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I am the wind which breathes on the water. I am the swell of the sea. I am the light of the sun. I am the point of the battle spear. I am the God who gives fires to the mind. Who announces the ages of the moon? Who speaks to the setting of the sun? I, only I. Aislinn ni Sorar, druid priestess of ancient Ireland, is a visionary. Raised according to the ancient ways and seeking to use her gifts to keep the old magic strong, she has the power to part the mists of time and see events that might shape a nation. But Aislinn's own past is shrouded in mystery, and her quest to discover that past will bring her pain, as well as true love, and will set in motion a chain of events that will alter both her own future and that of her beloved Ireland. For there is a new spirit upon the land whose presence heralds a rendering--and a remaking--of this world. His way had been foretold long ago and threatens to change everything. And Aislinn is at the heart of that change. Will she give up everything that she loves to help her people find the true God, or will she turn to the dark forces that threaten to keep the old ways at any cost? Daughter of Ireland continues Juilene Osborne-McKnight's exploration of Irish history, combining fine historical research with skillful storytelling. Her focus this time is none other than Cormac mac Art, ancient and venerated King of Ireland, and the path the Irish people follow to find the one true God. Osborne-McKnight has crafted an engaging young heroine who chronicles both Celtic mythology and early pagan/Christian theology through her travels, and re-creates a world whose conflicts over power, religion, and law are as immediate and far-reaching as those same conflicts in our own time. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
From the acclaimed author of The Magdalen Girls and The Taster comes a powerful, unforgettable novel of strength and resilience, set against the backdrop of the Irish famine. Ireland, 1845. To Briana Walsh, no place on earth is more beautiful than Carrowteige, County Mayo, with its sloping fields and rocky cliffs perched above the wild Atlantic. The small farms that surround the centuries-old Lear House are managed by her father, agent to the wealthy, reckless Sir Thomas Blakely. Tenant farmers sell the oats and rye they grow to pay rent to Sir Thomas, surviving on the potatoes that flourish in the remaining scraps of land. But when the potato crop falls prey to a devastating blight, families Briana has known all her life are left with no food, no resources, and no mercy from the English landowner, who seems indifferent to everything except profit. Rory Caulfield, the hard-working young farmer Briana hopes to marry, shares the locals’ despair—and their anger. There’s talk of violent reprisals against the callous gentry and their agents. Briana’s studious older sister, Lucinda, dreams of a future far beyond Mayo. But even as hunger and disease settle over the country, killing and displacing millions, Briana knows she must find a way to guide her family through one of Ireland’s darkest hours—toward hope, love, and a new beginning. Praise for V.S. Alexander’s The Taster “This haunting and engrossing novel will appeal to fans of Anthony Doerr and Kristin Hannah.” —Booklist “The ‘taster’s’ story adds to a body of nuanced World War II fiction such as Elizabeth Wein’s Code Name Verity, Anthony Doerr’s All the Light We Cannot See, and Tatiana de Rosnay’s Sarah’s Key. Book clubs and historical fiction fans will love discussing this and will eagerly await more from Alexander.” —Library Journal
Previously published in the US as The Daughters of Ireland. The second book in the #1 international bestselling series about the powerful ties between three women and their determination to return home. The war is over. But life will never be the same... It is 1925 and Castle Deverill has burned to the ground. War and deception have divided the daughters of Ireland, but Celia vows to return her ancestral home to its former glory. Kitty raises a young family but longs for something more, and Bridie flourishes as a New York socialite consumed by revenge. Celia works to reunite her childhood friends and restore the place they once called home, but soon everything she knows is cast into doubt as the Great Depression looms. In the second installment of Santa Montefiore’s sweeping generational epic, Celia, Kitty, and Bridie must once again face the dark shadows of history. Daughters of Castle Deverill is an unforgettable story of enduring friendship and the inner strength needed to start again.
The making of David Lean's Ryan's Daughter in Dingle, Ireland, between 1968 and 1970, is shrouded in myth and sensational stories. Robert Mitchum and the glamour and mischief of 1960s Hollywood, the Irish climate, the studio system, and one of film's greatest auteurs all converged to make a troubled and fabled production in an unsuspecting town in County Kerry. Fifty years on, Paul Benedict Rowan has written the definitive account of one of the great movie follies and its unique place in cinematic and Irish history. Painstakingly researched over fifteen years, Ryan's Daughter: The Making of an Irish Epic charts the tumultuous filming of this iconic piece of cinema. Bringing together exclusive cast and crew interviews, a wealth of previously unseen archival material, and extraordinary accounts of the local people who took Lean and his epic to their hearts, this fast-paced, entertaining, and often jaw-dropping narrative is everything you ever wanted to know about David Lean's great 'fillum' and its tragic aftermath.
