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The cult television series Dark Shadows is fondly remembered by its fans — not least Tim Burton and Johnny Depp, who reunited to bring a stunning reimagining of the show to the big screen. Produced in close cooperation with Tim Burton and the production team, this lavish official companion to the film includes a Foreword by Depp, an Introduction by Burton and an Afterword by producer Richard D. Zanuck, alongside scores of photos, concept drawings, production designs, and interviews with the cast and crew.
Roy Sorensen here defends the causal theory of perception by treating absences as causes. He draws heavily on common sense and psychology to vindicate the assumption that we directly perceive absences.
Presents rare photographs and behind-the-scenes anecdotes from the set of the classic television soap opera.
Valdar is a city of swordslingers and necromancers, witch cults and halfhuman races. Its a city in a world of darkness, black magic and creatures of the night . . . a city where demonic entities serve the needs of any witch or magicman who can open a doorway into their domain. This is my city. This is my world. With a special dowsing rod, I can detect the ectoplasmic residue of any supernatural presence or demonic entity and sense the vestiges of odylic power and vile sorcery used in the commission of crimes. I hunt anyone and anything that poses a threat to the people of my city. My names Dorgo. Folks call me the Dowser. From infernal depths where lost souls mutate into hell-spawned devils, from the other side of the veil that separates the earthly from the unearthly, from an ancient land whose borders cross into other dimensions, Mad ShadowsThe Weird Tales of Dorgo the Dowser, will transport you to a world where sentient shadows, vengeful vampires, malevolent puppets, and raging werewolves haunt the night . . . a world where life is cheap and souls are always up for sale.
White Space Is Not Your Enemy is a practical graphic design and layout guide that introduces concepts and practices necessary for producing effective visual communication across a variety of formats—from web to print. Sections on Gestalt theory, color theory, and WET layout are expanded to offer more in-depth content on those topics. This new edition features new covering current trends in web design—Mobile-first, UI/UX design, and web typography—and how they affect a designer’s approach to a project. The entire book will receive an update using new examples and images that show a more diverse set of graphics that go beyond print and web and focus on tablet, mobile and advertising designs.
Big Eyes is the new movie from iconic filmmaker Tim Burton. Re-teaming with the writers of Ed Wood, Burton returns to the biopic genre by telling the story of Margaret and Walter Keane, and their beautiful and melancholy ‘big eyes’ paintings. This companion book features behind the scenes images detailing everything from costume design to cinematography, and original interviews explore the making of the movie all the way from script to final cut. Also featured is a gallery of Margaret Keane’s work.
When you're not adventuring with the Gelflings when watching Jim Henson's The Dark Crystal: Age of Resistance on Netflix, take to the page and explore this visual character guide to the fantastical world of Thra. Meet the extraordinary cast of creatures from Jim Henson's The Dark Crystal: Age of Resistance. This exclusive character guide, featuring stunning full-color photos from the show, will have you feeling as knowledgeable about the world of Thra and its inhabitants as the wise and all-knowing Aughra.
From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity. Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life. This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture. Visit the book's free Discussion Guide here.
Why is something a masterpiece? Art History 101 . . . Without the Exams is about revisiting famous works of art that we may have studied in an art history class or seen in a textbook. Each discussion delves into one great masterpiece and asks the questions that help us understand how it has shaped history. What is the piece about? How did the original owner look at this piece? Where was it originally placed? Why is it in this museum now? How did it get famous? From the sixth-century mosaics of Ravenna and the painted bulls of Altamira, Spain, dated 12,500 BCE, to an incense burner from twelfth-century Seljuk Iran, frescoes from a Late Byzantine funerary chapel, and masterworks by Botticelli, Caravaggio, Monet, and Sargent, this book shows readers how to look closely. It welcomes us to the joy of art history—but without the papers, notes, and exams.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.