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Table of Contents Insatiable Secret Affair with the Wife’s Friends Daughter Asuka's Cuckold Induction Sexting with Lara The Cuck, his Wife and her Boss M Y Ecstasy Want to be a Writer ? - Self Publish on Amazon - Step by step guide Disaster on the Blue Moon Asian Cuckold - He likes to watch Trapped in Paradise - Asian MILF Erotica Personal Liaisons - Eight stories Car Park Fun with Jane and her Younger Sister Cuckold Games - With the ARRR Pirate Chain Swingers Escort and the Gigolo Emily’s Submission - Sexual ecstasy with the man in the park Abigail’s First Time Erotic Musings 1 - 3 stories First Time Wife Shared with a Friend Be Careful What You Wish For Château de Masquerade Fake Casting Agent Adventures in Thailand and How it all Began - Sixteen Stories Dantes World of Erotica 4 - Three stories Laura and the Candy Man
As the title says, this was the first time Sian was shared with a group of young guys. Dave and Sian were living in Cape Town, South Africa and had been married about a year when they were in a downtown back street bar and things got steamy. Edited down excerpt..... “I want you to go over there... and sit with them for a while and let them buy you a drink and you can tell them... your husband says it’s OK and he likes to watch...” “Really...! You want me go back there... sit with them...?” “Yes babe, let’s have some fun.” Sian gave me a naughty smile, got up and walked over to the group, they looked a bit apprehensive as they knew she was with me. They give her a chair to sit on and her back was to me... 4 guys were in a semi-circle facing her. One guy got up and went to the bar to get her a drink and she started talking to the guy who she was dancing with. He kept on glancing at me but whatever she said must have given him the green light. He held her head and kissed her on the mouth. Wow...! I thought, that’s a bit fast. Then I saw he slid his hand down between her legs again and was clearly playing her while snogging her face. The guy glanced over at me again and I just smiled and raised my glass, so he kissed her again. The other guy returned with her drink and joined the group. The next thing I saw was two of the other guys joining in. This went on for about 10 minutes but as it was quite dark and they were all crowding around her, I couldn't really see what was going on. What I did recall more than anything else, is the strange feelings I was getting in my gut and how I was rock hard. It was like, feeling jealous and really horny at the same time, as if I was going to explode just from watching and wondering what exactly they were actually doing to her. That’s the best part… the wondering what they actually were doing to her, and then her telling me all the details later. Suddenly she sort of collapsed forward and they were holding her up. A guy then comes over to me and said, “She said you’re her husband and wanted to watch...!” Strictly 18 + Adults only – 4000 words
Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. He realized that awareness of divine reality was shifting, and that if it were lost, dire consequences would follow. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. Dante's masterpiece presents a cosmic vision of reality, which he invites his readers to traverse with him. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.
The essays collected here join in, and contribute to, the current reflection on Dante’s vitality today in a critical, multidisciplinary vein. Their intervention comes at a particularly sensitive juncture in the history of Dante’s global reception and cultural reuse. Dante today is as alive as ever. A cultural icon no less than a cultural product, Dante’s imaginative universe enjoys a pervasive presence in popular culture. The multiformity of approaches represented in the collection matches the variety of the material that is analyzed. The volume documents Dante’s presence in genres as different as graphic novels and theater productions, children’s literature, advertisements and sci-fi narratives, rock and rap music, video- and boardgames, satirical vignettes and political speeches, school curricula and prison-teaching initiatives. Each chapter combines a focused attention to the specificity of the body of evidence it treats with best analytical practices. The volume invites collective reflection on the many different rules of engagement with Dante’s text.
