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The "Dark symphony" is an autobiography of the Catholic-convert author with the central motif of searching for spiritual peace while faced with racial discrimination. Also included are several of Adams' stories, articles, and poems.
Ninety-one selections from major Negro writings of the 19th and 20th centuries prefaced by an introduction to each author.
There has been a dramatic resurgence of interest in early African American writing. Since the accidental rediscovery and republication of Harriet Wilson's Our Nig in 1983, the works of dozens of 19th and early 20th century black writers have been recovered and reprinted. There is now a significant revival of interest in the Harlem Renaissance of the 1920s; and in the last decade alone, several major assessments of 18th and 19th century African American literature have been published. Early African American literature builds on a strong oral tradition of songs, folktales, and sermons. Slave narratives began to appear during the late 18th and early 19th century, and later writers began to engage a variety of themes in diverse genres. A central objective of this reference book is to provide a wide-ranging introduction to the first 200 years of African American literature. Included are alphabetically arranged entries for 78 black writers active between 1745 and 1945. Among these writers are essayists, novelists, short story writers, poets, playwrights, and autobiographers. Each entry is written by an expert contributor and provides a biography, a discussion of major works and themes, an overview of the author's critical reception, and primary and secondary bibliographies. The volume concludes with a selected, general bibliography.
There is growing popular and scholarly interest in autobiography, along with increasing regard for the achievements of African American writers. The first reference of its kind, this volume chronicles the autobiographical tradition in African American literature. Included are alphabetically arranged entries for 66 African American authors who present autobiographical material in their works. The volume profiles major figures, such as Frederick Douglass, Zora Neale Hurston, Richard Wright, Maya Angelou, James Baldwin, and Malcolm X, along with many lesser known autobiographers who deserve greater attention. While some are known primarily for their literary accomplishments, others have gained acclaim for their diverse contributions to society. The entries are written by expert contributors and provide authoritative information about their subjects. Each begins with a concise biography, which summarizes the life and achievements of the autobiographer. This is followed by a discussion of major autobiographical works and themes, along with an overview of the autobiographer's critical reception. The entries close with primary and secondary bibliographies, and a selected, general bibliography concludes the volume. Together, the entries provide a detailed portrait of the African American autobiographical tradition from the 18th century to the present.
This first-ever Black Catholic Studies Reader offers an introduction to the theology and history of the Black Catholic experience from those who know it best: Black Catholic scholars, teachers, activists, and ministers. The reader offers a multi-faceted, interdisciplinary approach that illuminates what it means to be Black and Catholic in the United States. This collection of essays from prominent scholars, both past and present, brings together contributions from theologians M. Shawn Copeland, Kim Harris, Diana Hayes, Bryan Massingale, and C. Vanessa White, and historians Cecilia Moore, Diane Batts Morrow, and Ronald Sharps, and selections from an earlier generation of thinkers and activists, including Thea Bowman, Cyprian Davis, and Clarence Rivers. Contributions delve into the interlocking fields of history, spirituality, liturgy, and biography. Through their contributions, Black Catholic Studies scholars engage theologies of liberation and the reality of racism, the Black struggle for recognition within the Church, and the distinctiveness of African-inspired spirituality, prayer, and worship. By considering their racial and religious identities, these select Black Catholic theologians and historians add their voices to the contemporary conversation surrounding culture, race, and religion in America, inviting engagement from students and teachers of the American experience, social commentators and advocates, and theologians and persons of faith.
African American women writers published extensively during the Harlem Renaissance and have been extraordinarily prolific since the 1970s. This book surveys the world of African American women writers. Included are alphabetically arranged entries on more than 150 novelists, poets, playwrights, short fiction writers, autobiographers, essayists, and influential scholars. The Encyclopedia covers established contemporary authors such as Toni Morrison and Gloria Naylor, along with a range of neglected and emerging figures. Each entry is written by an expert contributor and provides a brief biography, a discussion of major works, a survey of the author's critical reception, and primary and secondary bibliographies. Literature students will value this book for its exploration of African American literature, while social studies students will appreciate its examination of social issues through literature. African American women writers have made an enormous contribution to our culture. Many of these authors wrote during the Harlem Renaissance, a particularly vital time in African American arts and letters, while others have been especially active since the 1970s, an era in which works by African American women are adapted into films and are widely read in book clubs. Literature by African American women is important for its aesthetic qualities, and it also illuminates the social issues which these authors have confronted. This book conveniently surveys the lives and works of African American women writers. Included are alphabetically arranged entries on more than 150 African American women novelists, poets, playwrights, short fiction writers, autobiographers, essayists, and influential scholars. Some of these figures, such as Toni Morrison and Gloria Naylor, are among the most popular authors writing today, while others have been largely neglected or are recently emerging. Each entry provides a biography, a discussion of major works, a survey of the writer's critical reception, and primary and secondary bibliographies. The Encyclopedia closes with a selected, general bibliography. Students and general readers will welcome this guide to the rich achievement of African American women. Literature students will value its exploration of the works of these writers, while social studies students will appreciate its examination of the social issues these women confront in their works.
In this new collection of essays, well-known critic Brian Stableford presents twelve pieces on science-fiction and fantasy writers M. P. Shiel, Edward Bulwer-Lytton, Humphry Davy, Robert Hunt, Vernon Lee, J. G. Ballard, James Morrow, Dean Koontz, and Terry Pratchett. Complete with detailed index.
In this thrilling novel in the #1 New York Times bestselling Carpathian series, Christine Feehan presents the story of one of the oldest Carpathians as he meets the woman meant to be his... Blinded and scarred in a terrible accident, Antoinetta Scarletti made music that thrilled the world with its beauty and passion. Descended from a long line of psychics, Antoinetta has learned to rely on her other senses to “see” the world around her, but nothing could have prepared her for Byron. He came to her, drawn by her music, and became her secret obsession. Others fear him, sensing that he is dangerous—a predator—but for Antoinetta he is her ultimate fantasy, her dream lover. He woos her with kisses full of erotic allure, whispering that she is his light, his salvation. Byron has waited an eternity for her, and he will let nothing stand between him and the woman born to be his lifemate...
This study analyzes the social significance of prefaces with reference to Bulgarian editions of American literature published between 1948 and 1998. Such prefaces present a diverse body of texts, in different voices, involving numerous actors in the cultural sphere. These raise a range of interesting questions. How do prefaces in Bulgaria structure American literary and cultural studies? What ideological dimensions are found in them through the communist period and immediately afterwards? How are questions about “race” mediated? What do they indicate about Bulgaria’s relations to the USA, the former USSR and other European countries? How aware are American Studies scholars of the underlying presumptions of their professional field? These and other important questions are carefully considered in this book, while exploring a large body of fascinating source material which has received little systematic attention so far.