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Time plays a major role in classical Daoist thought, explored through different lenses in this powerful volume that brings together both established and rising scholars in the field. It discusses cosmic, seasonal, human, and mystical dimensions of time, linking Daoists to ancient astrologers, exploring universal origins (based on excavated manuscripts), examining issues of permanence and transience, and questioning notions of self and personal identity in a temporal light. Beyond this, the book also looks at classical Daoist visions of matching human activities to seasonal cycles, notions of timeliness in connection with ethical issues, ways of overcoming temporal limitations through self-cultivation, and concepts of vital energy as expressed in art and music. The book is full of fascinating and stimulating contributions, opening new horizons in our understanding both of classical Chinese thought and dimensions of time.
"Time, and in particular timelessness, plays a key role in Daoism, both in its more speculative and practical dimensions. This book explores different aspects of its vision in close comparison with other thinkers, religions, and cultures. It alternates presentations of a more theoretical, speculative nature with those that focus on concrete life situations, discussing in turn issues of personal perception, philosophical speculation, visual representation, self-cultivation, and meaning in life. Contributors explore the psychological potentials of time perception, examine what exactly constitutes a situation, outline Daoism's holistic worldview, compare Laozi and Plotinus, and examine Daoist versus Greek geometric models of the cosmos. They further study the role of Daoist notions in New Wave Taiwanese cinema, relate Daoist ideas to modern thinkers and its cultivation techniques to Zen Buddhism, trace the relevance of the Yijing to the Jungian concept of synchronicity, and explore the problem of boredom and predictability in prolongevity and immortality. The book as a whole offers a wide range of topics and perspectives, engaging with new materials while stimulating innovative insights and opening new avenues of exploration. A must for all interested in the nature of Daoism, issues of time, and comparative philosophy"--
Daoists pay close attention to all different modes and dimensions of time. They carefully observe the planetary movements in nature and set up detailed guidelines to match their course and follow the Chinese calendar with its various man-made divisions, such as the twenty-four solar periods, twenty-eight lunar stations, and the sexagenary cycle. Beyond this, Daoists activate the trigrams and hexagrams of the Yijing to designate phases of growth and decline and to mark certain temporal units with specific significance. Moving beyond this, they also work with time in the human body, linking certain features to stages of life and creating temporal rhythms by their own physical actions. They revert the flow of entropy within the body, establishing mastery over time, and transfigure their very physical constitution to subtler levels, opening ways to transcend time altogether. This volume brings together senior and junior scholars as well as practitioners to explore these various topics under three main headings: planetary, calendar, and body time. They cover the entire history of Daoism, from its precursors in the Han to its monastic and popular activation in the 21st century, as well as a plethora of different methods-social predictions, personal horoscopes, physigonomy, healing modalities, qigong, self-cultivation, internal alchemy, and more. Opening new ways of looking at time and expressing uniquely Daoist features, the volume is path-breaking and highly relevant today. A must for anyone interested in time studies, religious practice, and Chinese culture.
Revered for millennia in the Chinese spiritual tradition of the Tao Te Ching, this poetic translation of an ancient Taoist text comes alive for the modern reader Witty, engaging and spiced with the lyricism of poetry, Chuang Tzu's Taoist insights in the Inner Chapters are timely and eternal. The only sustained section of text widely believed to be the work of Chuang Tzu himself, these chapters date to the 4th century B.C.E and are profoundly concerned with spiritual ecology. With bold and startling prose, David Hinton's vital translation is surprisingly modern, making this ancient text from the golden age of Chinese philosophy come alive for contemporary readers. The Inner Chapters' fantastical passages offer up a wild menagerie of characters, freewheeling play with language, and surreal humor. Interwoven with Chuang Tzu's sharp instruction on the Tao are short stories that are often rough and ribald, rich with satire and paradox.
