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While Supergirl and Powergirl's fight continues, we take a look back to what valuable lessons Supergirl learned during her time spent with Wonder Woman in Themyscira.
The incredibly popular DC Collectibles line is brought to life in these stories that reimagine the course of history! As Word War II rages across Europe, the Allied forces issue a call to arms for the greatest heroines the world has ever known: THE BOMBSHELLS! KATE KANE, the all-American Batwoman; DIANA OF THEMYSCIRA, warrior Princess of the Amazons; KARA STARIKOV and KORTNI DUGINOVNA, defenders of Mother Russia; and MERA, royal daughter of the legendary Atlantis! With aid from their allies at home and abroad, these mighty women will turn the tide of war and defend those inviolable rights of Truth, Justice and Freedom. From writer Marguerite Bennett (BATGIRL, EARTH 2: WORLD’S END) and featuring artists including Marguerite Sauvage (HINTERKIND), Laura Braga (WITCHBLADE), Bilquis Evely (DOC SAVAGE), Mirka Andolfo (CHAOS) and Ming Doyle (CONSTANTINE: THE HELLBLAZER) comes DC COMICS: BOMBSHELLS VOL. 1: ENLISTED. Collects DC COMICS: BOMBSHELLS #1-6.
Nightwing and Babs have fought through the fear-stricken Gotham streets, but now their fight takes them to the skies above Gotham, with the Batgirls and Tim Drake (Robin) in tow! Now aboard the Magistrate’s Skybase-01, they have made it their mission to bring the airborne leviathan down, prevent Seer’s disinformation from being broadcast, and save the innocents aboard. But in this paranoia-stricken city, not everyone is who they seem…
Almost immediately after his first appearance in comic books in June 1938, Superman began to be adapted to other media. The subsequent decades have brought even more adaptations of the Man of Steel, his friends, family, and enemies in film, television, comic strip, radio, novels, video games, and even a musical. The rapid adaptation of the Man of Steel occurred before the character and storyworld were fully developed on the comic book page, allowing the adaptations an unprecedented level of freedom and adaptability. The essays in this collection provide specific insight into the practice of adapting Superman from comic books to other media and cultural contexts through a variety of methods, including social, economic, and political contexts. Authors touch on subjects such as the different international receptions to the characters, the evolution of both Clark Kent's character and Superman's powers, the importance of the radio, how the adaptations interact with issues such as racism and Cold War paranoia, and the role of fan fiction in the franchise. By applying a wide range of critical approaches to adaption and Superman, this collection offers new insights into our popular entertainment and our cultural history.
The Event Leviathan fallout continues! While Wonder Woman battled Cheetah on Themyscira and stood with the Justice League against the Legion of Doom, Leviathan struck! Without Diana's help, Etta Candy and Steve Trevor lost everything when A.R.G.U.S. was destroyed. Unable to accept defeat at the hands of Leviathan, Trevor hunts down their agents one by one, becoming one of the world's most wanted. Now Wonder Woman must find Trevor before the rest of the DC Universe does. Only she can save him from his worst enemy...his own thirst for vengeance!
ATTACK ON ALL FRONTS! The shadow of WWII looms ever larger as the Bombshells battle the Axis Powers across the globe. In Gotham City, a quartet of copycat BATGIRLS are doing their part to protect the home front. In Greece, WONDER WOMAN faces a battalion of the undead, led by the villainous Baroness Paula von Gunther. In London, STARGIRL and SUPERGIRL learn a shocking-and dangerous-family secret, while MERA encounters a monstrous threat from the sea that not even she can control. And in Berlin, ZATANNA attempts to thwart the evil magic that’s been released into the world, while the CATWOMAN and HUNTRESS rescue a captured BATWOMAN from the clutches of the Third Reich. But the paths of these superheroines will converge as they face their greatest challenge yet. To defeat the undead tenebrae soldiers overtaking London, they’ll have to form a Justice League of their own! Inspired by the popular DC Collectibles line, DC COMICS: BOMBSHELLS VOL. 2: ALLIES throws the world’s finest heroines into one of the greatest battles in history! Written by Marguerite Bennett (BATGIRL, EARTH 2: WORLD’S END) and featuring artists including Laura Braga (WITCHBLADE), Mirka Andolfo (CHAOS) and more, this volume collects issues #7-12.
"Harley Quinn created by Paul Dini & Bruce Timm; Wonder Woman created by William Moulton Marston; Zatanna created by Gardner Fox and Murphy Anderson; Lobo created by Keith Giffen and Roger Slifer; Superman created by Jerry Siegel and Joe Shuster by special arrangement with the Jerry Siegel family"
Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.
Concentrating primarily on contemporary depictions of Batman in the comic books, this book analyzes why Batman is so immensely popular right now in America and globally, and how the fictional Dark Knight reveals both new cultural concerns and longstanding beliefs about American values. The organizing premise is that while Batman is perceived as a very clearly defined character, he is open to a wide range of interpretations and depictions in the comics (what Henry Jenkins refers to as "multiplicities"), each of which allows access to different cultural issues. The idea of Batman functions as an anchoring point out of which multiple Batmen, or Batman-like characters, can occupy different positions: Grim Batman, Gay Batman, Female Batman, Black Batman, Cute Batman, and so on. Each iteration opens up a discussion of different cultural issues pertinent to modern society, such as sexuality, ethnicity, feminism and familial relationships.
Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes. In this book, Joan Ormrod analyses key moments in the superheroine's career and views them through the prism of the female body. This book explores how Wonder Woman's body has changed over the years as her mission has shifted from being an ambassador for peace and love to the greatest warrior in the DC transmedia universe, as she's reflected increasing technological sophistication, globalisation and women's changing roles and ambitions. Wonder Woman's physical form, Ormrod argues, is both an articulation of female potential and attempts to constrain it. Her body has always been an amalgamation of the feminine ideal in popular culture and wider socio-cultural debate, from Betty Grable to the 1960s 'mod' girl, to the Iron Maiden of the 1980s.