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In this innovative work, Salman H. Bashier challenges traditional views of Islamic philosophy. While Islamic thought from the crucial medieval period is often depicted as a rationalistic elaboration on Aristotelian philosophy and an attempt to reconcile it with the Muslim religion, Bashier puts equal emphasis on the influence of Plato's philosophical mysticism. This shift encourages a new reading of Islamic intellectual tradition, one in which boundaries between philosophy, religion, mysticism, and myth are relaxed. Bashier shows the manner in which medieval Islamic philosophers reflected on the relation between philosophy and religion as a problem that is intrinsic to philosophy and shows how their deliberations had the effect of redefining the very limits of their philosophical thought. The problems of the origin of human beings, human language, and the world in Islamic philosophy are discussed. Bashier highlights the importance of Ibn Ṭufayl's Ḥayy ibn Yaqẓān, a landmark work often overlooked by scholars, and the thought of the great Sufi mystic Ibn al-ʿArabī to the mainstream of Islamic philosophy.
Biografi om den franske billedhugger, der levede 1840-1917
Ablaze with excitement, effervescent with creativity—late nineteenth-century Vienna was the ideal site for this analysis of the ways in which a sizable and significant group of Jews was assimilated into European society. After leaving homes in the Austrian and Hungarian provinces and migrating to the Austrian capital, the Jews underwent a variety of profound changes. The Jews of Vienna shows how they successfully transformed old, identifiably Jewish patterns of behavior into modern urban variations, without abandoning their ethnic identity in the process. Marsha L. Rozenblit describes the Jews' migration to Vienna, the occupational changes they experienced in the city, where and how they lived, the various means they used to achieve social integration, and the vibrant network of Jewish organizations they established. As they evolved new patterns of urban Jewish life, the Viennese immigrants also created ideologies which defined the place of the Jew in European society. Rozenblit shows how this urbanization led to social change while simultaneously providing the necessary demographic foundation for continued Jewish identity in modern Europe.
This book explores how Ibn al-'Arabi (1165–1240) used the concept of barzakh (the Limit) to deal with the philosophical problem of the relationship between God and the world, a major concept disputed in ancient and medieval Islamic thought. The term "barzakh" indicates the activity or actor that differentiates between things and that, paradoxically, then provides the context of their unity. Author Salman H. Bashier looks at early thinkers and shows how the synthetic solutions they developed provided the groundwork for Ibn al-'Arabi's unique concept of barzakh. Bashier discusses Ibn al-'Arabi's development of the concept of barzakh ontologically through the notion of the Third Thing and epistemologically through the notion of the Perfect Man, and compares Ibn al-'Arabi's vision with Plato's.
Leo Steinberg’s classic Other Criteria comprises eighteen essays on topics ranging from “Contemporary Art and the Plight of Its Public” and the “flatbed picture plane” to reflections on Picasso, Rauschenberg, Rodin, de Kooning, Pollock, Guston, and Jasper Johns. The latter, which Francine du Plessix Gray called “a tour de force of critical method,” is widely regarded as the most eye-opening analysis of the Johns’s work ever written. This edition includes a new preface and a handful of additional illustrations. “The art book of the year, if not of the decade and possibly of the century. . . .The significance of this volume lies not so much in the quality of its insights—although the quality is very high and the insights are important—as in the richness, precision, and elegance of its style. . . . A meeting with the mind of Leo Steinberg is one of the most enlightening experiences that contemporary criticism affords.” —Alfred Frankenstein, Art News “Not only one of the most lucid and independent minds among art critics, but a profound one.”—Robert Motherwell