifteen essays explore traditions that range from the Klezmer revival in New York, to Arab music in Detroit, to West Indian steel bands in Brooklyn, to Kathak music and dance in California, to Irish music in Boston, to powwows in the midwestern plains, to Hispanic and Native musics of the Southwest borderlands. Many chapters demonstrate the processes involved in supporting, promoting, and reviving community music. Others highlight the ways in which such American institutions as city festivals or state and national folklife agencies come into play. Thirteen themes and processes outlined in the introduction unify the collection's fifteen case studies and suggest organizing frameworks for student projects. Due to the diversity of music profiled in the book—Mexican mariachi, African American gospel, Asian West Coast jazz, women's punk, French-American Cajun, and Anglo-American sacred harp—and to the methodology of fieldwork, ethnography, and academic activism described by the authors, the book is perfect for courses in ethnomusicology, world music, anthropology, folklore, and American studies. Audio and visual materials that support each chapter are freely available on the ATMuse website, supported by the Archives of Traditional Music at Indiana University.
"The Beat is the first book to explore the musical, social, and cultural phenomenon of go-go. Rooted in funk and hip-hop, go-go - the only musical form indigenous to Washington, D.C. - features a highly syncopated, nonstop beat and vocals that are spoken as well as sung. This book chronicles the development and ongoing popularity of go-go, focusing on many of its key figures and institutions, including established acts like Chuck Brown (the Godfather of Go-Go), Experience Unlimited, Rare Essence, and Trouble Funk; well-known DJs, managers, and promoters; and filmmakers who have incorporated go-go into their work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"A Barnacle book, an imprint of Rare Bird Books"--Back cover.
Take me out to the GoGo! And that's what Thomas, Will and Jerry did. They followed those very words every weekend partying at the many popular clubs around the D.C. area like the Club Lebaron, Cheriy's and the Maverick Room, to see GoGo bands like Rare Essence, Trouble Funk, Experience Unlimited, Ayre Rayde, Redds & The Boys, PeaceMakers, Mass Extinction, Class, Petworth, Junk Yard and the list goes on...It's August and the sun has D.C. feeling like it's frying in a skillet. Another school year is right around the corner and every year D.C. brings in the new school year with the Back To School Boogie at the Capital Center Arena!Thomas, Will, Jerry and their lady friends, also classmates, Courtney and Michelle need to get tickets because they are going fast. So to get money for the tickets Thomas, Will, Jerry and a few of their other friends decide to buy a $45.00 lead of weed on Galveston St. in SW D.C., roll it all up into joints to sell for $1.00 each. This sounds like a good idea, but they didn't take into consideration that some of the friends were weed heads, who would smoke more of the joints than they would sell. To make it even worst, they spent the little money they did make on snacks, to overcome the munchies they got from smoking the weed.Now Thomas and his friends have to figure out a new way to make money. Since Thomas has a good friend that lives in VA, who works in a small local Ice Cream store, they decide to get together and come up with a plan to rob it. They're plan is pretty good, but it goes from good to getting hit with broomsticks by the Mexican clerk, getting burnt by hot water after cutting pipes in a nearby laundry mat to siphon gas, and getting caught siphoning the gas out of a Taxi Cab. They haul ass out of there, but now they're stuck in VA, they needed that gas to get back across the bridge. It's a crazy night! With every plan gone wrong and no money to speak of, the boys don't know what to do. To make things worse, the tickets sold out the very next day following the attempted store robbery. Now the crew must figure out how to get their tickets, or find other ways of getting to the Back To School Boogie. In the tradition of such comedy classics as Cooley High, House Party, and Friday comes a brand new comedy that will have you dying with laughter. So get ready to laugh hard and enjoy a good story from the early 80's of Old School GoGo!
The Resource for the Independent Traveler For over forty years Let's Go Travel Guides have brought budget-savvy travelers closer to the world and its diverse cultures by providing the most up-to-date information. Includes: · Entries at all price levels for lodging, food, attractions, and more · Must-have tips for planning your trip, getting around, and staying safe · The best bars, clubs, scenes, and events · In-depth cultural information that offers an insider's look at life in the city · Opportunities to make a difference through study, work, and volunteering · Detailed neighborhood maps, walking tours, and photos throughout Featuring not-to-be-missed Experiences Cultural Connections: Play chess with the locals at Dupont Circle Inside Scoops & Hidden Deals: Applaud a free performance at the Kennedy Center Off the Beaten Path: Cavort with the wild ponies of Chincoteague, Virginia Get advice, read up, and book tickets at www.letsgo.com