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This is great as a journal or notebook perfect for you to write your own thoughts, get a little creative with poetry or just writing down lists or ideas. It is a 110 pages blank college ruled journal ready for you to fill with your own writing and get a little creative every now and then. 110 pages of high quality paper (55 sheets) It can be used as a journal, notebook or just a composition book 6" x 9" Paperback notebook, soft matte cover Perfect for gel pen, ink or pencils Great size to carry everywhere in your bag, for work, high school, college... It will make a great gift for any special occasion: Christmas, Secret Santa, Birthday...
Marian Engel emerged as a writer during that period in Canada when nationalism increased and “new feminism” dawned. Although she is recognized as a distinguished woman of letters, she has not been widely studied; consequently we know relatively little about her and her craft. The material collected in Marian Engel’s Notebooks: “Ah, mon cahier, écoute...” is a major step in redressing that neglect. Extracts carefully chosen by Christl Verduyn from Marian Engel’s forty-nine notebooks — notebooks Engel began in the late 1940s and which she maintained until her death in 1985 — track Engel’s creative development, illustrate her commitment to the craft of writing and document her growth as a major Canadian writer. The notebooks also portray Engel’s surprising leaps of logic, her fascination with the bizarre, the eclecticism of her reading and the depth and variety of her thinking. Finally, they present moving documentation of a woman facing cancer and early death. Christl Verduyn’s illuminating introductory discussions to each of the notebooks unobtrusively guide us in the reading of these sometimes difficult writings. Marian Engel’s Notebooks: “Ah, mon cahier, écoute...” leaves readers with a vivid sense of Canadian culture during the 1960s and 1970s. It provides insight into the literary life of one of Canada’s significant woman writers, including her connections with other Canadian writers, and will be of special interest to scholars working in the field of literature.
‘There was a history in this house, secrets he hadn’t even got close to scratching the surface of...’ Something peculiar is going on at The Lloyd Estate. The enormous house and its vast grounds are rarely seen by outsiders. Only Audrey Lloyd – the cantankerous elderly owner and only daughter to the famed movie mogul who built the mansion – knows of the suffocating darkness that has settled on the place. Property developers have come to Audrey over the decades. Countless times they have been rebuffed. Now, she agrees to sell to ambitious broker Terri Nicholls. But Terri has to trade something of her own in return. Detective Don Vernon is on the brink of retirement. Instead, he is about to be caught in a web of lies; one which Audrey has been spinning for decades. Can those who cross the threshold make it out again intact? A scintillating tale of revenge, cruelty and the many forms of wickedness, Directions for Dark Things is perfect for fans of Catriona Ward and Simone St. James.
Seven years before Richard Preston wrote about horrifying viruses in The Hot Zone, he turned his attention to the cosmos. In First Light, he demonstrates his gift for creating an exciting and absorbing narrative around a complex scientific subject--in this case the efforts by astronomers at the Palomar Observatory in the San Gabriel Mountains of California to peer to the farthest edges of space through the Hale Telescope, attempting to solve the riddle of the creation of the universe. Richard Preston's name became a household word with The Hot Zone, which sold nearly 800,000 copies in hardcover, was on The New York Times's bestseller list for 42 weeks, and was the subject of countless magazine and newspaper articles. Preston has become a sought-after commentator on popular science subjects.
Sixteen-year-old Zeeta and her flighty English-teaching mom, Layla, have traveled the world together, settling in a different country every year, making a whole new set of friends and adopting new customs. This year, they’ve chosen to live in Aix-en-Provence, France, an enchanting city full of fountains, creamy yellow light, and a fascinating group of scarlet-clad street performers. Zeeta soon begins to receive mysterious notes and gifts from someone she calls her fantôme, or ghost, admirer. But she is expecting her boyfriend, Wendell—the love of her life, as her friends call him—to arrive in Aix for a summer program very soon. Zeeta brushes off her curiosity about her fantôme, and her simmering attraction to one of the street performers, Jean-Claude, until Wendell arrives and she begins to fear that her feelings for him have truly changed. Perhaps—like Layla—she’s simply not made for long-term romance. As Zeeta tries to draw away from Wendell, however, circumstances seem to force them together. Zeeta’s friendship with a local antiques dealer and his reclusive artist friend leads to a dangerous adventure. When Zeeta and Wendell join forces to find a secret underground spring whose water is rumored to bring immortality, they are forced to reconsider their own desires, and their beliefs about true love. Yet as soon as Zeeta decides that her mind has cleared, she’s confronted with the biggest shock of her life: the incredible true identity of her fantôme. Vibrant, warmhearted, and evocative, The Ruby Notebook is a remarkable novel about learning to accept love in all of its wondrous and imperfect forms.
