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The story of David Jal's struggle to survive a decades-long civil war in South Sudan that ultimately turned him into one of the Lost Boys of Sudan.
After escaping from an Eastern European concentration camp where he has spent most of his life, a twelve-year-old boy struggles to cope with an entirely strange world as he flees northward to freedom in Denmark.
The story of Dave Pelzer is a legend in our times: the shattering tale of the child called 'It' who was forced to live in the basement; the 'Him' the other children were taught to hat; the 'Freak' who wasn't allowed to speak. his mother was the perpetrator of the horror, but she had a willing accomplice. It was Dave's little brother Richard - the author of this book.
Current scholarly debate over the historical character of David’s rule generally considers the biblical portrait to represent David as king of Judah first, and subsequently over “all Israel.” The ninth-century Tel Dan inscription, which refers to the “House of David” (byt dwd), is often taken as evidence for the dynasty of Judah. Mahri Leonard-Fleckman argues, however, that references to Judah in the story of David as king do not suffice to constitute a coherent stratum of material about Judah as a political entity. Comparing the “house of . . .” terminology in the ninth-century Tel Dan inscription with early first-millennium Assyrian usage, then giving close examination to the “house of David” materials in 2 Samuel and 1 Kings, she understands the “house of David” as a small body politic connected to David, but distinct from any Judean dynastic context. One implication is that the identification of Judah as a later southern kingdom may have less to do with an Israelite secession from Jerusalem than with an Israelite rejection of David’s lineage and the subsequent redactional creation of Judah-centric language on the part of a Davidic coterie. Leonard-Fleckman’s arguments suggest a rethinking of the rise of monarchy in Israel.
A parent's guide to dealing with a child suffering from learning disabilities draws on the author's own experience of coping with a son diagnosed with dyslexia, revealing the challenging and rewarding odyssey of teaching David how to read and the impact of that journey on the mother-son relationship.
When Japan opened its doors to the West in the 1860s, delicately hand-tinted photographic prints of Japanese people and landscapes were among its earliest and most popular exports. David Odo studies the collection of Japanese photographs at Harvard’s Peabody Museum and the ways they were produced, acquired, and circulated in the nineteenth century.
A young girl who's beloved brother is killed in an accident, searches for his heart which was donated for a heart transplant.
Have you ever been forced to consider the fact of your mortality? If confronted with cancer, how would you feel? What would you say to the people you love? What would they say to you? No two people have the same answers to these questions, a lesson I learned well during a solo six-week, 5,000-mile cross-country bike ride I called Cycle of Lives. The trip started as a fundraiser in honor of my sister, June, who died of brain cancer. But long before I even set out on my endurance ride from L.A. to Florida to N.Y., I exhaustively interviewed fifteen people across the country whose lives had also been irrevocably changed by cancer—either as patients, survivors, loved ones, or caregivers. Hearing their moving stories, which were influenced by many different forms of past and present trauma, transformed my cycling odyssey into a journey of emotional self-discovery as I relived the chaos and emotional upheaval of cancer through them: from the man who found true love after losing his soulmate to cancer, to the elite athlete who had to reckon with his all-star body finally letting him down, to the medical oncologist who cares as much about her patients as she cares for them. Whether you or someone you care about is going through cancer or some other major trauma, I hope this thought-provoking collection of astonishing stories can help you, too.
A young boy's understanding of his autistic brother, David, improves as a therapist works with the family to better interpret David's behavior, and with David to communicate through words.
A classic of children's literature, translated into several languages. Separated from his parents who are deported by the Nazis, David struggles to survive, alone, hungry and scared, until he eventually finds his way to the city of Warsaw. There he learns from other Jewish boys how to work in the black market, dodging the police and the Gestapo until the terrible day comes when the Warsaw ghetto is cleared and everyone is herded onto trains for the long trip to the camps. Will David survive? Can he outwit them one more time? Shortlisted for The Marsh Award for Children’s Literature in Translation. Reviews: “How was it possible for Stig Dalager to write about the last years of the story of David in such a shocking and convincing way that one should think that this was written by Isaac B. Singer or one of the other Polish-Jewish geniuses?” -Jewish Information Magazine “Dalager has written a shockingly relevant historical novel, a taut story of international standing and appeal. A monument to our own shame, at that time and now.” -Politiken Newspaper, Denmark "Despite being a translation of Stig Dalager's original Danish text, this is one of the most readable and accessible accounts of the Holocaust I have ever read. My wife and I both enjoyed this book immensely, and it reads well. It is presented in good clear prose, and rings true with other accounts - my wife once transcribed texts from Holocaust survivors, and knows what sounds like real accounts. Dalager is an experienced writer, and this shows. There are a number of Holocaust survivor children's diaries, and you can feel that whilst this book is changing from one to another, each section was very real to the person who wrote the diaries used. The story begins with the start of restrictions on Jewish life, and advances to roundups, forced marches, the ghetto, and transportation. The ending is something you'll have to judge for yourself as to whether or not David makes it out alive. He certainly seems to be able to escape from earlier challenges, but the author has adapted the stories, so who knows which chapters were real happy endings, and which ended the way that so many tragedies did in those times. The atmosphere in David's village at the start shows the tipping point where Jews were suddenly no longer just neighbours, and became non-persons to be abused and ultimately murdered. The question one has to ask is: just how did their oppressors come to believe that anybody has the right to do what they did? In reality, this book reminds you that in the end, it was the Nazis who lost their humanity. Humans could not have treated children the way that these children were forced to suffer. Read this book, and if you didn't understand what I meant in the previous paragraph, you soon will... " *****- M. J. Jacobs, Amazon About the Author Stig Dalager is one of Denmark’s most distinguished authors whose novels and plays have been translated and staged internationally. His works include I count the hours, (staged in 12 countries), The Dream, (premiered in New York’s La Mama Theatre starring Ingmar Bergman and Bibi Andersson ); Two Days in July (a novel about the plot to kill Hitler), Journey in Blue, about Hans Christian Andersen (published in 15 countries and nominated for The Impac Prize 2008), The Labyrinth and Falling Shadows (about 9/11).