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Penny Jordan is an award-winning New York Times and Sunday Times bestselling author of more than 200 books with sales of over 100 million copies. We have celebrated her wonderful writing with a special collection of her novels, many of which are available for the first time in eBook right now.
In her in-depth study of Harriet Martineau's writings on the evolution of the British Empire in the nineteenth century, Deborah A. Logan elaborates the ways in which Martineau's works reflect Victorian concerns about radically shifting social ideologies. To understand Martineau's interventions into the Empire Question, Logan argues, is to recognize her authority as an insightful political commentator, historian, economist, and sociologist whose eclectic studies and intellectual curiosity positioned her as a shrewd observer and recorder of the imperial enterprise. Logan's primary sources are Martineau's nonfiction works, particularly those published in periodicals, complemented by telling references from Martineau's didactic fiction, correspondence, and autobiography. Key texts include History of The Peace; Letters from Ireland and Endowed Schools of Ireland; Illustrations of Political Economy; Eastern Life, Present and Past; and History of British Rule in India and Suggestions for the Future Rule of India. Logan shows Martineau negotiating the inevitable conflict that arises when the practices of Victorian imperialism are measured against its own stated principles, and especially against Martineau's idea of both the Civilizing Mission and the indigenous cultural integrity often compromised in the process. The picture of Martineau that emerges is complex and fascinating. Both an advocate and a critic of British imperialism, Martineau was a persistent champion of the Civilizing Mission. Written with an awareness that she was recording contemporary history for future generations, Martineau’s commentary on this perpetually fascinating, often tragic, and always instructive chapter in British and world history offers important insights that enhance and complicate our understanding of imperialism and globalization.
A major contribution to the cultural and literary history of the Victorian age, Rule of Darkness maps the complex relationship between Victorian literary forms, genres, and theories and imperialist, racist ideology. Critics and cultural historians have usually regarded the Empire as being of marginal importance to early and mid-Victorian writers. Patrick Brantlinger asserts that the Empire was central to British culture as a source of ideological and artistic energy, both supported by and lending support to widespread belief in racial superiority, the need to transform "savagery" into "civilization," and the urgency of promoting emigration. Rule of Darkness brings together material from public records, memoirs, popular culture, and canonical literature. Brantlinger explores the influence of the novels of Captain Frederick Marryat, pioneer of British adolescent adventure fiction, and shows the importance of William Makepeace Thackeray's experience of India to his novels. He treats a number of Victorian best sellers previously ignored by literary historians, including the Anglo-Indian writer Philip Meadows Taylor's Confessions of a Thug and Seeta. Brantlinger situates explorers' narratives and travelogues by such famous author-adventurers as David Livingstone and Sir Richard Burton in relation to other forms of Victorian and Edwardian prose. Through readings of works by Arthur Conan Doyle, Joseph Conrad, H. Rider Haggard, Rudyard Kipling, John Hobson, and many others, he considers representations of Africa, India, and other non-British parts of the world in both fiction and nonfiction. The most comprehensive study yet of literature and imperialism in the early and mid-Victorian years, Rule of Darkness offers, in addition, a revisionary interpretation of imperialism as a significant factor in later British cultural history, from the 1880s to World War I. It is essential reading for anyone concerned with Victorian culture and society and, more generally, with the relationship between Victorian writers and imperialism, 'and between racist ideology and patterns of domination in modern history.
A hilarious, irreverent, and utterly original exploration of the hidden traps in multicultural experiences that confront the Buenaventura Clan as it flees its South American country's political turmoil. Confident that their wealth will smooth their entry into a new society, the Buenaventuras are ill prepared for the spiny issues that arise at every turn. Using magic realism as her canvas, the author explores the seemingly minor yet utterly significant differences be they religious, political or gender-driven that lie at the core of the traditions that define and anchor us as individuals.
This title was first published in 2001. The eminent historian of Victorian Britain, Walter L. Arnstein has, over the course of a career spanning more than 40 years, arguably introduced more students to British history than any other American historian. This collection of essays by some of his former students celebrates Arnstein's inspirational teaching and writing with surveys and analyses of various aspects of the social, cultural, economic and political history of nineteenth and early twentieth-century Britain. Nineteenth-century topics covered in the volume include early Victorian caricatures and the thin legal lines that they often trod; British Army fashion and its contribution to Royal spectacles; Free Trade Radicals and how they viewed educational reform and moral progress; the persistence of Chartist ideology following the failure of the movement in 1848; Disraeli and Derby's involvement with the Navy's administration; religious periodicals and their influence; the myth of Bismarck as an honest broker of peace and the subsequent collapse of the myth as a later source of enmity in Anglo-German relations; the powerful mystique evoked back in England by the London missionary societies Mongolian; missions; Victorian urban planning and the re-introduction of the market place.
Drawing on works by Walter Scott, Dickens, Charlotte Bronte, and others, Romances of Free Trade offers a new account of the cultural work of romance in nineteenth-century Britain, arguing that novelists and playwrights employed the genre to represent a radically new historical formation: the emergence of the global free-market economy.
This book examines how the South Pacific was represented by explorers, missionaries, travellers, writers, and artists between 1767 and 1914 by drawing on history, literature, art history, and anthropology. Edmond engages with colonial texts and postcolonial theory, criticising both for their failure to acknowledge the historical specificity of colonial discourses and cultural encounters, and for continuing to see indigenous cultures in essentially passive or reactive terms. The book offers a detailed and grounded 'reading back' of these colonial discourses into the metropolitan centres which gave rise to them, while resisting the idea that all representations of other cultures are merely self-representations. Among its themes are the persistent myth-making around the figure of Cook, the western obsession with Polynesian sexuality, tattooing, cannibalism, and leprosy, and the Pacific as a theatre for adventure and as a setting for Europe's displaced fears of its own cultural extinction.