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The world's biggest and best anthology series of original horror and dark fantasy returns with a bumper collection of new short stories and novellas from the hottest names and most talented newcomers:TREY R. BARKER * STEPHEN BAXTER * JOHN BURKE * RAMSEY CAMPBELL * BASIL COPPER * LES DANIELS * GEMMA FILES * CHRISTOPHER FOWLER * MICK GARRIS* GLEN HIRSHBERG * CHICO KIDD * CAITLIN R. KIERNAN * NANCY KILPATRICK * JAY LAKE * JOEL LANE * TIM LEBBON * SAMANTHA LEE * TANITH LEE * GRAHAM MASTERTON * RICHARD CHRISTIAN MATHESON * LISA MORTON * JOE MURPHY * YVONNE NAVARRO * KIM NEWMAN * GEOFF NICHOLSON * JAMES VAN PELT * TONY RICHARDS *NICHOLAS ROYLE * DAVID J. SCHOW * MICHAEL MARSHALL SMITH * DONALD TUMASONIS * JEFF VANDERMEER * CONRAD WILLIAMS *
Between 1995 and 2002, Dark Terrors: The Gollancz Book of Horror was Britain's premier non-themed anthology of original horror stories. Over six volumes, it published some of the biggest names in the field as well as many newcomers who have gone on to forge impressive careers in the genre. Edited by the World Fantasy Award-winning team of Stephen Jones and David A. Sutton, Dark Terrors established itself as a cutting-edge market for some of the most literary and disturbing fiction being produced on both sides of the Atlantic, winning the British Fantasy Award and the International Horror Guild Award in the process. Now The Best of Dark Terrors collects together twenty of the most memorable stories from the original books in a new volume, which also includes reminiscences by both the editors and their original publisher, Jo Fletcher, along with an Index detailing the authors and their work that were included in the legendary anthology series. For fans of superior horror fiction, the Terrors just got very Dark indeed...
Explore the dark corners of the horror genre with this collection of spooky tales of witchcraft, ghosts, and the risen dead! Originally collected as a hardcover, these stories from the likes of Mike Mignola, Evan Dorkin, Jill Thompson, Gary Gianni, Robert E. Howard and more first appeared in the Dark Horse Book of Monsters, the Dark Horse Book of Witchcraft, the Dark Horse Book of Hauntings, and the Dark Horse Book of the Dead. Now available for the first time in paperback, these haunting shorts have lost none of their spine-tingling genius!
Piercing the Night You heard the scream. It's important to remember that. Sometimes, when it's late, and you hear something that sounds like a scream echoing through dark alleys, you try to convince yourself that it was something else. An animal. An illusion. Anything but what it sounded like. But it was a scream. You heard it, and you'll hear it again, because in the Sixth World, the supply of terror is growing. Bug spirits work to devour corporations from within. Shedim claim dead bodies and mobilize to their own dark ends. And the hidden corners of the metaplanes and the Matrix contain creatures that are best not imagined, because to imagine them is to sever ties with reason. Dark Terrors is a catalog of the horrors lurking under the surface of the Sixth World. With plot updates and hooks, critter stats, and campaign information presented in an immersive style, it's an invaluable resource for players ready to stay on the edge of their seats. It is for use with Shadowrun, Fifth Edition and Shadowrun: Anarchy.
Why are you still alive-why didn't you die?' Years on, Sarita still remembers her mother's bitter words uttered when as a little girl she was unable to save her younger brother from drowning. Now, her mother is dead and Sarita returns to the family home, ostensibly to take care of her father, but in reality to escape the nightmarish brutality her husband inflicts on her every night. In the quiet of her old father's company Sarita reflects on the events of her life: her stultifying small town childhood, her domineering mother, her marriage to the charismatic young poet Mahohar.
This collection of essays examines the motifs of darkness, depression, and descent in both literal and figurative manifestations within a variety of Anglo-Saxon texts, including the Old English Consolation of Philosophy, Beowulf, Guthlac, The Junius Manuscript, The Wonders of the East, and The Battle of Maldon. Essays deal with such topics as cosmic emptiness, descent into the grave, and recurrent grief. In their analyses, the essays reveal the breadth of this imagery in Anglo-Saxon literature as it is used to describe thought and emotion, as well as the limits to knowledge and perception. The volume investigates the intersection between the burgeoning interest in trauma studies and darkness and the representation of the mind or of emotional experience within Anglo-Saxon literature.