Qigong Teacher and Daoist Priest Michael Rinaldini has written a book on the modern day practices of a Daoist. His book, A Daoist Practice Journal: Come Laugh With Me offers the cultivation methods for walking the Daoist path. The entries cover topics like zuowang meditation, scriptures, qigong, the value of silence and solitude, and Daoist, Buddhist and Catholic mysticism, tea drinking and more. Here are some samples of his entries, which provide a glimpse into the heart of his writings.2012 January 14Sky Farm HermitageSolitary RetreatIn silence and solitude I begin another retreat on Saturday afternoon, January 14, 2012. The rest of Saturday afternoon was spent un-packing and settling into a 6-day retreat. 6:15pm What does a Daoist eat while on retreat? Tonight, I made a soup with soba noodles and assorted vegetables. I forgot to bring ginger root.9:40pmI vow to practice ... in silence and solitude, until I realize Complete Perfection.January 158:30pmOne of my goals for this retreat is to write about the common practices between the Daoist and the Christian paths. I am specifically interested in the Daoist zuowang meditation method of sitting in forgetfulness or oblivion, and the Christian fourteenth-century mystical text, The Cloud of Unknowing. Both of these ways of meditation or contemplation feature an emphasis on placing the mind's activities into a state of forgetting or the cloud of forgetting. The Cloud, was written by an anonymous author, and it is speculated that the author was a Carthusian monk, and if not, possibly a Catholic priest living a hermetic lifestyle. And so what are the similarities, the common practices between zuowang meditation, and the contemplative practices as presented in The Cloud of Unknowing?January 162pmSitting in silence outside on the porch,The only sounds-birds singing,An occasional movement of the wind,And very faint voices from neighbors down the valley.Odd at how sound travels.And right now, there was the sound of a car, actually,What I heard was the sound of the road,A gritty gravel sound.My mind filled in the blanks,And I instantly labeled it, "a car driving nearby,"Though it could have been a truck.And now my sneezes and coughing,And blowing my nose, all disrupt the silenceA large crow just landed in my valley,Returning me to silence.January 17Sitting on the porch, all bundled up.Drinking Scottish Christmas tea and a banana, and one cookie.A large part of being in silence and solitude is simply listening.Even the wind down the valley.You can hear it as it makes it way up the hills,And now, I feel it against my body,It flaps the page of this journal book.And before you know it-It's gone, and the silence returns.Except for the birds, sound of distant dogs, chickens,And that same sound that cars/trucks make on the gravel road.12:30pmThe Cloud's author says:Forget what you know. Forget everything God made and everybody who exists and everything that's going on in the world, until your thoughts and emotions aren't focused on or reaching toward anything, not in a general way and not in any particular way. Let them be. For the moment, don't care about anything (11).And finally, why even bother to think? From the zuowang tradition:I forget the vastness even of Heaven and Earth,Never mind the minuteness of the hair in autumn.Resting in serenity and silence,I listen to Pure Harmony.Still, I am free, away from it all!Movement stilled, language silenced-Why ever think? (212).January 184:30 pmInspired from yesterday's research, and last full day of retreat.Forget everything,Put nothing, between myself,And the Great Emptiness of Ultimate Stillness.That's the nameless Dao!End of Retreat
This extraordinary spiritual odyssey "transcends the tangible and points to the mysteries of all we can imagine and all we cannot" (Los Angeles Times). Part adventure, part parable, this true story of the making of a Taoist ma ster leads readers through a labyrinth of Taoist practice, martial arts discipline, and international intrigue. Line drawings.
Each iteration of Windows has meant a corresponding improvement in the techniques used for transferring data among its applications. Today's leading technique is called Automation. It allows you to work directly with objects in an application's interface using their object models. But if you want to write code in a programming language, such as Visual Basic, in order to work with the apps that support Automation, you must understand the inner workings of an application's object model--or in the case of Microsoft's Access, its two object models.Microsoft Access is the bestselling stand-alone relational database program for Windows offering both power and ease of use. And in many respects, Microsoft has made Automation the centerpiece of its vision for application development. DAO Object Model: The Definitive Reference will guide you through the Access object models, allowing you, with the support of Automation, to reference the application components you want to manipulate. An understanding of the object models is essential for developers who work with data in Access tables, or who want to manipulate components of the Access interface from other Office apps. The Data Access Objects (DAO) model is used to write and read data in Access tables. The Access object model is used to manipulate forms, reports, queries, macros, and other components of the Access interface, including most of the commands by means of the DoCmd object.This book will include an introduction and a brief description of the differences between VBA (used in most Office applications) and VBScript (used in Outlook). This chapter will also cover Office utilities and add-ons helpful in writing and debugging code, such as the Object Browser, the Integrated Development Environment (IDE) for VBA and the Interactive Debugger for VBScript. The book will then be divided into two parts; one covering the Access Object Model and the other, the Data Access Objects. Each section will have a description of what the object represents; listings of properties, events, and methods; and one or more code samples illustrating its use in VBA and/or VBScript code. Each property, event, or method section will have an explanation of the language element, and many will have code samples (either VBA or VBScript) as well.This book will detail, to an advanced user or keen intermediate user, the Access object models and how they are used. It will be the reference guide VB developers reach for when working with data in Access tables, or for manipulating components of the Access interface from other Office applications.
A Vietnamese family flees its war-torn home and resettles in California, in a novel that offers a “brilliant exploration of exile, loss, and identity” (Robert Olen Butler). Told from multiple perspectives and spanning several decades, Grass Roof, Tin Roof begins with the story of Tran, a Vietnamese writer facing government persecution, who flees her homeland during the exodus of 1975 and brings her two children to the West. Here, she marries a Danish American man who has survived a different war. He promises understanding and guidance—but the psychic consequences of his past soon hinder his relationships with the family, as the children, for whom the war is now a distant shadow, struggle to understand the world around them on their own terms. In delicate, innovative prose, Strom’s characters experience the collision of cultures and the spiritual aftermath of war on the most visceral level. Grass Roof, Tin Roof is “an affecting study on the slippery nature of home” (Los Angeles Times). “[Strom] explores the mysteries of loss, culture and identity, with skill, poignancy and imagination.” —Detroit Free Press