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A three volume series that includes the scales, chords and modes necessary to play bebop music. A great introduction to a style that is most influential in today's music. The first volume includes scales, chords and modes most commonly used in bebop and other musical styles. The second volume covers the bebop language, patterns, formulas and other linking exercises necessary to play bebop music. A great introduction to a style that is most influential in today's music.
DVD provides over three hours of audio and video demonstrations of rehearsal techniques and teaching methods for jazz improvisation, improving the rhythm section, and Latin jazz styles.
Jazz Improvisation focuses on the communicative and technical aspects of improvisation and makes an excellent resource for both pros and aspiring improvisers. Assimilate and execute chord progressions, substitutions, turn arounds and construct a melody and jazz chorus.
A much heralded jazz practice method from leading educator / performer David Baker. David condenses a wealth of experience and knowledge into practice-specific ideas and exercises for all musicians. Subjects covered include: Practice Goals * Techniques and Strategies * Hearing, Transcribing, Playing with Play-Alongs and "Actual" Recordings * Tune Memorization * Self Evaluation * and much more.
" ... Written to organize, codify, and demonstrate useful information which has proven to be helpful in learning to play improvised solos in the jazz idiom ... [for] the prepared player with some experience, who is looking for a deeper and more complete understanding of chord progressions and tune structures ... intended to provide information and insight to the serious player for the purpose of helping him of her develop more consistency in accomplishing the ability to play interesting, convincing jazz solos."--Preface
An excellent book designed to assist musicians with their performance of contemporary (post be-bop) jazz. It focuses on utilizing fourths, pentatonics, modes, bitonals and other contemporary materials when improvising. Numerous examples, suggested reading and recording examples are also included.
Written by a jazz teacher for jazz teachers, "The Real Jazz Pedagogy Book" is based on the premise that successful jazz teachers must be constantly working four main areas: 1) the wind instruments-including tone production, intonation, and section playing skills; 2) playing styles correctly-such as rhythmic and time feel approach, articulation approach, and phrasing; 3) the rhythm section-playing the instruments, time feel and concept, coordination of comping, harmonic voicings, drum fills and setups, stylistic differences; and 4) the soloists-developing improvisational skills (both right brain and left brain), jazz theory, the ballad soloist, and the vocal soloist. Ray Smith, who has taught and directed jazz ensembles, including the acclaimed Brigham Young University group, Synthesis, and given private lessons for over forty years, also discusses the details of running school programs. Smith's YouTube channel complements "The Real Jazz Pedagogy Book."
"...So much of the jazz harmonic language deals with the ii V I chord progression...[Students] have learned to play a lot of sophisticated voicings, but sometimes there is a lack of harmonic awareness and inner voice leading as well as a weak sense of how chords resolve in a ii V I progression as a unit...This book will give the jazz keyboard student and teacher a basic foundation for playing ii V I chord progressions and provide some lessons that can be used in the classroom or in private study...Knowing many different kinds of chords is fine, but it is equally important to know how to play one chord many different ways..."--preface.
This volume was the first published jazz teaching method. One of America's greatest musician-teachers, David Baker, shows how to develop jazz courses and jazz ensembles, with lesson plans, rehearsal techniques, practice suggestions, improvisational ideas, and ideas for school and private teachers and students.