The world's biggest and best anthology series of original horror and dark fantasy returns with a bumper collection of new short stories and novellas from the hottest names and most talented newcomers: TREY R. BARKER STEPHEN BAXTER JOHN BURKE RAMSEY CAMPBELL BASIL COPPER LES DANIELS GEMMA FILES CHRISTOPHER FOWLER MICK GARRIS GLEN HIRSHBERG CHICO KIDD CAITLIN R. KIERNAN NANCY KILPATRICK JAY LAKE JOEL LANE TIM LEBBON SAMANTHA LEE TANITH LEE GRAHAM MASTERTON RICHARD CHRISTIAN MATHESON LISA MORTON JOE MURPHY YVONNE NAVARRO KIM NEWMAN GEOFF NICHOLSON JAMES VAN PELT TONY RICHARDS NICHOLAS ROYLE DAVID J. SCHOW MICHAEL MARSHALL SMITH DONALD TUMASONIS JEFF VANDERMEER CONRAD WILLIAMS
*Selected as One of the Best Books of the 21st Century by The New York Times* *Named a Best Book of the Year by The New York Times, Publishers Weekly, NPR, Broadly, BuzzFeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly, and The New York Times Critics* In this powerful, provocative, and universally lauded memoir—winner of the Andrew Carnegie Medal and finalist for the Kirkus Prize—genre-bending essayist and novelist Kiese Laymon “provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot” (Entertainment Weekly). In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free. “A book for people who appreciated Roxane Gay’s memoir Hunger” (Milwaukee Journal Sentinel), Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family through years of haunting implosions and long reverberations. “You won’t be able to put [this memoir] down…It is packed with reminders of how black dreams get skewed and deferred, yet are also pregnant with the possibility that a kind of redemption may lie in intimate grappling with black realities” (The Atlantic).
A brilliant interweaving of journeys and voyages--geographical, historical, psychological--The Terrors of Ice and Darkness is the riveting account of a narrator obsessed with a certain Josef Mazzini, a young Italian "lost in the arctic winter of 1981" who is himself obsessed with the Imperial Austro-Hungarian North Pole Expedition of 1873: "At first it was nothing more than a game to try to reduce the circumstances of his disappearance to some sort of explanation, any explanation. But every clue yielded a new unanswered question. Quite involuntarily I found myself taking one step after the other. . . . Cumulus clouds mirrored in a shop window became calving glaciers, patches of old snow in city parks became great floes of ice. The Arctic Ocean lay at my window. Much the same thing must have happened to Mazzini." Painstakingly retracing Mazzini's steps, the narrator simultaneously reconstructs the dramatic and fantastic story of the nineteenth-century journey, using actual letters and diaries of the members of that harrowing expedition. These documents--sometimes surprisingly poetic and moving--combine in the narrator's imagination to evoke as never before the awful beauty of the world's farthest northern reaches. In a novel as crystalline as the polar ice, as penetrating as the arctic cold, Christopher Ransmayr spins an adventure tale both spellbinding and paradoxical in its subversive undermining of conventional notions of heroism and exploration.
Contributions by Rebecca A. Brown, Justine Gieni, Holly Harper, Emily L. Hiltz, A. Robin Hoffman, Kirsten Kowalewski, Peter C. Kunze, Jorie Lagerwey, Nick Levey, Jessica R. McCort, and Janani Subramanian Dark novels, shows, and films targeted toward children and young adults are proliferating wildly. It is even more crucial now to understand the methods by which such texts have traditionally operated and how those methods have been challenged, abandoned, and appropriated. Reading in the Dark fills a gap in criticism devoted to children's popular culture by concentrating on horror, an often-neglected genre. These scholars explore the intersection between horror, popular culture, and children's cultural productions, including picture books, fairy tales, young adult literature, television, and monster movies. Reading in the Dark looks at horror texts for children with deserved respect, weighing the multitude of benefits they can provide for young readers and viewers. Refusing to write off the horror genre as campy, trite, or deforming, these essays instead recognize many of the texts and films categorized as "scary" as among those most widely consumed by children and young adults. In addition, scholars consider how adult horror has been domesticated by children's literature and culture, with authors and screenwriters turning that which was once horrifying into safe, funny, and delightful books and films. Scholars likewise examine the impetus behind such re-envisioning of the adult horror novel or film as something appropriate for the young. The collection investigates both the constructive and the troublesome aspects of scary books, movies, and television shows targeted toward children and young adults. It considers the complex mechanisms by which these texts communicate overt messages and hidden agendas, and it treats as well the readers' experiences of such mechanisms.