Rediscover the magical world of the Retrievers and the Cosa Nostradamus, in the final book of this popular series by Laura Anne Gilman. Wren Valere’s job is driving her crazy. She’s still Manhattan’s most sought-after Retriever, but after last year’s deadly confrontation with the Silence, all this magic-user wants is a break. With her apartment going co-op and her relationship with the demon P.B. putting stress on her romance with partner Sergei, is Wren finally ready to settle down to a more stable existence? Not likely. Because when you’re good, trouble always finds you. Wren’s next assignment puts her on the wrong side of a child-snatcher—and a collision course with her past. But to save a friend—and protect her future—Wren must pull off the most important Retrieval of her life…and for once magic isn’t on her side. Originally published in 2009
With a sophistication and mischievousness remarkable for a first-time novelist, Katharine Davies takes inspiration from Shakespeare’s Twelfth Night and raises the curtain on the interconnecting lives and loves of an unforgettable cast of characters. By turns comic and moving, The Madness of Love is a deftly woven tale of mistaken identity, bold moves, and unrequited desires. Valentina, a clerk in a London bookstore, is still reeling after her twin brother broke a childhood promise and ran off without her to exotic lands. When she cuts her hair, masquerades as a gardener to the melancholic Leo, and moves to the remote seaside town of Illerwick, she perplexes even herself. Leo dreams of restoring his estate’s gardens to their former glory as a romantically naïve gesture toward the woman he’s loved all his life: Melody, an English teacher whose beauty bewitches many others. Melody rejects any attempt at capture; she is locked in a state of mourning over the suicide of her dear brother. As Valentina struggles with the decades-old neglect of flowers, plants, and weeds, her affection for her eccentric employer grows, even as she helps him plot his overture to Melody. The gardens must be made ready for a grand late-summer party. But between now and then, Illerwick will stir with old longings and new desires. As people fall dangerously for those incapable of reciprocating, we see, enchantingly, how our misguided pursuit of passion often distracts us from finding real love.
Lottie, a talented violinist, disappeared during the Holocaust. Can her grand-niece, Charlie, discover what happened? A long-lost cousin, a mysterious locket, a visit to Nana Rose in Florida, a diary written in German, and a very special violin all lead twelve-year-old Charlie to the truth about her great-aunt Lottie in this intriguing, intergenerational mystery. Charlie, a budding violinist, decides to research the life of her great-aunt and namesake for her middle school ancestry project. Everyone in Charlie's family believes Great-Aunt Charlotte (called Lottie), a violin prodigy, died at the hands of the Nazis, but the more Charlie uncovers about her long-lost relative, the more muddied Great-Aunt Lottie's story becomes. Could it be that Lottie somehow survived the war by hiding in Hungary? Could she even still be alive today? In Searching for Lottie, Susan Ross has written a highly personal work of historical fiction that is closely inspired by her own family history, exploring the ongoing effects of the Holocaust on families today. Includes a letter from the author describing the research that shaped this story.
From the best-selling author of War Room comes a Christy Award finalist, now a Lifetime original movie called Child of Grace. “I believed everything my daddy told me until I walked into Wal-Mart and saw my picture on a little poster . . .” For as long as she can remember, June Bug and her father have traveled the back roads of the country in their beat-up RV, spending many nights parked at Wal-Mart. One morning, as she walks past the greeter at the front of the store, her eyes are drawn to the pictures of missing children, where she is shocked to see herself. This discovery begins a quest for the truth about her father, the mother he rarely speaks about, and ultimately herself. But when her father’s past catches up with them, forces beyond his control draw them back to Dogwood, West Virginia, down a winding path that will change their lives forever.