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The Fierce Country holds no malice, but neither pity. It just sits, and bakes, and waits. We do the rest. We provoke it when we mine above its aquifers. Weaken it, and ourselves, when we leave mountains of asbestos to blow away in the wind. Misunderstand it when we see it as nothing more than a resource. Resent it when it takes our children. The open spaces and isolated places outside Australia's cities have unsettled us from first European settlement to today - often with very good reason. In this nail-biting book combining the notorious and little-known, acclaimed author Stephen Orr has collected true stories that have shaped and continue to haunt the Australian psyche: mysteries, disappearances, mistreatment and murder. Fatal conflicts between an Aboriginal tracker and the police employers hunting his community. An itinerant conman picking up tips for the perfect murder from a famous novelist around a campfire on the Rabbit-Proof Fence. And that fateful day when Peter Falconio pulled over beside a desert highway. Together these tales chart an undercurrent of shifting cultural tensions as Australians find, lose and question who we are.
Clem Whelan's got a problem: trapped in the suburbs in the Sunnyboy summer of 1984 he has to decide what to do with his life. Matriculation? He's more than able, but not remotely interested. Become a writer? His failed lawyer neighbour Peter encourages him, but maybe it's just another dead end? To make sense of the world, Clem uses his telescope to spy on his neighbours. From his wall, John Lennon gives him advice; his sister (busy with her Feres Trabilsie hairdressing apprenticeship) tells him he's a pervert; his best friend, Curtis, gets hooked on sex and Dante and, as the year progresses and the essays go unwritten, he starts to understand the excellence of it all. His Pop, facing the first dawn of dementia, determined to follow an old map into the desert in search of Lasseter's Reef. His old neighbour, Vicky, returning to Lanark Avenue - and a smile is all it takes. Followed by a series of failed driving tests; and the man at his door, claiming to be his father. It's going to be a long year, but in the end Clem emerges from the machine a different person, ready to face what he now understands about life, love, and the importance of family and neighbours.
A long-deserted drive-in, waiting for a rerun of the one story that might give it life; a child who discovers his identity in a photograph hidden in his parents' room ...Stephen Orr's stories are happy to let you in, but not out. In Datsunland, his characters are outsiders peering into worlds they don't recognise, or understand: an Indian doctor arriving in the outback, discovering an uncomfortable truth about the Australian dream; a family trying to have their son's name removed from a Great War cowards' list; a confused teenager with a gun making an ad for an evangelical ministry.Each story is set in a place where, as Borges described, 'heaven and hell seem out of proportion'. There is no easy escape from the world's most desperate car yard, or the school with a secret that permeates all but one of the fourteen stories in Datsunland. Here is a glimpse of inner lives, love, the astonishment of being ourselves.
Orr's stories are happy to let you in, but not out. In ""Datsunland"", his characters are outsiders peering into worlds they don't recognise, or understand: an Indian doctor arriving in the outback, discovering an uncomfortable truth about the Australian dream; a family trying to have their son's name removed from a Great War cowards' list.