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This collection of essays by architect Mario Gooden investigates the construction of African American identity and representation through the medium of architecture. These five texts move between history, theory, and criticism to explore a discourse of critical spatial practice engaged in the constant reshaping of the African Diaspora. African American cultural institutions designed and constructed in recent years often rely on cultural stereotypes, metaphors, and clichés to communicate significance, demonstrating "Africanisms" through form and symbolism--but there is a far richer and more complex heritage to be explored. Presented here is a series of questions that interrogate and illuminate other narratives of "African American architecture," and reveal compelling ways of translating the philosophical idea of the African Diaspora's experience into space.
Brady Garrett needs to go home. He's a conscripted recruit on Defender Three, one of a network of stations designed to protect the Earth from alien attack. He's also angry, homesick, and afraid. If he doesn't get home he'll lose his family, but there's no way back except in a body bag. Cameron Rushton needs a heartbeat. Four years ago Cam was taken by the Faceless--the alien race that almost destroyed Earth. Now he's back, and when the doctors make a mess of getting him out of stasis, Brady becomes his temporary human pacemaker. Except they're sharing more than a heartbeat: they're sharing thoughts, memories, and some very vivid dreams. Not that Brady's got time to worry about his growing attraction to another guy, especially the one guy in the universe who can read his mind. It doesn't mean anything. It's just biochemistry and electrical impulses. It doesn't change the truth: Brady's alone in the universe. Now the Faceless are coming and there's nothing anyone can do. You can't stop your nightmares. Cam says everyone will live, but Cam's probably a traitor and a liar like the military thinks. But that's okay. Guys like Brady don't expect happy endings.
The “ambitious” first Sentients of Orion novel. “Part Dune, part Gateway, part Alien, Marianne’s new series looks like one to continue reading” (SFFWorld). On the arid mining planet of Araldis, Baronessa Mira Fedor finds herself on the run from the authorities, her life in tatters and her future stolen. Araldis itself buckles under the onslaught of a ruthlessly executed invasion. None of this is coincidence. The more Mira discovers about her planet's elite and the forces arrayed against them, the more things seem to point to a single guiding intelligence. Nothing that has happened to her or her world is an accident. But the intrigue is only beginning, as Mira must fight for her very own survival, or embrace the dark space that threatens to consume her. Don't miss the entire Sentients of Orion series: DARK SPACE, CHAOS SPACE, MIRROR SPACE, TRANSFORMATION SPACE.
Space is again in the headlines. E-billionaires Jeff Bezos and Elon Musk are planning to colonize Mars. President Trump wants a "Space Force" to achieve "space dominance" with expensive high-tech weapons. The space and nuclear arms control regimes are threadbare and disintegrating. Would-be asteroid collision diverters, space solar energy collectors, asteroid miners, and space geo-engineers insistently promote their Earth-changing mega-projects. Given our many looming planetary catastrophes (from extreme climate change to runaway artificial superintelligence), looking beyond the earth for solutions might seem like a sound strategy for humanity. And indeed, bolstered by a global network of fervent space advocates-and seemingly rendered plausible, even inevitable, by oceans of science fiction and the wizardly of modern cinema-space beckons as a fully hopeful path for human survival and flourishing, a positive future in increasingly dark times. But despite even basic questions of feasibility, will these many space ventures really have desirable effects, as their advocates insist? In the first book to critically assess the major consequences of space activities from their origins in the 1940s to the present and beyond, Daniel Deudney argues in Dark Skies that the major result of the "Space Age" has been to increase the likelihood of global nuclear war, a fact conveniently obscured by the failure of recognize that nuclear-armed ballistic missiles are inherently space weapons. The most important practical finding of Space Age science, also rarely emphasized, is the discovery that we live on Oasis Earth, tiny and fragile, and teeming with astounding life, but surrounded by an utterly desolate and inhospitable wilderness stretching at least many trillions of miles in all directions. As he stresses, our focus must be on Earth and nowhere else. Looking to the future, Deudney provides compelling reasons why space colonization will produce new threats to human survival and not alleviate the existing ones. That is why, he argues, we should fully relinquish the quest. Mind-bending and profound, Dark Skies challenges virtually all received wisdom about the final frontier.
Brady Garrett is back in space, this time as an unwilling member of a team of humans seeking to study the alien Faceless and their technology. It's not the first time Brady's life has been in the hands of the Faceless leader Kai-Ren, and if there's one thing Brady hates it's being reminded exactly how powerless he is. Although dealing with the enigmatic Faceless might actually be easier than trying to figure out where he stands with the other humans on board, particularly when one of them is his boyfriend's ex. Cameron Rushton loved the starlight once, but being back on board the Faceless ship forces him to confront the memories of the time he was captured by Kai-Ren, and exactly how much of what was done to him that he can no longer rationalize away. Cam is used to being Brady's rock, but this time it might be him who needs Brady's support. This time Brady is surrounded by the people he loves most in the universe, but that only means their lives are in danger too. And when Kai-Ren's fascination with humanity threatens the foundations of Faceless society, Brady and Cam and the rest of the team find themselves thrust into a battle that humans have very little hope of winning, let alone surviving.
On a clear, dark night we can look up and see the moon, planets, stars, galaxies, shooting stars - and sometimes even comets in the sky. They all glow in the darkness. Find out all about them and about space in this introductory astronomy book - a book you can actually read in the dark.
The proliferation of counterspace weapons across the globe often calls into question what can be done to best protect satellites from attack. This analysis from the CSIS Aerospace Security Project addresses different methods and technologies that can be used by the United States government, and others, to deter adversaries from attack. A wide range of active and passive defenses are available to protect space systems and the ground infrastructure they depend upon from different types of threats. This report captures a range of active and passive defenses that are theoretically possible and discusses the advantages and limitations of each. A group of technical space and national security experts supported the analysis by working through several plausible scenarios that explore a range of defenses that may be needed, concepts for employing different types of defenses, and how defensive actions in space may be perceived by others. These scenarios and the findings that resulted from subsequent conversations with experts are reported in the penultimate chapter of the report. Finally, the CSIS Aerospace Security Project team offers conclusions drawn from the analysis, actionable recommendations for policymakers, and additional research topics to be explored in future work.
In the tradition of Memento and Inception comes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines. Emma Lindsay has problems: no parents, a crazy guardian, and all those times when she blinks away, dropping into other lives so surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real. Then she writes "White Space," which turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. In the novel, characters travel between different stories. When Emma blinks, she might be doing the same. Before long, she's dropped into the very story she thought she'd written. Emma meets other kids like her. They discover that they may be nothing more than characters written into being for a very specific purpose. What they must uncover is why they've been brought to this place, before someone pens their end.
Encouraging readers to dream the impossible, The Darkest Dark follows a young boy intrigued by space, but afraid of the dark, inspired by the childhood of real-life astronaut Chris Hadfield and brought to life by Terry and Eric Fan's lush, evocative illustrations. Chris loves rockets and planets and pretending he's a brave astronaut, exploring the universe. Only one problem. At night, Chris doesn't feel so brave. He's afraid of the dark. When he watches the groundbreaking moon landing on TV, Chris learns that space is the darkest dark there is, and through that lesson discovers that the dark isn't just scary, but beautiful and exciting—especially when you have big dreams to keep you company.
Lieutenant Shane Vansen still has nightmares about her parents' deaths at the hands of aliens, but when the past comes back to haunt her in an alien trap, she must remain cool to save the squad.