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Jacklyn (Jack) West is the typical twenty-five-year-old living the typical Provo single life with the typical bad luck--at least until the FBI recruits her for a completely differenty type of dating. A young woman has gone missing, and all signs point to her online dating profile as the kidnapper's operating ground. But when suspects who crossed paths with the missing girl begin contacting Jack, the FBI sees it opportunity for a inside man--er, woman. Now Jack will have to play the field, dating each of the men in an attempt to weed out the kidnapper. But with such an unusual array of characters vying for her attention, pinpointing the culprit may prove even harder than finding Mr. Right. And as more young women disappear, will Jack stay professional and objective, even with the handsome Special Agent Damon Wade just a whisper in her hidden microphone away? --
Julia Chapman's fifth Dales Detectives Agency novel, Date With Danger, sees our intrepid leads Samson and Delilah on the trail of a sheep rustler turned killer. A heartwarming cosy crime caper, perfect for fans of Richard Osman's The Thursday Murder Club and M.C. Beaton. In the heart of Yorkshire, the Dales Detective Agency is about to face its biggest challenge. A fatal accident at the local livestock auction mart summons the detective duo Samson O’Brien and Delilah Metcalfe, but what starts as a simple health-and-safety investigation soon takes a sinister turn when they discover evidence that suggests murder. With local sheep being threatened by a gang of rustlers plaguing the Dales, and poacher Pete Ferris setting in motion a blackmail plot that will see Samson pulled back into trouble with his nemesis Rick Proctor, all three cases are about to converge. Samson and Delilah are now going to find their next investigation is fraught with danger; a danger that will leave them fighting for their lives . . . Full of wit, warmth and colourful characters, continue the comforting mystery series with Date with Deceit. 'Chapman delivers on every level in this intriguing murder mystery.' - Lancashire Evening Post
Julia Chapman's fifth Dales Detectives Agency novel, Date With Danger, sees our intrepid leads Samson and Delilah on the trail of a sheep rustler turned killer. Perfect for fans of M.C. Beaton and Gervase Phinn. In the heart of Yorkshire, the Dales Detective Agency is about to face its biggest challenge. A fatal accident at Bruncliffe’s livestock auction mart leads auctioneer Harry Furness to call in detective duo Samson O’Brien and Delilah Metcalfe, but what starts as a simple health-and-safety investigation soon takes a sinister turn when they discover evidence that suggests murder. With their inquiries ongoing, Clive Knowles approaches them for help – his sheep are being threatened by the gang of rustlers that is plaguing the Dales. Meanwhile, Poacher Pete Ferris has also decided to play his hand, setting in motion a blackmail plot which will ensure Samson is pulled back into trouble with his nemesis Rick Procter. When all three cases begin to converge, Samson and Delilah will find that their latest investigation is fraught with danger; a danger that could leave them fighting for their lives.
These twelve original essays by geographers and anthropologists offer a deep critical understanding of Allan Pred’s pathbreaking and eclectic cultural Marxist approach, with a focus on his concept of “situated ignorance”: the production and reproduction of power and inequality by regimes of truth through strategically deployed misinformation, diversions, and silences. As the essays expose the cultural and material circumstances in which situated ignorance persists, they also add a previously underexplored spatial dimension to Walter Benjamin’s idea of “moments of danger.” The volume invokes the aftermath of the July 2011 attacks by far-right activist Anders Breivik in Norway, who ambushed a Labor Party youth gathering and bombed a government building, killing and injuring many. Breivik had publicly and forthrightly declared war against an array of liberal attitudes he saw threatening Western civilization. However, as politicians and journalists interpreted these events for mass consumption, a narrative quickly emerged that painted Breivik as a lone madman and steered the discourse away from analysis of the resurgent right-wing racisms and nationalisms in which he was immersed. The Breivik case is merely one of the most visible recent examples, say editors Heather Merrill and Lisa Hoffman, of the unchallenged production of knowledge in the public sphere. In essays that range widely in topic and setting—for example, brownfield development in China, a Holocaust memorial in Germany, an art gallery exhibit in South Africa—this volume peels back layers of “situated practices and their associated meaning and power relations.” Spaces of Danger offers analytical and conceptual tools of a Predian approach to interrogate the taken-for-granted and make visible and legible that which is silenced.
Danger: Diabolik (1968) was adapted from a comic that has been a social phenomenon in Italy for over fifty years, featuring a masked master criminal—part Fantômas, part James Bond—and his elegant companion Eva Kant. The film partially reinvents the character as a countercultural prankster, subverting public officials and the national economy, and places him in a luxurious and futuristic underground hideout and Eva in a series of unforgettable outfits. A commercial disappointment on its original release, Danger: Diabolik's reputation has grown along with that of its director, Mario Bava, the quintessential cult auteur, while the pop-art glamour of its costumes and sets have caught the imagination of such people as Roman Coppola and the Beastie Boys. This study examines its status as a comic-book movie, including its relation both to the original fumetto and to its sister-film, Barbarella. It traces its production and initial reception in Italy, France, the U.S., and the UK, and its cult afterlife as both a pop-art classic and campy "bad film" featured in the final episode of Mystery Science Theatre 3000.
Purity and Danger is acknowledged as a modern masterpiece of anthropology. It is widely cited in non-anthropological works and gave rise to a body of application, rebuttal and development within anthropology. In 1995 the book was included among the Times Literary Supplement's hundred most influential non-fiction works since WWII. Incorporating the philosophy of religion and science and a generally holistic approach to classification, Douglas demonstrates the relevance of anthropological enquiries to an audience outside her immediate academic circle. She offers an approach to understanding rules of purity by examining what is considered unclean in various cultures. She sheds light on the symbolism of what is considered clean and dirty in relation to order in secular and religious, modern and primitive life.
"An entertaining, action-packed addition to the TCM program that celebrates an essential, but often overlooked or disregarded part of the film industry: stunts. Offering readers a unique perspective as well as history of the impact and evolution of stunt work, and behind-the-scenes stories from the stunt professionals who risked life and limb to make the magic happen"--