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A chilling account of the murders of two hunters in rural Michigan—a mystery that haunted a community and baffled the police for two decades. In the bitter cold of 1985, two buddies from Detroit embark on a hunting trip to the Michigan wilderness, unaware they will soon become the hunted. The eerie silence surrounding their sudden disappearance is broken after nearly two decades when a relentless investigator inspires a terrified witness to break her silence. The witness narrates a haunting scene that had unfolded years back, pointing fingers at the prime suspects—the Duvall brothers. With no bodies unearthed, the justice system is riveted by the startling revelations during an electrifying trial in 2003. The brothers, Raymond and Donald Duvall, had bragged about the murders, evocatively explaining how they dismembered their victims and fed them to pigs. Despite the shocking confession, the case holds its ground purely on a single witness’s account, taking the courtroom through a labyrinth of dark secrets and sinister acts. This gripping thriller presents a vivid tale of crime that reveals the devastating power of evil.
A desperate ex-cop searches for a shadowy killer in a thriller by the New York Times–bestselling author: “One of the masters of the police novel.” —Ridley Pearson A killer dubbed “The Night Prowler” has turned the city that doesn’t sleep into a town kept awake by terror. Unseen, he enters couples’ homes. Unsuspected, he lingers until the perfect moment arrives. He leaves “gifts” for his victims—before taking their lives. Enter ex-homicide cop Frank Quinn, still reeling in the wake of an elaborate setup that ended his career. For Quinn, this isn’t just any job—it’s a last chance to salvage his reputation. As the investigation proceeds, the murderer loses no time stalking new prey: a loan officer and her high-earning husband; a couple who made a killing in the stock market; a pretty actress and her prosperous lover. With the body count rising, it’s up to Quinn to unlock the mystery of a madman’s past and end his bloody reign. Quinn’s got his work cut out—because in a city the size of New York, any one of eight million faces could be that of a killer—or his next target . . . “I’ve been a fan of John Lutz for years.” —T. Jefferson Parker “John Lutz just keeps getting better and better.” —Tony Hillerman “Some writers just have a flair for imaginative suspense, and John Lutz is one of them.” —Jeremiah Healy “John Lutz is the new Lawrence Sanders.” —Mystery Scene “Lutz knows how to seize and hold the reader’s imagination.” —The Plain Dealer “Lutz’s real gift is to evoke detective work better than anyone else.” —Kirkus R
LAPD Detective Harry Bosch crosses paths with FBI profiler Terry McCaleb while investigating the murder of a Hollywood actress. Harry Bosch is up to his neck in a case that has transfixed all of celebrity-mad Los Angeles: a movie director is charged with murdering an actress during sex, and then staging her death to make it look like a suicide. Bosch is both the arresting officer and the star witness in a trial that has brought the Hollywood media pack out in full-throated frenzy. Meanwhile, Terry McCaleb is enjoying an idyllic retirement on Catalina Island when a visit from an old colleague brings his former world rushing back. It's a murder, the unreadable kind of murder he specialized in solving back in his FBI days. The investigation has stalled, and the sheriff's office is asking McCaleb to take a quick look at the murder book to see if he turns up something they've missed. McCaleb's first reading of the crime scene leads him to look for a methodical killer with a taste for rituals and revenge. As his quick look accelerates into a full-sprint investigation, the two crimes -- his murdered loner and Bosch's movie director -- begin to overlap strangely. With one unsettling revelation after another, they merge, becoming one impossible, terrifying case, involving almost inconceivable calculation. McCaleb believes he has unmasked the most frightening killer ever to cross his sights. But his investigation tangles with Bosch's lines, and the two men find themselves at odds in the most dangerous investigation of their lives.
Their neighbors were Bill and Hillary Clinton. Their home was Chappaqua, the upscale New York suburb famous for its tranquility—until one dark night, when a brutal murder shattered the community. Driving home with his wife Peggy, Carlos Perez-Olivo claimed he was forced off the road by another vehicle. Entering the couple's SUV, the other driver allegedly shot and killed Peggy during a struggle. Then, while wrestling with the assailant, Carlos took a bullet in the abdomen. But disturbing facts about Carlos began to surface: He'd sent flowers to his mistress two days before Peggy's murder. He'd been recently disbarred as a criminal defense attorney. And now, he stood to inherit Peggy's life insurance policies. With each revelation, more questions were raised: Was Carlos an innocent victim? A scheming accomplice? Or a cold-blooded killer? This is what really happened...
