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As Metro stretches to Tysons Corner and beyond, this paperback edition features a new preface from the author. Drivers in the nation's capital face a host of hazards: high-speed traffic circles, presidential motorcades, jaywalking tourists, and bewildering signs that send unsuspecting motorists from the Lincoln Memorial into suburban Virginia in less than two minutes. And parking? Don't bet on it unless you're in the fast lane of the Capital Beltway during rush hour. Little wonder, then, that so many residents and visitors rely on the Washington Metro, the 106-mile rapid transit system that serves the District of Columbia and its inner suburbs. In the first comprehensive history of the Metro, Zachary M. Schrag tells the story of the Great Society Subway from its earliest rumblings to the present day, from Arlington to College Park, Eisenhower to Marion Barry. Unlike the pre–World War II rail systems of New York, Chicago, and Philadelphia, the Metro was built at a time when most American families already owned cars, and when most American cities had dedicated themselves to freeways, not subways. Why did the nation's capital take a different path? What were the consequences of that decision? Using extensive archival research as well as oral history, Schrag argues that the Metro can be understood only in the political context from which it was born: the Great Society liberalism of the Kennedy, Johnson, and Nixon administrations. The Metro emerged from a period when Americans believed in public investments suited to the grandeur and dignity of the world's richest nation. The Metro was built not merely to move commuters, but in the words of Lyndon Johnson, to create "a place where the city of man serves not only the needs of the body and the demands of commerce but the desire for beauty and the hunger for community." Schrag scrutinizes the project from its earliest days, including general planning, routes, station architecture, funding decisions, land-use impacts, and the behavior of Metro riders. The story of the Great Society Subway sheds light on the development of metropolitan Washington, postwar urban policy, and the promises and limits of rail transit in American cities.
Washington's first streetcars trundled down Pennsylvania Avenue during the Civil War. By the end of the century, streetcar lines crisscrossed the city, expanding it into the suburbs and defining where Washingtonians lived, worked and played. One of the most beloved routes was the scenic Cabin John line to the amusement park in Glen Echo, Maryland. From the quaint early days of small horse-drawn cars to the modern "streamliners" of the twentieth century, the stories are all here. Join author John DeFerrari on a joyride through the fascinating history of streetcars in the nation's capital.
Best Bike Rides Washington D.C. describes 40 of the greatest recreational rides in the Washington D.C. area. Road rides, rail trails, bike paths, and single-track mountain bike rides all get included. Most rides are in the 5 to 30 mile range, allowing for great afternoon outings and family adventures.
In this jaunty, read-aloud journey, readers can follow the route of the train underground, as well as what's going on above ground. Illustrations.
What are the best transit cities in the US? The best Bus Rapid Transit lines? The most useless rail transit lines? The missed opportunities? In the US, the 25 largest metropolitan areas and many smaller cities have fixed guideway transit—rail or bus rapid transit. Nearly all of them are talking about expanding. Yet discussions about transit are still remarkably unsophisticated. To build good transit, the discussion needs to focus on what matters—quality of service (not the technology that delivers it), all kinds of transit riders, the role of buildings, streets and sidewalks, and, above all, getting transit in the right places. Christof Spieler has spent over a decade advocating for transit as a writer, community leader, urban planner, transit board member, and enthusiast. He strongly believes that just about anyone—regardless of training or experience—can identify what makes good transit with the right information. In the fun and accessible Trains, Buses, People: An Opinionated Atlas of US Transit, Spieler shows how cities can build successful transit. He profiles the 47 metropolitan areas in the US that have rail transit or BRT, using data, photos, and maps for easy comparison. The best and worst systems are ranked and Spieler offers analysis of how geography, politics, and history complicate transit planning. He shows how the unique circumstances of every city have resulted in very different transit systems. Using appealing visuals, Trains, Buses, People is intended for non-experts—it will help any citizen, professional, or policymaker with a vested interest evaluate a transit proposal and understand what makes transit effective. While the book is built on data, it has a strong point of view. Spieler takes an honest look at what makes good and bad transit and is not afraid to look at what went wrong. He explains broad concepts, but recognizes all of the technical, geographical, and political difficulties of building transit in the real world. In the end,Trains, Buses, People shows that it is possible with the right tools to build good transit.