Bestseller & Winner of the Popular Non-Fiction Irish Book Award. 'Thought-provoking, irreverent and often laugh-out-loud hilarious' Irish Independent. "Motherfoclóir" [focloir means 'dictionary' and is pronounced like a rather more vulgar English epithet] is a book based on the popular Twitter account @theirishfor. As the title suggests, Motherfoclóir takes an irreverent, pun-friendly and contemporary approach to the Irish language. The translations are expanded on and arranged into broad categories that allow interesting connections to be made, and sprinkled with anecdotes and observations about Irish and Ireland itself, as well as language in general. The author includes stories about his own relationship with Irish, and how it fits in with the most important events in his life. This is a book for all lovers of the quirks of language.
Chronicles the adventures of the King of Ireland's eldest and wildest son, describing how he encounters an enchanter's daughter, the king of the cats, Gilly of the goat-skin, and numerous others.
Pharaoh's Daughter, published in Ireland by Gallery Press in 1990, contains forty-five poems in Irish by Nuala Ní Dhomhnaill with translations by thirteen distinguished poets from Ireland. In this revised form, it appears for the first time in North America as a companion volume to The Astrakhan Cloak, new poems by Nuala Ní Dhomhnaill with translations by Paul Muldoon.
Máire MacSwiney Brugha is the only child of Terence MacSwiney, one of the greatest figures in Ireland's history, who died after seventy-three days on hunger strike in Brixton Prison on 25 October 1920. His death became worldwide news. MacSwiney is reputed to have been quoted by Mahatma Gandhi as the main inspiration for his own life's work leading to the downfall of the British empire in India; Ho Chi Minh said of MacSwiney: 'A nation which has such citizens will never surrender.' At the time of his death Máire was a young child. Her mother, Muriel, a member of the wealthy Murphy distillery family, had made an extraordinary and controversial match in marrying MacSwiney. The young widow then abandoned Ireland for continental Europe, taking her little daughter with her. For nine years Máire was to live away from Ireland, mostly in Germany with occasional breaks in Paris with her mother. She grew up effectively as a German child, speaking the German language, skiing to school -- and forgetting all about her Irish background. This was truly an extraordinary upbringing for the daughter of one of Ireland's greatest heroes. In the early thirties, when she was fourteen, Máire made a dramatic escape with her aunt, Máire MacSwiney, the sister of Terence, home to Ireland, against her mother's wishes. This was widely reported and led to a court case claiming that her aunt had 'kidnapped' her -- but Máire strongly refutes this in her account here. Speaking no English or Irish, the young Máire now went to live in Scoil Íte, her aunt's school in Cork. For the young Máire this was a very strange world indeed. Now she had to learn both Irish and English, her Irish being perfected by long annual holidays in the west Kerry Gaeltacht near Dunquin. And then, in 1945, she married Ruairi Brugha, the son of another famous republican, Cathal Brugha, thus uniting two of Ireland's most prominent and revered nationalist families. Throughout her life, both before marriage and later with her husband, Máire has handled a complex inheritance and forged her own strong identity. She and her husband have reinterpreted their unique inheritance in keeping their own time and their own mindset while retaining strong links to their unusual history.
Daughter of the Forest is a testimony to an incredible author's talent, a first novel and the beginning of a trilogy like no other: a mixture of history and fantasy, myth and magic, legend and love. Lord Colum of Sevenwaters is blessed with six sons: Liam, a natural leader; Diarmid, with his passion for adventure; twins Cormack and Conor, each with a different calling; rebellious Finbar, grown old before his time by his gift of the Sight; and the young, compassionate Padriac. But it is Sorcha, the seventh child and only daughter, who alone is destined to defend her family and protect her land from the Britons and the clan known as Northwoods. For her father has been bewitched, and her brothers bound by a spell that only Sorcha can lift. To reclaim the lives of her brothers, Sorcha leaves the only safe place she has ever known, and embarks on a journey filled with pain, loss, and terror. When she is kidnapped by enemy forces and taken to a foreign land, it seems that there will be no way for her to break the spell that condemns all that she loves. But magic knows no boundaries, and Sorcha will have to choose between the life she has always known and a love that comes only once. Juliet Marillier is a rare talent, a writer who can imbue her characters and her story with such warmth, such heart, that no reader can come away from her work untouched. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The only child of poor Irish immigrants, Alice Carey's isolated childhood in a cold-water flat in Queens is transformed when her mother becomes maid to legendary Broadway producer Jean Dalrymple. In Ms. Dalrymple's Upper East Side townhouse, young Alice absorbs with delight a sophisticated theatrical culture that includes such notables as Jed Harris and Marilyn Monroe. Then, a visit to Ireland with her mother thrusts young Alice into another novel culture, one that simultaneously enchants and traumatizes her. When Alice returns to Ireland as an adult, she and her husband serendipitously find and fall in love with a ruined Georgian farmhouse. As they begin to convert the stables into a livable cottage, Alice unearths buried memories of a childhood played out in wildly divergent homes. I'll Know It When I See It is the witty and rueful examination of her struggles to make sense of-and peace with-her recollections of a bittersweet past. It is a book bound to appeal to a wide range of readers: Irish, New Yorkers, theater folk, and all those longing to buy a house in the old country.