Ian Tregillis's Something More Than Night is a Dashiell Hammett and Raymond Chandler inspired murder mystery set in Thomas Aquinas's vision of Heaven. It's a noir detective story starring fallen angels, the heavenly choir, nightclub stigmatics, a priest with a dirty secret, a femme fatale, and the Voice of God. Somebody has murdered the angel Gabriel. Worse, the Jericho Trumpet has gone missing, putting Heaven on the brink of a truly cosmic crisis. But the twisty plot that unfolds from the murder investigation leads to something much bigger: a con job one billion years in the making. Because this is no mere murder. A small band of angels has decided to break out of heaven, but they need a human patsy to make their plan work. Much of the story is told from the point of view of Bayliss, a cynical fallen angel who has modeled himself on Philip Marlowe. The yarn he spins follows the progression of a Marlowe novel—the mysterious dame who needs his help, getting grilled by the bulls, finding a stiff, getting slipped a mickey. Angels and gunsels, dames with eyes like fire, and a grand maguffin, Something More Than Night is a murder mystery for the cosmos. A Kirkus Reviews Best Fiction Book of 2013 At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
"Supplies the first study of film noir that achieves the sort of intellectual seriousness, depth of research, degree of critical insight, and level of writing that this group of films deserves."—Tom Gunning, Modernism and Modernity
When celebrated neuropsychologist Paul Broks's wife died of cancer, it sparked a journey of grief and reflection that traced a lifelong attempt to understand how the brain gives rise to the soul. The result of that journey is a gorgeous, evocative meditation on fate, death, consciousness, and what it means to be human. The Darker the Night, The Brighter the Stars weaves a scientist’s understanding of the mind – its logic, its nuance, how we think about what makes a person – with a poet’s approach to humanity, that crucial and ever-elusive why. It’s a story that unfolds through the centuries, along the path of humankind’s constant quest to discover what makes us human, and the answers that consistently slip out of our grasp. It’s modern medicine and psychology and ancient tales; history and myth combined; fiction and the stranger truth. But, most importantly, it’s Broks’ story, grounded in his own most fascinating cases as a clinician—patients with brain injuries that revealed something fundamental about the link between the raw stuff of our bodies and brains and the ineffable selves we take for who we are. Tracing a loose arc of loss, acceptance, and renewal, he unfolds striking, imaginative stories of everything from Schopenhauer to the Greek philosophers to jazz guitarist Pat Martino in order to sketch a multifaceted view of humanness that is as heartbreaking at it is affirming.
In this Dark-Hunter novel, Wulf and Cassandra face ancient curses, prophecies, and the direct meddling of the Greek gods to find true happiness.
Bride McTierney has had it with men. They're cheap, self-centered, and never love her for who she is. But though she prides herself on being independent, deep down she still yearns for a knight in shining armor. She just never expected her knight in shining armor to have a shiny coat of fur... Deadly and tortured, Vane Kattalakis isn't what he seems. Most women lament that their boyfriends are dogs. In Bride's case, hers is a wolf. A Were-Hunter wolf. Wanted dead by his enemies, Vane isn't looking for a mate. But the Fates have marked Bride as his. Now he has three weeks to either convince Bride that the supernatural is real or he will spend the rest of his life neutered--something no self-respecting wolf can accept... But how does a wolf convince a human to trust him with her life when his enemies are out to end his? In the world of the Were-Hunters, it really is dog-eat-dog. And only one alpha male can win.
With his signature wit, the award-winning author of Anno Dracula, Kim Newman, reimagines the lives of Raymond Chandler and Boris Karloff in this daring and horrifying tale. 'If more mysteries were written like this, I’d read more mysteries.' - Grady Hendrix, author of The Final Girl Support Group Hollywood, the late 1930s. Raymond Chandler writes detective stories for pulp magazines, and drinks more than he should. Boris Karloff plays monsters in the movies. Together, they investigate mysterious matters in a town run by human and inhuman monsters. Joh Devlin, an investigator for the DA’s office who scores high on insubordination, enlists the pair to work a case that threatens to expose Hollywood’s most horrific secrets. Together they will find out more than they should about the way this town works. And about each other. And, oh yes, monsters aren’t just for the movies.