Los Angeles transportation's epic scale--its iconic freeways, Union Station, Los Angeles International Airport and the giant ports of its shores--has obscured many offbeat transit stories of moxie and eccentricity. Triumphs such as the Vincent Thomas Bridge and Mac Barnes's Ground Link buspool have existed alongside such flops as the Santa Monica Freeway Diamond Lane and the Oxnard-Los Angeles Caltrain commuter rail. The City of Angels lacks a propeller-driven monorail and a freeway in the paved bed of the Los Angeles River, but not for a lack of public promoters. Horace Dobbins built the elevated California Cycleway in Pasadena, and Mike Kadletz deployed the Pink Buses for Orange County kids hitchhiking to the beach. Join Charles P. Hobbs as he recalls these and other lost episodes of LA-area transportation lore.
An American classic—and Pulitzer Prize–winning story—that shows the ultimate bond between child and pet. No novel better epitomizes the love between a child and a pet than The Yearling. Young Jody adopts an orphaned fawn he calls Flag and makes it a part of his family and his best friend. But life in the Florida backwoods is harsh, and so, as his family fights off wolves, bears, and even alligators, and faces failure in their tenuous subsistence farming, Jody must finally part with his dear animal friend. There has been a film and even a musical based on this moving story, a fine work of great American literature.
With this informative guide, you can explore the mineral-rich areas' of Delaware, Maryland, and Washington D.C., from the beaches to the mountains. It describes the areas' best rockhounding sites and covers popular and commercial sites as well as numerous little-known areas. This handy guide also describes how to collect specimens, includes maps and directions to each site, and lists rockhound clubs. Rockhounding Delaware, Maryland, and Washington D.C. offers a complete introduction to this many-faceted hobby and is an invaluable sourcebook.
From REBELLER comes a new thriller by author Natasha Tynes. Jordanian student Siwar Salaiha is murdered on her birthday in Maryland,and her consciousness survives, finding refuge in the body of a Seattle baby. Stuck in this speech delayed three-year old body, Siwar tries but fails to communicate with Wyatt's parents, instead focusing on solving the mystery behind her murder. #### "Natasha Tynes had only recently sold her novel They Called Me Wyatt when she ran afoul of cancel culture for snitching on a rail worker who was breaking the rules by eating on a train. Look it up on Goodreads and--as of this writing--you'll discover nearly 2,000 one-star ratings and over a thousand reviews--many, if not most of them, from people who give the book one star despite admitting they never read it, parroting the lie that "Natasha Tynes hates black women." As a publisher myself, it's distressing that a book's reputation can be tanked by a horde of people who've never even seen the novel in question when so many authors struggle to generate any reviews from people who've actually taken the time to sit down and read the book they're reviewing. Tynes' work suffered for her bad behavior--unjustly, unfairly, and unread. Almost two thousand negative reactions--when only a few hundred copies were even ordered, and when Tynes' previous publisher stopped shipment on books after her tweet went viral. Tynes--again, a woman of color, mother of three, and immigrant to the United States --had her career ended before it began because the demons of outrage so decreed it. The problem is that They Called me Wyatt is a good book--a compelling, original thriller that, under other circumstances, would instead be praised for its unique and original voice, weaving together the stories and lives of people from a multitude of cultures and backgrounds for a one-of-a-kind espionage thriller. Tynes' literary voice captures a woman caught between multiple worlds: first, as a teenage immigrant to the US, and then as an adult woman trapped in the body of a young boy after her murder results in reincarnation. Growing up with an identity not her own--and struggling with what her identity even is--Tynes' protagonist goes on a journey fantastically reminiscent of so many immigrants to the United States who attempt to forge a new identity while remaining faithful to their own culture. All of this was lost, though, amidst the outrage. Readers were never given the opportunity to discover Tynes' work on its own terms, to be judged on its own merits. Until now. I've decided to publish They Called Me Wyatt because I believe in second chances. Natasha Tynes has since apologized for her tweet and acknowledged her bad behavior. I respect that. I believe in forgiveness and growth. I believe that people can learn from their past mistakes and move beyond them. I do not believe in the one-and-done brutality of Twitter's outrage police. I do not believe that one ignorant tweet should brand an individual forever and ruin their career. I do not believe an artist's work should be judged on the basis of one act of stupidity on the part of its creator. That's why, just like its protagonist, I've decided to reincarnate They Called me Wyatt as the first entry in the REBELLER literary imprint. REBELLER is about bucking the system--about seeing a good idea, being told it can't be done, and doing it anyway. It's about judging art on its merits and turning our backs on a Hollywood system and elitist mindset that would determine the worth--or worthlessness--of something based on arbitrary rules. It's about remaining calm in the face of certain fury that will be leveled on us by those most insecure and apoplectic from our confidence in our convictions. It's about something being dangerous and doing it anyway."- Dallas Sonnier