Dante, the pilgrim, is the image of an author who stubbornly looks ahead, seeking and building the "Great Beyond" (Manguel). Following in his footsteps is therefore not a return to the past, going à rebours, but a commitment to the future, to exploring the potential of humanity to "transhumanise". This dynamic of self-transcendence in Dante’s humanism (Ossola), which claims for European civilisation a vocation for universalism (Ferroni), is analysed in the volume at three crucial moments: Firstly, the establishment of an emancipatory relationship between author and reader (Ascoli), in which authorship is authority and not power; secondly, the conception of vision as a learning process and horizon of eschatological overcoming (Mendonça); finally, the relationship with the past, which is never purely monumental, but ethically and intertextually dynamic, in an original rewriting of the original scriptural, medieval, and classical culture (Nasti, Bolzoni, Bartolomei). A second group of contributions is dedicated to the reconstruction of Dante’s presence in Portuguese literature (Almeida, Espírito Santo, Figueiredo, Marnoto, Vaz de Carvalho): they attest to the innovative impact of Dante’s work even in literary traditions more distant from it.
Fifteen-year-old Ari Mendoza is an angry loner with a brother in prison, but when he meets Dante and they become friends, Ari starts to ask questions about himself, his parents, and his family that he has never asked before.
AJ: I know Dante's story better than anyone. After all, I was the one who rescued him from his homophobic, abusive father eight years ago. Since then, I've kept my distance, but when I run into him at the Marian House gala and he doesn't recognize me, I can't resist the incredible, sensitive man he's become. I would do anything to protect Dante Marian, but what if his past keeps me from being part of his future? Dante: Every new relationship has obstacles, it just turns out that ours involves my bumbling inexperience (ugh), an octogenarian naughty toy party (don't ask), and being on the run in an RV with Aunt Tilly (it involves the Secret Service- no really, don't ask). When my biological father takes his homophobic views to a national platform, the only way to stand up for what I believe in is to claim my past and confront him. So now it's time to decide: do I put the past behind me and walk away from AJ for good or face my biggest fear and fight for what's mine?
From Wall Street Journal bestselling author Giana Darling comes an enemies to lovers, forbidden romance between an ice cold lawyer and her infamous mafioso client who is on trial for murder... I am the villain of my own story... Jilted by my fiancé. A disappointment to my family. Haunted by my childhood traumas. I felt so much all my life that I resolved to feeling nothing at all. Until I met my match. As the most infamous mafioso of the 21st century, Dante Salvatore was madly passionate, unequivocally bad, and entirely too dangerous to know. He was everything I abhorred, yet I found myself representing him in the biggest criminal trial of the decade. I was so focused on winning and achieving the success I deserved that I didn't notice the gorgeous black-eyed man's effect on me until it was too late. My icy heart had been held too close to his flame and now I wouldn't let Dante go down without fighting with everything I had in me. Even if the cost of a new life with him meant the loss of my old life and everything I thought I held dear. *Book One in the Anti-Heroes in Love Duet.*
This volume explores the fraught relationship between Futurism and the Sacred. Like many fin-de-siècle intellectuals, the Futurists were fascinated by various forms of esotericism such as theosophy and spiritualism and saw art as a privileged means to access states of being beyond the surface of the mundane world. At the same time, they viewed with suspicion organized religions as social institutions hindering modernization and ironically used their symbols. In Italy, the theorization of "Futurist Sacred Art" in the 1930s began a new period of dialogue between Futurism and the Catholic Church. The essays in the volume span the history of Futurism from 1909 to 1944 and consider its different configurations across different disciplines and geographical locations, from Polish and Spanish literature to Italian art and American music.
Dante Cavallaro's wife died four years ago but her memory still haunts him. On the verge of becoming the youngest head in the history of the Chicago Outfit, Dante needs to remarry or risk appearing weak. Valentina is chosen for the role. She, too, lost her husband, but her first marriage has always been for show. Even after her husband's death, Valentina carries the weight of his secrets with her- to protect the honor of a dead man and herself. With her wedding to Dante, her castle of lies threatens to crash. Valentina fears the wedding night might reveal her secret, but her worries prove unfounded when Dante ignores her. Soon, her fear turns to confusion and anger. Valentina is tired of being ignored. She's determined to get Dante's attention and desire, even if she can't get his heart that still belongs to his dead wife.