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'And by now, mind, it's too late to redeem your debts by giving up guzzling.' Dante's poetic correspondence (or tenzone) with Forese Donati, a relative of his wife, was rife with crude insults: the two men derided one another on topics ranging from sexual dysfunction and cowardice to poverty and thievery. But in his Commedia, rather than denying this correspondence, Dante repeatedly acknowledged and evoked the memory of his youthful put-downs. Dante's Tenzone with Forese Donati examines the lasting impact of these sonnets on Dante's writings and Italian literary culture, notably in the work of Giovanni Boccaccio. Fabian Alfie expands on derision as an ethical dimension of medieval literature, both facilitating the reprehension of vice and encouraging ongoing debates about the true nature of nobility. Outlining a broad perspective on the uses of literary insult, Dante's Tenzone with Forese Donati also provides an evocative glimpse of Dante's day-to-day life in the twelfth century.
‘And by now, mind, it’s too late to redeem your debts by giving up guzzling.’ Dante's poetic correspondence (or tenzone) with Forese Donati, a relative of his wife, was rife with crude insults: the two men derided one another on topics ranging from sexual dysfunction and cowardice to poverty and thievery. But in his Commedia, rather than denying this correspondence, Dante repeatedly acknowledged and evoked the memory of his youthful put-downs. Dante's Tenzone with Forese Donati examines the lasting impact of these sonnets on Dante's writings and Italian literary culture, notably in the work of Giovanni Boccaccio. Fabian Alfie expands on derision as an ethical dimension of medieval literature, both facilitating the reprehension of vice and encouraging ongoing debates about the true nature of nobility. Outlining a broad perspective on the uses of literary insult, Dante's Tenzone with Forese Donati also provides an evocative glimpse of Dante's day-to-day life in the twelfth century.
"Members of the Florentine family of the Donati feature prominently in Dante's Divine Comedy . Their presence is explored by Piero Boitani, as a 'comedy' within the Comedy, in close readings of the three major episodes in which they appear, one for each of Inferno , Purgatorio , and Paradiso ."
This volume, part of the Lectura Boccaccii series organized by the American Boccaccio Association, offers close readings by top scholars of Day Four of the Decameron. As fans of the Decameron know, the Fourth Day opens with an important intervention in which the author defends his project against his critics, which coincides with a significant change in tone as the subject matter turns to stories with unhappy endings. The contributors approach the stories from a variety of perspectives, including the linguistic, philosophical, anthropological, and literary historical. These fresh readings of stories that are nearly seven hundred years old testify to the enduring power of Boccaccio’s masterpiece to speak to new audiences and to find compelling relevance even at a great distance from its immediate medieval context.
Accessible and informative account of Dante's great Commedia: its purpose, themes and styles, and its reception over the centuries.
A fully updated 2007 edition of this useful and accessible coursebook on Dante's works, context and reception history.
Explores the domain of the aesthetic in Dante
Dante Alighieri’s Divine Comedy has, despite its enormous popularity and importance, often stymied readers with its multitudinous characters, references, and themes. But until the publication in 2007 of Guy Raffa’s guide to the Inferno, students lacked a suitable resource to help them navigate Dante’s underworld. With this new guide to the entire Divine Comedy, Raffa provides readers—experts in the Middle Ages and Renaissance, Dante neophytes, and everyone in between—with a map of the entire poem, from the lowest circle of Hell to the highest sphere of Paradise. Based on Raffa’s original research and his many years of teaching the poem to undergraduates, The CompleteDanteworlds charts a simultaneously geographical and textual journey, canto by canto, region by region, adhering closely to the path taken by Dante himself through Hell, Purgatory, and Paradise. This invaluable reference also features study questions, illustrations of the realms, and regional summaries. Interpreting Dante’s poem and his sources, Raffa fashions detailed entries on each character encountered as well as on many significant historical, religious, and cultural allusions.