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Landing new clients -- an eccentric and feuding family -- Dawn learns that they are searching for a treasure that will settle a tricky will left by the late patriarch, and hopes to solve the mystery before the end of summer.
Deciding that she wants to move back to California permanently, Dawn worries about what she will say to the rest of the baby-sitters, who do not understand when they hear the news secondhand.
The computer and particularly the Internet have been represented as enabling technologies, turning consumers into users and users into producers. The unfolding online cultural production by users has been framed enthusiastically as participatory culture. But while many studies of user activities and the use of the Internet tend to romanticize emerging media practices, this book steps beyond the usual framework and analyzes user participation in the context of accompanying popular and scholarly discourse, as well as the material aspects of design, and their relation to the practices of design and appropriation.
Against the backdrop of unprecedented concern for the future of health care, 'The Cambridge History of Medicine' surveys the rise of medicine in the West from classical times to the present. Covering both the social and scientific history of medicine, this volume traces the chronology of key developments and events.
Jessi discovers that one of the girls in her dance class is anorexic, and she and her friends soon learn about the seriousness of the illness.
Back in California for the surfing competition, Dawn must soon solve a mystery involving a missing surfer, a mangled surfboard, and a ghost who surfs at night.
The rest of the Baby-sitters are shocked when Mary Anne, tired of being a plain Jane, gets a chic new haircut and a new wardrobe, and their reaction enrages the excited Mary Anne.
Accompanying young child star Derek Masters aboard the "mystery train" that is publicizing his newest movie, Kristy, Abby, and Stacey fend off a saboteur who is staging dangerous accidents.
If we lived in a liquid world, the concept of a "machine" would make no sense. Liquid life is metaphor and apparatus that discusses the consequences of thinking, working, and living through liquids. It is an irreducible, paradoxical, parallel, planetary-scale material condition, unevenly distributed spatially, but temporally continuous. It is what remains when logical explanations can no longer account for the experiences that we recognize as part of "being alive."Liquid Life references a third-millennial understanding of matter that seeks to restore the agency of the liquid soul for an ecological era, which has been banished by reductionist, "brute" materialist discourses and mechanical models of life. Offering an alternative worldview of the living realm through a "new materialist" and "liquid" study of matter, Armstrong conjures forth examples of creatures that do not obey mechanistic concepts like predictability, efficiency, and rationality. With the advent of molecular science, an increasingly persuasive ontology of liquid technologies can be identified. Through the lens of lifelike dynamic droplets, the agency for these systems exists at the interfaces between different fields of matter/energy that respond to highly local effects, with no need for a central organizing system.Liquid Life seeks an alternative partnership between humanity and the natural world. It provokes a re-invention of the languages of the living realm to open up alternative spaces for exploration, including contributor Rolf Hughes' "angelology" of language, which explores the transformative invocations of prose poetry, and Simone Ferracina's graphical notations that help shape our concepts of metabolism, upcycling, and designing with fluids. A conceptual and practical toolset for thinking and designing, liquid life reunites us with the irreducible "soul substance" of living things, which will neither be simply "solved," nor go away.