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Fictional portrayal of the nightmare politics of our time. Its hero is an aging revolutionary, imprisoned and psychologically tortured by the Party to which he has dedicated his life. As the pressure to confess preposterous crimes increases, he re-lives a career that embodies the terrible ironies and human betrayals of a totalitarian movement masking itself as an instrument of deliverance.
From award-winning author Michael Scammell comes a monumental achievement: the first authorized biography of Arthur Koestler, one of the most influential and controversial intellectuals of the twentieth century. Over a decade in the making, and based on new research and full access to its subject’s papers, Koestler is the definitive account of this fascinating and polarizing figure. Though best known as the creator of the classic anti-Communist novel Darkness at Noon, Koestler is here revealed as much more–a man whose personal life was as astonishing as his literary accomplishments. Koestler portrays the anguished youth of a boy raised in Budapest by a possessive and mercurial mother and an erratic father, marked for life by a forced operation performed without anesthesia when he was five, growing up feeling unloved and unprotected. Here is the young man whose experience of anti-Semitism and devotion to Zionism provoked him to move to Palestine; the foreign correspondent who risked his life from the North Pole to Franco’s Spain, where he was imprisoned and sentenced to death; the committed Communist for whom the brutal truth of Stalin’s show trials inspired the superb and angry novel that became an instant classic in 1940. Scammell also provides new details of Koestler’s amazing World War II adventures, including his escape from occupied France by joining the Foreign Legion and his bluffing his way illegally to England, where his controversial novel Arrival and Departure, published in 1943, was the first to portray Hitler’s Final Solution. Without sentimentality, Scammell explores Koestler’s turbulent private life: his drug use, his manic depression, the frenetic womanizing that doomed his three marriages and led to an accusation of rape that posthumously tainted his reputation, and his startling suicide while fatally ill in 1983–an act shared by his healthy third wife, Cynthia–rendered unforgettably as part of his dark and disturbing legacy. Featuring cameos of famous friends and colleagues including Langston Hughes, George Orwell, and Albert Camus, Koestler gives a full account of the author’s voluminous writings, making the case that the autobiographies and essays are fit to stand beside Darkness at Noon as works of lasting literary value. Koestler adds up to an indelible portrait of this brilliant, unpredictable, and talented writer, once memorably described as “one third blackguard, one third lunatic, and one third genius.”
Best known as the author of the classic Darkness at Noon, Koestler was one of the most influential and controversial intellectuals, involved in and commenting on almost every political movement of the twentieth century. As young man, he was a committed Zionist and moved to Palestine; he was imprisoned and sentenced to death in Franco's Spain; escaped Occupied France; and was a member of the Communist party for seven years, later becoming one of its fiercest critics with the publication of Darkness at Noon. Without sentimentality, Scammell gives a full account of Koestler's turbulent private life: his drug use, manic depression, the frenetic womanizing that doomed his three marriages and led to an accusation of rape, and his startling suicide pact with his wife in 1983. Koestler also gives a full account of the author's voluminous writings, making the case that the autobiographies and essays are fit to stand beside Darkness at Noon as works of lasting literary value. Michael Scammell creates an indelible portrait of this brilliant, unpredictable, and talented writer, once memorably described as "one third blackguard, one third lunatic, and one third genius."
A recent edition of Arthur Koestler's gripping tale of arrest, imprisonment, and subsequent escape to London from Nazi-occupied France.
Rubashov is arrested at night, taken to prison, interrogated, re-interrogated, and is induced to confess to fantastic crimes and conspiracies, then given a public trial and shot. Some five or six weeks elapse between his imprisonment and death, and the tension of those weeks is very powerfully communicated. To the drama of Rubashov's prison-conditioned mind is added a grim description of the G.P.U. method of political interrogation.
Originally published in 1941, Arthur Koestler's modern masterpiece, Darkness At Noon, is a powerful and haunting portrait of a Communist revolutionary caught in the vicious fray of the Moscow show trials of the late 1930s. During Stalin's purges, Nicholas Rubashov, an aging revolutionary, is imprisoned and psychologically tortured by the party he has devoted his life to. Under mounting pressure to confess to crimes he did not commit, Rubashov relives a career that embodies the ironies and betrayals of a revolutionary dictatorship that believes it is an instrument of liberation. A seminal work of twentieth-century literature, Darkness At Noon is a penetrating exploration of the moral danger inherent in a system that is willing to enforce its beliefs by any means necessary.